Driving Ambitions

New Jersey’s auto racing history is full of surprising twists and turns. Here are a dozen fun facts you need to know…

Courtesy of Martin Truex Jr.

Martin Truex Jr. (left), the 2017 NASCAR champion, grew up in South Jersey, where his father owned Sea Watch International, one of the country’s major seafood purveyors. Martin Sr. was called the “Clam King.”

Mark Donohue, winner of the 1972 Indianapolis 500, grew up in Summit and attended the Pingry School. He graduated from Brown University with a degree in Mechanical Engineering.

During the Great Depression, auto racing’s top builders, mechanics and drivers called “Gasoline Alley” in Paterson’s Fifth Ward home.

During the 1980s, the Meadowlands Sports Complex was home to the Meadowlands Grand Prix. It was held on a course laid out in the stadium parking lot and offered the second-highest purse in the sport, behind the Indy 500.

Indian Motorcycle

During the 1920s, New Jersey’s most famous racer was Orie Steele (left), who was nearly unbeatable in motorcycle Hillclimb events—a hugely popular spectator sport in the years between the two World Wars.

One of the country’s first auto racing tracks was a half-mile dirt oval at the Trenton Fairgrounds. It was enlarged, paved and renamed the Trenton Speedway in 1957, and was home to NASCAR’s Northern 300. Today it is the location of the Grounds for Sculpture.

In 1909, 22-year-old Alice Huyler Ramsey of Bergen County—accompanied by a 16-year-old friend and two older sisters-in-law—became the first woman to drive across the country. It took her 59 days.

Warner Bros.

The Ho-Ho-Kus Speedway (right) in Bergen County regularly drew crowds of 5,000 or more to its Saturday races in the 1920s and 30s. Director Howard Hawks filmed heart-pounding racing scenes there for the 1932 Jimmy Cagney film The Crowd Roars.

2012 NHRA Top Fuel champion Antron Brown was born in Trenton and grew up in Chesterfield. He began racing dirt bikes on the family’s property at the age of 4.

Ray Evernham, the crew chief behind Jeff Gordon’s greatest successes, was born and raised in Monmouth County, where his father owned a service station. He began building and racing cars at the age of 14.

Tri-City Stadium, a midget car and motorcycle track, covered a mere fifth of a mile. Each time a rider completed a lap, he passed through slivers of Newark, Irvington and Union.

Raceway Park in Old Bridge, opened in 1965, became one of the nation’s top drag racing venues. In 2018, it ended its association with drag racing after more than a half-century, citing insurance and other costs.

Confessions of a Garden Club Junkie

Home improvement begins with the wisdom of the crowd.

By Sarah Rossbach

I’m standing precariously on a small, beautifully landscaped but overgrown traffic island, allergies raging, clippers in hand, debating whether to deadhead a browned Montauk daisy or leave it to feed the birds in winter. Cars are whizzing by, sometimes inches from my fellow gardeners, who are raking dried leaves. You have every right to wonder: Why do we— accomplished women of a certain age—risk our health and lives, and subject ourselves to the stiff backs and unpaid toils of weeding and pruning local mini-parks? 

A dirty pick-up truck slows down and a man with a beard leans out the window and shouts. Is it something vulgar? No. He merely yells above the traffic din, “You make our town more beautiful!” He adds with a smile, “When you’re done, my place could use your help!” 

That’s all we, members of our local garden club, need… knowing that we’re appreciated and making a difference in our community. 

www.istockphoto.com

I wasn’t always this civic-minded. My friend Andrea reminds me that 15 years ago she asked me if I wanted to join and my answer was an adamant No! Yet here I am, a member in good standing, watering and weeding public gardens, propagating plants from cuttings and seeds, entering flower shows, butchering a blooming peony “tree” (it’s really a shrub) to create a dazzling floral design. What happened? How did I go from blissfully forgetting to attend meetings—and receiving stern warnings—to planting and nurturing flowers months (and sometimes years) ahead to enter a statewide flower show?

Pick your answer: Garden club (a) saved my life; (b) ate

my life; (c) enriched my life; (d) all of the above.

Bingo. Yes, (d) is correct.

As a writer and consultant with limited free time, I scrupulously avoid committing to book clubs, tennis teams, bridge games and girls’ nights out. Yet, step-by-step, I became captivated by nearly all disciplines of my garden club as well as the camaraderie of working and lunching with members of all ages. Some members joke that their enjoyment and enthusiasm of their garden clubs is “drinking the Kool-Aid,” but that metaphor implies that they are unwitting victims. I’m no victim; I’m more of an addict, a horti-holic seeking the next horticultural high. There. I said it. Don’t even try to cure me. 

The addiction starts slowly. Funny things happen when you join a garden club. First it’s the mild stuff. You get a craving for the informative, often amusing, lectures on beneficial bugs, composting, historic gardens, holiday floral arrangements. Then a planting workshop might start you hankering for propagating herbs, lettuces and annual flowers. And before you know it, you have an overwhelming desire to get into more hardcore pursuits, the headier cultivation arts, such as starting a new plant or two from cuttings. I knew I was hooked when I requested a grow light for Christmas to propagate plants during winter’s dark months. And then, in spring, there’s no resisting the sensual pleasures of viewing your garden’s kaleidoscopic colors and experiencing the scents of the aromatic herbs, flowers and fruits of your labors. Others are lured in by a floral design workshop and demonstration and, voila, creativity blossoms: Discovering you can create masterpiece after masterpiece with plant material that you’ve grown in your garden is pretty heady stuff. Or you might catch the conservation bug as one friend—a former climate-change denier—did. Now she is an ardent environmental activist. Score one for saving our planet! 

www.istockphoto.com

Garden club membership can be dizzying. You find you’re accomplishing feats way out of your wheelhouse. I got elbowed into applying for a grant to partner with a local national park to remove invasive species and replace them with native plants and shrubs. Score another for horticulture, civics and conservation all rolled into one! Actually it’s been an enjoyable and rewarding project for all involved, including our garden club, the park seasonal workers, the local high school and, we hope, the Boy and Girl Scouts in the future. 

Home Games

As I age, inanimate physical objects mean less to me. On my birthday, don’t send a dozen cut roses. Drop off, instead, transplanted peonies or a pond lotus. Nothing symbolizes enduring friendship and love like a beautiful perennial that I can plant and enjoy year after year. Even when the garden is dormant, I still have bulbs and the joy and sense of satisfaction I get from the moment a fragrant blossom opens on a paperwhite, or a stunning exotic flower appears on an amaryllis stalk.

 Which is why, in the dozen-plus years I have been a garden club member, I have come to regard this association as a very special kind of “home improvement.” Between horticulture lectures and helpful advice from my fellow members, my garden is more varied and natural appearing. And now I pay attention to whether a plant will attract or feed a bee or butterfly, important crop pollinators. So now milkweed, salvia and beebalm are ensconced among my flowerbeds. I love to bring in greens in winter and flowers the rest of the year to arrange in my own unique way for dinner parties for all to enjoy. There is one complaint from my husband: it’s the pots, trowels, bags of soil that fill my office/potting shed with the promise of warmer, greener days to come.

I admit I am an enabler, luring my friends to join my garden club with genuine enthusiasm. Garden clubs are down-to-earth. One novice noted that few garden club members sport fingernail polish What’s the point? It will only chip with repotting. And a garden club can be life-changing in unexpected ways. I’ve known a few shrinking violets and wallflowers who have personally blossomed from the exposure to all that garden clubs have to offer.

www.istockphoto.com

As winter grinds on, it’s actually a good time to survey the garden club scene in your area. If you are interested in joining a garden club, there are a few different gardening organizations—all wonderful. It’s worth shopping around to see where you would best fit and enjoy the programs and club members. Choosing any club is a win-win and attending an open-to-the-public meeting is an excellent way to start. Whatever club you join, you will come to appreciate the art and science of nurturing a garden…and cultivate a whole new world of knowledge, skills and friends. 

EDITOR’S NOTE: Sarah Rossbach has written for EDGE on a wide range of topics. She is a member of the Rumson Garden Club.

Community Events

We welcome the community to our programs that are designed to educate and inform. Programs are subject to change.

SEMINARS

Visit www.TrinitasRMC.org for seminar listings or check for updates on our Facebook page, www.facebook.com/TrinitasRMC.

 

TUESDAY, FEBRUARY 12

5:30 PM

Going Red for Women

Trinitas Regional Medical Center will host this annual event. Come learn about “Women and Heart Disease.” The public is welcome to this free event, but registration is limited. Call 908.994.5139 to register.

Presenter: Dr. Mirette Habib Interventional Cardiologist, Trinitas RMC

Garden Restaurant, 943 Magie Avenue, Union

 

WEDNESDAY, FEBRUARY 20

1:00 PM

Be the Match Bone Marrow Registry Drive

Did you know that a spinal tap is not required to donate your bone marrow? All Trinitas community members are urged to come learn how to help save a life by supporting Brandon Dillagard, an 8-year-old New Jersey resident, and many other local patients searching for a match. As a parent you’re only ever a 50 percent match for your own child. Seventy percent of the time, a complete stranger can save your loved one’s life.

Stem cell is a cure for blood cancer patients. Learn how YOU can help save a life. You could be the lifeline for a patient searching for a match. For more information, call 895-494-6882. If you can’t make it, text 61474 to join. Hit enter “cure65,” and help save a life.

Trinitas Café in the main hospital, 225 Williamson St.

 

TCCC SUPPORT GROUPS

 

Conference Room A or Conference Room B Trinitas Comprehensive Cancer Center 225 Williamson Street, Elizabeth New Jersey 07207

All events take place from 1:00 – 3:00 PM. Call (908) 994-8535 for 2018 schedule.

Living with Cancer

Viviendo con Cáncer, Grupo De Apoyo

Living with Breast Cancer

Viviendo con Cáncer de Mama

Caregiving Support Group

Viviendo con Cáncer, Grupo De Apoyo

Viviendo con Cáncer, Apoyo Familiar

For more information on any TCCC support programs and to RSVP, please contact Roxanne Ruiz-Adams, LSW, (908) 994-8535. Por favor llame al (908) 994-8535 para confirmar su asistencia.

 

SPECIAL PROGRAMS

 

Health Services with Women In Mind

Trinitas helps provide women access to vital health services with a focus on preventive measures. These include educational programs and cancer screenings. Programs offered in English and Spanish.

To learn more about these services, contact Amparo Aguirre, (908) 994-8244 or at amaguirre@trinitas.org

Ask the Pharmacist: Medication Management

Free of charge, by appointment only. Monthly on the 4th Tuesday, 11:30 AM – 1:00 PM

Call (908) 994-5237

 

TRINITAS HEALTH FOUNDATION EVENTS

SATURDAY, FEBRUARY 23

15th Annual Evening at the Races

Meadowlands, Rutherford, NJ

VIP Reception 5:30 PM Gourmet Dinner 6:30 PM First Race 7:15 PM

 

THURSDAY, MAY 9 6:00 PM

Annual Gala Dinner Dance

The Venetian, Garfield, NJ

Join the foundation at this beautiful black tie event complete with fantastic live music, dancing, an incredible auction and amazing food and drink.

For more information about the Foundation or to learn more about its fundraising events, (908) 994-8249 or kboyer@trinitas.org.

Proceeds from these and other events benefit the patients of Trinitas Regional Medical Center. Making reservations for Foundation events is fast and easy on your American Express, MasterCard, Visa or Discover card!

 

MEDICAL AND BEHAVIORAL HEALTH SUPPORT GROUPS

 

Diabetes Management Support Group

Monthly, First Monday, 2:00 – 3:00 PM

Kathleen McCarthy, RN, CDE (Certified Diabetes Educator)

Open to both diabetics and non-diabetics who want to learn more about diabetes prevention.

65 Jefferson Street, 2nd Floor, Elizabeth, New Jersey Call (908) 994-5502 for further information or registration

 

Sleep Disorders

If you or someone you know experiences problems sleeping, consider contacting the Trinitas Comprehensive Sleep Disorders Center in Elizabeth. Another location can be found in Cranford at Homewood Suites by Hilton with easy access on and off the Garden State Parkway. Both centers are headed by a medical director who is board certified in sleep medicine, internal medicine, pulmonary medicine, and intensive care medicine, and is staffed by seven certified sleep technologists.

For further information, call (908) 994-8694 to learn more about the Trinitas Comprehensive Sleep Disorders Center or visit www.njsleepdisorderscenter.org

 

Narcotics Anonymous

Monday 7:00 – 8:30 PM Sunday 12:00 noon – 2:00 PM; Sunday 5:00 – 6:30 PM

Jean Grady, Community Liaison, (908) 994-7438

Grassmann Hall, 655 East Jersey St., Elizabeth

 

Alcoholics Anonymous

Friday 7:30 – 8:45 PM

Jean Grady, Community Liaison, (908) 994-7438

Grassmann Hall, 655 East Jersey St., Elizabeth

 

HIV Education and Support Program for HIV Positive Patients

Monthly. Call for scheduled dates/times.

Judy Lacinak, (908) 994-7605

Early Intervention Program Clinic, 655 Livingston St. Monastery Building, 2nd Floor, Elizabeth

 

Mental Illness Support Group (NAMI) for Spanish Speaking Participants

4th Friday of each month except August, 6:30 – 8:30 PM

Mike Guglielmino, (908) 994-7275 Martha Silva, NAMI 1-888-803-3413

6 South Conference Room, Williamson Street Campus 225 Williamson Street, Elizabeth

 

TRINITAS CHILDREN’S THERAPY SERVICES

899 Mountain Avenue, Suite 1A, Springfield, NJ • (973) 218-6394

 

“10 Tips…” Workshops The Ten Tips Workshop Series is back and as informative as ever! The series consists of 10 workshops appropriate for parents, teachers, or individuals who work with young children and focus on practical strategies that can be easily implemented into daily classroom and/or home routines. All workshops offer suggestions that are appropriate for all children. A special emphasis is placed on children with special needs and those with an Autism diagnosis.

All workshops take place at the Trinitas Children’s Therapy Services Center, 899 Mountain Ave, Suite 1A, Springfield NJ. Workshops are $15 per class. Register for all 10 classes and pay in advance for the discounted rate of $120.00 (A savings of $30.00).

 

February 19, 2019 6:00 – 7:30 PM

10 Tips for Improving Executive Functioning Skills

 

March 19, 2019 6:00 – 7:30 PM

10 Tips to Understanding How to Implement Mindfulness in Your Classroom

 

April 16, 2019 6:00 – 7:30 PM

10 Easy to Make Sensory Activities

 

May 21, 2019 6:00 – 7:30 PM

10 Tips for Improving Fine Motor Skills

 

June 11, 2019 6:00 – 7:30 PM

10 Tips for Creating Fun Summer Activities (Indoor and Outdoor)

For more information or to register, please contact Kellianne Martin at Kmartin@trinitas.org or by phone at (973) 218-6394 x1000.

 

Winter/Spring Programs: All programs are offered one time per week, for 45 minutes at Trinitas 

Children’s Therapy Services, 899 Mountain Avenue, Suite 1A, Springfield, NJ 07081

These programs and/or group therapy sessions are a great alternative to individual therapy. They give children the opportunity to address key developmental areas in structured but busier environments that are more reflective of typical real-life home and school situations. Classes are grouped by skill and age level.

 

Scribbles to Script

Children from preschool (prewriting) through elementary school (cursive) have the opportunity to use the Handwriting Without Tears program to learn pre-writing skills, proper letter formation, and writing within the given lines. Multi-sensory fine motor, visual-motor, and visual-perceptual activities help to reinforce learning and make writing fun! 45-minute classes held once weekly.

 

Sports 1 Step at a Time

Children between the ages of 4 & 12 will have the opportunity to work with a PT to refine their skill set for several sports, including soccer, basketball, and kickball, in a non-competitive group setting. 45-minute sessions held once weekly.

 

Social Butterflies

Children between the ages of 4 & 12 have the opportunity to become social butterflies by engaging in fun non-challenging therapeutic activities overseen by a speech & language pathologist. Skills taught include turn-taking, topic maintenance, appropriate question asking, following non-verbal cues, and using manners. 45-minute sessions held once weekly.

 

Typing Whizkids

Children from 1st grade through middle school will participate in functional tasks that will allow them to learn efficient keyboarding/typing skills. From key location and finger placement, to speed and accuracy children will learn this valuable skill the correct way while working with an OT. 45-minute sessions held once weekly.

To register for any programs or for more information, please contact Kevin Nelson at knelson@trinitas.org, (973) 218-6394, ext. 1300, or fax (973) 218-6351. To learn more, visit www.childtherapynj.com

This page is sponsored by

Elizabethtown Healthcare Foundation

Inspired to Care, Inspired to Give

 

Hero Worship

Singing the praises of America’s favorite sandwich.

By Caleb MacLean

The combination of inexpensive meat and cheese, topped with greens and oil and vinegar, wrapped in a long, crusty roll dates back to the 1800s in Italy, where it was a traditional sandwich. As Italian-Americans opened grocery stores and sandwich stands in northeastern cities in the early 1900s, their signature creation grew in popularity and complexity.

Who “invented” the hero? The city of Portland, Maine claims this honor, insisting that the very first one was served up by Giovanni Amato, who ran a restaurant that’s still in business more than a century later. The more likely story is that versions of this sandwich existed throughout New England in the early part of the 20th century. During World War I, a sandwich shop in Boston was selling hero sandwiches by the hundreds to sailors at a nearby naval installation. This is where the nickname “sub” supposedly originated.

United States Navy

But wait. Our very own city of Paterson says that’s wrong. No evidence of the actual term found its way into print until the 1920s, when a group of enterprising boys managed to raise the hull of a sunken submarine from the Passaic River and donated it to the Paterson Museum. After visiting the museum, Dominic Conti, who sold hero sandwiches from his grocery store on Mill Street, rechristened his lunchtime offering the submarine sandwich. New Jersey has another important connection to the sub: the first Blimpie store opened in Hoboken in the 1960s.

Upper Case Editorial

Still another origin story for the sub involves Benedetto Capaldo, a shop-keeper in New London, who sold tasty “grinders” to his Connecticut customers. When the nearby naval base began constructing submarines in the late-1930s, daily sandwich deliveries numbered in the hundreds. Naturally, they became known as submarine sandwiches, too.

Library of Congress

The term “grinder” has a dockyard history, as well. In New England, the Italian-American workers who sanded rusty hulls were called “grinders.” Their go-to sandwich took on the same name—although some claim that the sandwich got its nickname because of how difficult it was to chew through. Until recently, there actually was an acknowledged difference between subs and grinders: subs were always cold and grinders were usually hot. So back in the day, a meatball sub would have been a meatball grinder.

Photo by David Reber

Library of Congress

What bout the hoagie? Italian-American workers at Philadelphia’s Hog Island shipyard supposedly shortened “Hog Island” to “hoagie.” But Hog Island closed down long before the nickname came into common use, so the story everyone in Philly knows is just that: a story. A better explanation is that the name started in a sandwich joint run by Al de Palma, a former jazz musician. He opened a sub shop in the City of Brotherly Love during the Depression and called his extra-large sandwiches “hoggies” (big enough to feed a hog). He eventually opened several stores around the city and, thanks to that Philly accent, hoggie became hoagie.

Photo by Jeffrey W.

As for the name “hero,” it became popular in the New York/New Jersey area in the late 1930s. The theory that it is derived from the Greek gyro sandwich doesn’t quite work—gyros didn’t become popular in New York until the 1960s. In 1936, a food columnist for the New York Herald Tribune described an Italian sandwich so huge you had to be a “hero to eat it.” The paper had a circulation of 300,000 at the time, so thousands of readers began calling the sandwich by its new name. Cops, bank guards and armored car crews popularized the term by the end of the decade.

Did You Know?

During the many decades when the hero sandwich was a staple of the working man’s lunchbox, one of its key construction details was the placement of the cheese. The first and last layer was almost always made of cheese slices. They prevented oil, vinegar and other condiments from migrating into the bread.

Did You Know?

Other names for the iconic sandwich include torpedo, wedge, Dagwood, zep and bomber. In New Orleans the “poor boy” (pronounced po’boy) resembles the traditional sub, but was originally constructed to mimic the courses of a meal.

Home Front

In the trenches with New Jersey’s heroic food producers.

By Andy Clurfeld

Morning has broken, and I’m rough-chopping Terhune’s Winesaps, an apple that’s a little more tart than sweet, and tossing the cubes into a small stovetop pot moistened by melted Valley Shepherd butter. I add a couple of cups of Morganics oats, a dash of cinnamon, and stir, coating the oats and apples with the spice and butter. A minute later, I add water to cover, pump up the heat till the liquid bubbles, then turn down the flame and cook my oatmeal, stirring now and again, for a handful of minutes until the oats and apples are soft. Should I add a splash of maple syrup from Sweet Sourland Farms? Honey? Why not a tad bit of both? I lower the heat under my pot of oatmeal to the barest of simmers and grab myself a bowl and a spoon.

The skies are cloudy and the air outside damp, but my morning is about to take a turn for pure bright: Morganics Family Farm oatmeal is the ideal breakfast, the jump-starter of any day at all, be it crammed and tense or lazy with time for dreaming. Scott and Alison Morgan’s farm in Hillsborough is where the couple oversee operations that result in the freshest possible grains—grains grown in sustainable, eco-responsible fashion. When you eat fresh, sun-dried grains, “your body will reap the benefits,” the Morgans say I agree. My breakfast of oatmeal made with Morganics oats, Valley Shepherd butter from the creamery in Long Valley, apples from Terhune Farms in Mercer County, honey from Top of the Mountain in Wantage, and maple syrup from Sweet Sourland in Hopewell, revs up my mind, body and heart. I am inspired, fueled and gratified to be eating an all-star New Jersey meal.

It’s what I most love to do. Once upon a not-so-long-time-ago, it was much harder to do. But today there are myriad and many farmers and food artisans who are the Garden State’s true unsung heroes, people who are plying the various soils and waters of a peninsula packed with some 8.9 million people and offering an array of foods that have not traveled thousands of miles over the course of weeks before transfer to supermarket shelves. These heroes increasingly farm and produce fresh foods year-round, employing new techniques and technologies to serve forth a bounty with an impeccable pedigree: New Jersey, the Garden State. Jersey-born, Jersey-bred, Jersey-proud.

River Bend Farm/Gladstone Valley Pasture Poultry • Far Hills

Dakota and Duke are loving life. They’re doing their job, these 4-year-old guardians of livestock bred in the Italian Alps and best known by their breed name, Maremma. Huge, hairy and armed with a ferocious bark, the dogs seem to be everywhere they need to be in order to protect Corné Vogelaar’s chickens from harm that may come by air or land. “Right now, they’re guarding the layers,” Corné says. “They guard against the aerial predators and they guard against the fox and the coyotes. It’s all instinct. They are not vicious; their weapon is their alertness and their bark.”

They work where the girls are, the egg-layers, the turkeys, the broilers—those Cornish crosses that are the pasture-raised chickens sold under the Gladstone Valley Pasture Poultry label. A sibling enterprise to River Bend Farm, headquartered in Far Hills, Gladstone Valley chickens are the American equivalent to the Bresse chicken in France, the anointed “queen of poultry, poultry of kings.”

“They’re out on grass and rotated on fresh grass daily,” Corné says, describing the efficiency of the “chicken tractor,” which pulls the chickens’ homey coop to new servings of the good stuff. Dakota and Duke appear to smile as Corné gives them each a good rubbing behind the ears. Then it’s Corné’s turn to smile. He’s been loving life at River Bend Farm since 1996, shortly after he graduated Rutgers with a degree in animal science. Born and raised in Holland, he came with his family to the United States in 1988. Farming was his goal. He spent his first 10 years at River Bend, then all-cattle and all-Angus, improving the species.

“I really love the genetics and the breeding of better cattle,” Corné notes. Slowly, he “started harvesting beef and marketing it. The meat business is now our main business, and we also supply breeding stock to other farmers.” In more recent years, he’s added Berkshire pigs (“the Angus of pork”) and a few Mangalistas as well to his stock. There’s lamb and there are the chickens and there are eggs.

Corné sells to an A-List of restaurants, including the Ryland Inn, Pluckemin Inn and the Harvest Group eateries. “We are fortunate to work with excellent chefs who know how to work nose-to-tail and use everything,” he says. But home cooks also are in the River Bend/Gladstone mix: Along with a self-service egg cart, Corné keeps an on-farm store open for retail sales of frozen beef, chicken, pork and lamb on Friday afternoons and Saturday mornings. He sells at the in-season Bedminster Farmers’ Market.

As manager of the privately owned farm, Corné tends to the needs of a sizable span of animals. But he doesn’t do it alone. There are a couple additional full-time employees; his two oldest sons also work on day-to-day operations. Corné and his wife, Dawn, have eight children, six boys and two girls ranging in age from a baby born this past January to a 21-year-old whose welding skills are useful on the farm. Corné invites me into one of the cattle pastures. “Come meet Clover,” he says. “She’s more of a pet.” He maneuvers the sweet bovine in my direction and nods when I pet her. I’m loving life, too.

Hillcrest Orchard & Dairy/ Jersey Girl Cheese • Branchville

Sal Pisani is scooping ricotta into baskets set atop trays, allowing the fresh, warm cheese to drain, and talking in Italian to Raffaelle “Ralph” Saporito, who is both balling up and braiding batches of mozzarella. Sal and Ralph talk cheese in Italian almost every day, a language that bridges the near-35-year difference in their ages. Ralph was born in Raritan; at age 3, his family returned to Naples, Italy. A revered cheesemaker in Italy, he returned to the United States to teach Sal the art and craft of making classic Italian cheeses. “I’m an apprentice,” says Sal, 27, “and Ralph is my teacher.”

Professor in a doctoral program is more like it. Sal Pisani grew up under the tutelage of his father Rocco, who was born and reared in Calabria, Italy, but moved to the U.S. at 21, settling in Morris County. There, on threeacres, the Pisani family created their own Little Italy. “My father brought with him the traditions he picked up from his mother,” Sal says. “Dad would make cheese, cure meats. Every September, we’d make tomato sauce. It was all about food, when I was growing up, homesteading, not selling what we made.” There was a vegetable garden, animals – “chickens, goats, a horse, sheep, a peacock and an alpaca, but never more than 15 animals”—and the constant rhythm of time at the table with family and friends.

Sal graduated Monmouth University in 2014 and returned home. Cheesemaking was his passion; it drew him in as a career when he learned of a buffalo farm in need of someone to make the herd’s milk into cheese. After that ended, Sal found a new home at Hillcrest, an apple orchard and dairy in Branchville, Sussex County, owned and operated by farmer Jimmy Cuneo. His prize Jersey cows, which yield creamy, high-fat, high-protein, high-quality milk ideal for making Sal’s favorite cheeses, were waiting for the right partner. “Dairyfarms are closing every day, it seems,” Sal says. To keep going, “Jimmy had decided to outfit and expand to accommodate cheesemaking and retail. We made the jump with him. Ralph decided to come and work with us. It was the best luck to find this opportunity.”

The best luck for consumers, too. Sal’s Jersey Girl cheese line currently includes fresh mozzarella, fresh ricotta, scamorza (a dry, aged mozzarella), primo sale (a fresh basket cheese), cacciocavalo (a sharp-tasting aged cheese) and burrata, and is sold at farmers’ markets in Sparta, Morristown and Holmdel, as well as Saturdays and Sundays from 10 a.m. to 4 p.m. at the farm’s own store in Branchville.

Back in the cheesemaking room, Ralph Saporito finishes braiding mozzarella and his protege scoops a spoonful of the still-warm ricotta from a basket. Clouds to heaven—that’s what pops into my mind as I taste. Sal smiles. I sample the mozzarella, the scamorza, the cacciocavalo and know I have never, ever tasted better examples of these beloved cheeses. Italy is no longer an ocean away.

Rolling Hills Farm • Delaware Township

Opening bells at New Jersey’s farmers’ markets don’t always ring in the kind of bounty stalwart shoppers crave. May and June aren’t July, August and September, after all. Not so if you come upon the stalls of Rolling Hills Farm. Fresh from the farm in Delaware Township, Hunterdon County, May and June see bushels and baskets of cucumbers, beets, new potatoes, summer squash, snap peas, salad mixes, arugula, carrots, head lettuces, scallions, Swiss chard, broccoli, cauliflower…okay, time to catch your breath. You might lose it again when you see, up close and in person, the heart-of-spring produce grown by Stephanie Spock and John Squicciarino on a scant 1½ acres.

“Thanks to reading the works of Eliot Coleman,” John says, referring to the New Jersey-born revolutionary farmer whose Four Season Farm on Cape Rosier, Maine, does exactly what its name promises, “we farm year-round [using] high tunnels that let us have produce in May.”

“Our customers go insane over our carrots—they’re the sweetest carrots!” adds Stephanie. They grow in theground, in high tunnels, or hoop houses—plastic-covered structures that allow a plant’s roots to take in the nutrients of good soil, all the while being protected from storms and other excesses of the elements. Not that the couple wish to defy seasonality.

“No tomatoes in May,” both say, as John adds: “We recognize the seasons.”

On land leased from members of the Hamill family, of Cherry Grove Farm in Lawrence Township, Stephanie and John grow produce following organic practices and sell at the summertime Asbury Fresh Market as well as at farmers’ markets in Wrightstown and Yardley, PA. Their attraction to farming began while they worked on Brick Farm Tavern’s Double Brook Farm in Hopewell, which has become something of a breeding ground for young farmers as well as chefs learning the lessons of the seasons.

“We were 26 when we started here, in 2014,” John says. “It was stressful in the beginning,” Stephanie adds.

But they were determined. In the depths of winter, Oliver Gubenko’s Harvest Drop, which delivers produce and products from area farms to restaurants and small retail outlets, brings Rolling Hills’ fresh greens for salads and more to chefs. “It’s more work for us, but it’s worth it,” says John. The couple’s year-round, smart-farming practices evens out the workload. Rather than getting burned out by summertime work weeks of 80 to 90 hours, they put in 20 to 25 hours a week in the typically fallow cold-weather months by growing those greens and gearing up for the earlier start that results in bumper crops in May. Summer, as a result, makes for more manageable 50-hour work weeks.

“We do things in winter to make for a bounty in May and June,” John says. Meanwhile, Stephanie is studying nutrition with the goal of having a practice that engages the farm. “It all ties in,” Stephanie says. “What we grow, how we eat, how we feel.”

Chickadee Creek Farm • Pennington

Jess Niederer is standing in a propagation greenhouse on Chickadee Creek Farm, her 25-acre year-round farm in Pennington. Jess looks up, smiles and says, “I got married here, right here, on the Winter Solstice, Dec. 21, 2018.” At 76 feet by 30 feet and cloaked in light, it’s not only a lovely place for a wedding but, in Jess’s words, “the proper size for the planned growth on our farm.”

Jess’s new husband is Kevin Riley, a nurse who works at a federal clinic in Trenton; Kevin’s new wife is a veritable rock star farmer, New Jersey’s answer to Eliot Coleman of Four Season Farm in Maine, and a presence at farmers’ markets both seasonal and year-round in towns all over the state: Princeton, Denville, WestWindsor, Morristown, Rutgers Garden, Hoboken, Summit, Metuchen. Full disclosure: I don’t know how to have dinner at home any more, be it a party or an any-old-night meal, without Chickadee Creek produce at hand. Wherever Jess Niederer sells, I’ll travel to buy. So I’m listening to Jess talk in a near-empty propagation greenhouse and longing to see where the harvested produce that I know is going to the next day’s market is kept. I’m going to buy some to photograph, up close and personal, for this story. And then eat.

Jess grew up in a farming family (fourth-generation, she is), went to Cornell, where she studied ecology and conservation biology, spent a couple of years working at nearby Honey Brook Farm, and is as conversant in the business of farming as she is about how to grow, harvest and market the 56 different crops she grows at Chickadee Creek.

To work it all by the numbers: The Niederer family farm is about 80 acres, 40 of which are tillable and 25 of which—Chickadee Creek—Jess leases from her father. She employs nine people full-time, year-round, and is “trying to get every single one of them up to the $15-an-hour benchmark” well before state requirements kick in. Now in her 10th year running Chickadee Creek, she is 35 years old, has approximately 500 members in her CSA (Community Supported Agriculture) program. When we walk into one of her high tunnels, where gorgeous arugula is grown in the ground all winter, she’s quick to note a $14,000 tractor can work the soil of this 196-foot-by-30-foot structure. The number most on Jess Niederer’s mind, however, is $1 million—that’s the amount Jess needs to buy her farmland from her father. “It would be about $4 million if it wasn’t in the state preserved farmland program,” she says. That would not come with a house—just the land that Jess works to feed the thousands of people in New Jersey who love eating Chickadee produce.

Jess’s business model is based on year-round production, which is good for customers and also good for her staff. If you stop growing, harvesting and selling in the cold months, Jess explains, you effectively lay off your staff. “You can’t keep good people that way,” Jess says. By doing regular net-profit analyses, she is able to determine what’s working (new crops, such as ginger and sweet corn), what needs to be “kicked off” (cauliflower just wasn’t selling), and what’s most profitable (salad greens, head lettuces, flowers, tomatoes, cut greens). She’s keen on farmers’ markets: “They’re time-intensive, but the dollar value is the best.” She doesn’t work with restaurants much. She’s devoted to her CSA members. She keeps the just-harvested produce in temperature-controlled containers until that produce is taken to market.

Ah-ha! On that day, I buy several head lettuces, creamy white Japanese turnips, carrots colored purple, yellow and orange. Two days later, I buy more Chickadee produce at the West Windsor Winter Market. Obsessed? Guilty as charged, and proud of it.

Mishti Chocolates

What happens when chocolate meets ginger? Or lavender? Or toffee? How about sea salt, pineapple, chile or orange? What if you learn that these chocolate partnerships, as well as the straight-up chocolates, are vegan, organic, non-GMO, soy-free and gluten-free? When the chocolates are by Mishti, it’s about “bringing a smile to every face, one chocolate at a time.” Which is the slogan chocolatier Arpita Kohli wrote when she first started making the coveted chocolates. Because what’s not in Arpita’s chocolates just might be what makes them irresistibly delicious.

The Scotch Plains resident started making chocolates professionally when she and husband Puneet Girdhar realized their then-baby daughter Mishti had a variety of allergies, including dairy. “We have a healthy household,” says Arpita, a skilled home cook who had been making chocolates since she was a child. “So I started making vegan chocolates.” And it worked. Little Mishti, now 4½, could enjoy chocolates like her mom and dad. Arpita, creative by nature with a career in textiles, kept experimenting and perfecting the chocolate line she named Mishti. She uses 100 percent chocolate; her milk chocolate is made with almond milk and her sourcing meticulous. Her elegant packaging reflects the fundamental simplicity of her recipes and products.

“I don’t want to take all the credit; both my grandmother and mother and all my aunts are excellent cooks. I grew up around great food and wonderful flavors,” Arpita says.

Life’s been busy for the chocolatier. She started the business in 2017 and, in April 2018, gave birth to a second daughter, Seher. “Puneet is my true partner,” she says, praising his support and help in marketing. Indeed, Puneet, Mishti and now Seher are popular regulars at many farmers’ markets, including those in West Windsor, Ramsey and Red Bank, and the chocolates are sold in specialty markets such as Basil Bandwagon in Flemington and Clinton and Dean’s in Basking Ridge and Chester.

 

For Your Little Black Book

Morganics Family Farm 

morganicsfamilyfarm.com

 

River Bend Farm

25 Branch Road, Far Hills • 908-234-1377 

RBFAngus.com • GladstoneValley.com

 

Hillcrest Farm/Jersey Girl Cheese

 2 Davis Road, Branchville • 973-703-5148 

HillcrestFarmNJ.com

 

Rolling Hills Farm

133 Seabrook Road, Delaware Twp. • 609-731-9175

 rollinghillsfarm.org

 

Chickadee Creek Farm

Titus Mill Road, Pennington

 chickadeecreekfarm.com

 

Mishti Chocolates 

206-569-5269 

mishti-chocolates.com

 

Close to Home

By Christine Gibbs

To move or not to move…that is the question. And these days, it’s an all-too-familiar one. This is particularly true at the extreme ends of the demographic spectrum in New Jersey, with downsizing Boomers and upwardly mobile Millennials looking—and, in some cases, competing—for apartments in or near their hometowns. This has led to an explosion in rental property development in walkable downtowns as well as traditional suburbs, and it is changing the landscape of how and where people live in the Garden State.

www.istockphoto.com

For aging Baby Boomers, apartment living has become a viable alternative to the three “traditional choices”: heading south, joining a retirement community or staying put and dealing with the consequences, whatever they may be. That’s because they are living longer and living better—however, it’s time to move on from a home with the physical and emotional burdens of high carrying costs and endless maintenance. Seniors, retirees and pre-retirees are coming to the mass realization that where they live now is not necessarily where they should live tomorrow.

Meanwhile, for young professionals in their 20s, the appeal of home ownership has lost much of its luster. Home prices and taxes in New Jersey are high and the job market—while growing—is unpredictable. For some, the mobility and convenience of renting a stylish apartment with contemporary amenities is more important than owning something that could conceivably tie them down. For others, the lack of disposable cash or minimal borrowing power makes renting the only option.

What these “bookend” groups have in common is that, when it comes to apartment living, they are more sophisticated, more determined, and more selective than ever. What do these kids want? They want out of their parents’ basements. The Failure to Launch stereotype is the exception, not the rule, in New Jersey. For most Millennials, personal finances are the driving factor regarding their next move. Modest entry-level salaries, student loan debt and a tight starter home inventory limit their choices and often that first apartment is a dog. Yet, all is not doom and gloom. The job market is strong in Central New Jersey, particularly in the tech sector, where wages can support rents of $3,000/month or more. And that can get you something very nice in a place you want to live—maybe even close to friends and family.

That being said, price and convenience are not enough to close the deal for this new generation of young apartment hunters. Millennials with healthy incomes are steeped in the belief that if they just keep looking, something perfect will come their way. They will visit dozens of apartments until they find someplace that suits the exact lifestyle they envision for themselves. They want a move-in ready unit in a hassle-free environment. In the suburbs, they typically want to be steps away from public transportation (“transit villages”) with nearby cultural and educational resources, walkable or bikeable to a dynamic town center complete with a wide variety of retail and restaurant choices. Young apartment dwellers also want to become part of a community that offers a more upbeat, healthy and relaxed atmosphere. All of this, not surprisingly, commands a higher-than-average rent…and creates an opportunity for developers who understand the vision of Millennial renters.

www.istockphoto.com

This is not your father’s suburban apartment

And yet, it’s your father who may soon be moving in. One of the charming ironies of the new wave of luxury apartments in the New Jersey suburbs is that they are equally appealing to Baby Boomers who are aging out of their longtime (and often nearby) homes. For builders, this is a gift. They have two completely different demographic groups vying for what are essentially the same units in the same developments. The 50-, 60- and 70-something renters have little in common with Millennials, other than a certain kind of pragmatism. As a group, they are adjusting, not always gracefully, to the idea of senior citizenship.

With that adjustment comes the realization that their personal finances and/or health and mobility no longer support traditional homeownership. Even a generous retirement income is still a fixed income, which means budget-busting maintenance and repair projects can be earthshaking. And the physical demands of living in a multi-story house or a large property can become overwhelming at a certain age. So it is that Boomers at or near the age of retirement often find downsizing an unavoidable if not irresistible next step. Actually, the politically correct expression is now “rightsizing.”

What does right sizing look like? For most people with “too much house,” the decision is whether to move to a smaller house or to venture into the relatively unfamiliar territory of the rental market. Abandoning the family home only to replace it with a lesser version might just be moving into someone else’s headaches. Renting, on the other hand, holds the promise of less hassle and more freedom: No more calling in a repairman every time there’s a problem—instead just pick up the phone or maybe text the “super.” No more aching joints, just leave the heavy yard work to the groundskeeper. No more worrying about safety, simply enjoy the peace of mind that secure communities provide.

Checking all the boxes

What do seniors want? Older renters often choose to remain close to the old neighborhood as a comfort zone to avoid disrupting established routines—a town or two away is fine. They want to keep seeing the same doctors, shopping at the same stores, and staying close to old friends. Popular senior-specific demands include ground floor/single-story units, regular trash removal and recycling, access to a pool or some other water feature, and a resident population that includes a reasonable cross-section of age groups.

www.istockphoto.com

Millennials have loftier goals for their dream apartment. They want to expand their personal horizons. They are not as concerned with details such as square footage and storage areas (since most of them are not dragging a lifetime of possessions with them). As a group, young renters are looking for a “live–work–play” environment so that space for an office/den and top-of-the-line technology takes precedence over more practical considerations.

Bookend renters do have much in common. Both groups are seeking an active, healthy, and stimulating community. Everyone looks forward to abandoning dependency on personal vehicles; they prefer the more green alternative of walking or biking to nearby stores and cultural and entertainment destinations. They might not be able to afford something fancy in Hoboken or Jersey City, but a well-designed apartment near a charming, revitalized town center or traditional Main Street tends to generate a lot of interest. Seniors want to enjoy the quality of life they have worked so hard to earn. Millennials want to create the living space they have always wanted. No one in either group objects to high-end amenities such as heated or lap pools, upscale bistros and specialty restaurants, comfy coffee bars, appropriately equipped gyms, movie and performance spaces, and community activities of all kinds. Something else they can agree on is 24/7 concierge-like services and high-tech security arrangements.

www.istockphoto.com

Wooing the bookend market 

Recognizing the differences between these growing groups of high-end renters—while also seeing where their interests dovetail—can lead to some interesting (and, more importantly) profitable solutions from on-trend developers. The goal is to find common ground, literally and figuratively, in terms of location and also amenities, lifestyle preferences, and pricing implications. Despite the rising cost of construction, taxes, and land in the Metropolitan area, developers remain bullish on the New Jersey market. High-end, multi-use complexes are springing up everywhere. And with renewed interest in “downtown” living, the profit potential in rental ventures has never been more attractive.

Photo courtesy of AVE

Examples of some high-end, multi-family, and multi-use communities are the phased Harborside developments on the Jersey City waterfront (Mack-Kali), the new and renovated projects such as Pier Village on the Gold Coast of the Jersey Shore (Kushner Companies), and the West Side Lofts at Red Bank (Woodmont Properties), an upscale and upbeat apartment complex that has helped to transform a rag-tag neighborhood into a live-shop-eat-work-commute mecca for a broad swath of the bookend demographic. The most ambitious multi-use project on the drawing board is Riverton (North American Properties), which will stretch for more than a mile along the Raritan River in Sayreville. No formal date has been set for its completion.

Another successful developer on the high-end spectrum is AVE, a division of Korman Communities, a fourth-generation, family-owned company with a 100-year history in the real estate business. Korman was a pioneer of the hospitality approach to corporate housing starting back in the ’60s. AVE communities offer a flexible inventory of annual and month-to-month lease arrangements for completely customizable one- and two-bedroom units. The goal is to make residents feel at home, whether a short-term business professional or a right-sizing senior. As an owner/operator, it’s possible to customize even the smallest detail for AVE tenants. Lea Anne Welsh, President of AVE and COO of Korman Communities, attributes the company’s success to “a unique entrepreneurial spirit and an open-mindedness to be flexible and innovative.” The corporate mantra is Yes, we can!, says Welsh, “and then making it happen.”

The company is bullish on the New Jersey real estate market, with future plans that include expanding in the Route 78 corridor, the Princeton area, and the Jersey Shore Gold Coast. 

“Korman is in the business to wow people,” adds Welsh.

While no one moves into an apartment believing it will be their last, those eyeing an upscale solution or interested in engaging a multi-use community are definitely thinking long-term. Will this work for me a year from now? Five years from now? Ten years from now? A lot of research goes into this decision, whether you are an old-timer or a first-timer. What is a “bell and whistle” and what is a truly valuable amenity? Will this apartment (or this development) suit my needs as I ease into retirement? Can I raise a family here? In what ways is this neighborhood changing and growing?

The biggest question of all, of course, is Am I ready to make the move? Once you’ve cleared that hurdle, the choices are nothing short of sensational and they are only getting better. Moving in and moving up has never been easier. Or more synonymous.

Photo courtesy of AVE

Community Spirit

Earl Wilson, who bought a home in Summit in 2000, decided it was the right time to downsize last summer and determined that renting was the right choice for a single man of a certain age. “I can’t rave enough about my decision to move here,” he says of AVE Florham Park. Wilson guesses that the number of residents under 40 and over 50 are roughly the same. What he appreciates most is the warmth and sincerity of his new neighbors: “I know everybody in my building and they know me. There are plenty of group activities, but privacy is also always respected.”

One of Wilson’s neighbors is Ashli Dyas, who moved north from Atlanta, where she left a 6,000 sq. ft. home. She and her husband, David, came to New Jersey on a corporate transfer, and decided to extend the five-month lease on their 1,400 sq ft. apartment to a year. “We just knew this is where we were meant to be,” Dyas says. “Especially since renting here would mean David would not have to face shoveling any New Jersey snow.” She quickly joined a cohort of neighbors, ranging in age from 35 to 75, who have become good friends and great company. “I feel like I’m on vacation all the time. What could be better?”

Rent by Numbers

  • New Jersey is the fifth most expensive rental market in the country.
  • Median gross monthly rent in NJ is $1,284 vs. US $1,012.
  • Rental Vacancy Rate in NJ is 4.45% vs US 6.18%.
  • Two-thirds of all Americans live where it is more affordable to rent than buy.
  • 40% of current renters cannot afford the down payment to buy a house.

According to a 2017 Goldman Sachs report, Millennial Renters …

  • Search online for a rental (90%).
  • Cannot afford to buy (78%).
  • Prefer apartment living lifestyle (56%).
  • Own pets (76%).
  • Carry heavy student loan debt (71%).

According to a 2016 Freddie Mac report, 55+ Renters…

  • Identify top attractions as…

– affordability (60%)

– amenities (40%)

– walkability (43%)

  • Prefer relocating in…

– same neighborhood (23%)

– same city (31%)

– different city (18%)

– out of state (24%)

– close to family (60%)

Aging in Place

Home healthcare is entering an intriguing new era.

By Diane Alter

Average life expectancy in the United States has risen by 5.5 years in just the last decade—the most significant increase since the 1960s. With all the distressing news about the overall health of Americans, that’s good to hear. Unfortunately, there is a dark lining to this silver cloud. Living a half-decade longer increases the likelihood that you or someone in your family, will need some kind of long-term healthcare, accompanied by all the financial, logistical and emotional stress that entails. Indeed, 2018 U.S. Department of Health and Human Services data notes that a majority of Americans turning age 65 this year will at some point require it. 

In dollars and cents, that could range from the current annual median cost of $18,720 for adult daycare to $100,375 for a private nursing home room, according to Genworth’s 15th annual Cost of Care Survey. Americans currently spend more than $300 billion a year on long-term care and services, with costs increasing across all care settings, according to David O’Leary, President of Genworth’s U.S. Life Insurance division.

“We strongly advocate people at all stages of life begin planning now for the very real possibility of needing care as they grow older,” O’Leary says. “Starting a conversation about potential long-term care needs and the issues of aging isn’t easy. But honest conversations are essential to making sure that people can live life on their own terms as they grow older.”

If you do any significant TV-watching, you’ve probably noticed a proliferation of advertisers offering to help families navigate the complex issues surrounding long-term care. That’s because there has been a proliferation of choices and options in this industry, as the number of Baby Boomers “aging out” continues to grow. Needless to say, getting on the right path can be stressful and confusing, but it’s crucial, too.

One option that has gained traction over the last decade is the in-home care option. Indeed, more and more families are looking at ways to keep their parents, grandparents and elderly loved ones at home for as long as possible. With the right type of help, the pros vastly outweigh the cons.

Start Talking Now

Conversations and plans should ideally occur before home healthcare is needed, so that when it is needed, family members and loved ones are ready to step up and step in—and those in need of care are prepared for the change. These are not easy conversations. They require a level of pragmatism and honesty that is not always part of the family culture. Also, that elderly loved one may not want to budge. On anything. The main objection tends to be a lack of privacy. Most in-home care involves a trained aide or companion, on a schedule that might also involve neighbors, friends and loved ones. That can be viewed as intrusive by someone who has lived independently for 50 years.

David Moore, Director of Sales at New LifeStyles, an online site providing information on senior care options across the U.S., confirms the fact that a high percentage of seniors will fight the in-home care idea at the beginning. That’s only natural. But families should be aware of the signs that the time for home care has come. They range from subtle changes in appearance and mood to more obvious clues—including forgetfulness, confusion, unexplained bruising, a lapse in personal hygiene, clutter, and changes in weight gain. Having seniors engaged from the start, says Moore, will make a transition easier.

“Still, it’s a sensitive subject with no easy fixes,” he admits. “Do your homework. Read the fine print on any contract. The devil is in the details. For peace of mind, I recommend installing webcams to appease everyone’s concerns.”

www.istockphoto.com

Linda Fodrini-Johnson, Executive Director and Founder of Eldercare Answers, suggests that, when searching for home healthcare, make sure the placement agency is licensed and has been in business for at least five years. Also, ask what kind of accreditations it has received. The company’s website offers an advanced search option that provides this information.

“But keep in mind that names appearing first are not always the best,” she says of searches. 

“Also, guidance from an objective professional is crucial. You want to make sure the person you are bringing into your home to care for a loved one is the best.”

The Pros

Assuming a senior’s current living situation is safe and secure, the advantages of an “aging in place” strategy are many. They include:

  • Comfort and Familiarity
  • Greater Sense of Independence
  • Personalized Attention
  • Faster Recovery from Injuries
  • Potential Cost Savings
  • Less Stressful Environment
  • Tailored Plan of Care
  • Greater Family Involvement
  • Less Structured Family Time
  • Keeping Pets
  • Maintain Neighborhood/Building Friendships

These are the primary reasons why families are looking at new ways to keep their loved ones at home as long as possible. Options to consider are full-day, half-day, four-hour, overnight, and 24-hour home healthcare—usually as part of an evolving plan. Caregivers should have some kind of medical experience, a driver’s license, and come with references. Needless to say, for the companies in this business, keeping clients in their own homes is a top priority.

Take Care Companions, which places caregivers all over New Jersey, strives for just that.

“We offer companionship and assist in areas of meal planning, personal care, medication reminders and daily activities,” explains founder Theresa Kellner. “Our aim is to offer clients independence, quality of life and dignity, without overstepping.”

www.istockphoto.com

Kellner says her goal is to find the “perfect” person for each situation. She does that by meeting the client and the family to assess what is going on and what is needed—now and in the future, as those needs change. This intimate involvement also prevents cultural and personality clashes. “If I wouldn’t put a caregiver with my own mother, I will not put that caregiver in anyone’s home,” she says.

The future of home healthcare in some respects is difficult to predict. In most ways, however, it is not. The number of aging Americans is growing and they are living longer. That will serve as an accelerant to technical innovation driven by artificial intelligence (AI). It’s here now and it is poised to soar throughout the space in the years ahead. Voice-based virtual assistants, wearable sensors and fall-detection monitors are growing in acceptance and right around the corner are fixtures and appliances that will double as diagnostic tools.

“It’s still early days and widespread adoption is years off, but the potential exists for AI to keep elders in their homes longer and safer,” Moore notes. “Further, these devices will help researchers better understand the aging process and to assist in creating methods to delay the process.”

Fodrini-Johnson is also excited about the prospects of AI in healthcare. Still, she believes nothing will ever replace the need for constant hands-on human intervention: “To be sure, caregivers provide respect, compassion, a sense of humor, and know when a warm hug is just the right and only thing needed.”

House Calls

Although in-home caregivers are trained to spot issues of concern, they are not doctors. That is where “telemedicine” promises to play an important role. Right now, Trinitas offers its employees access to physicians and mental health practitioners for face-to-face “examinations” online—for diagnoses, prescriptions, referrals for subsequent testing, and more—under a partnership with Horizon BCBS. Trinitas is also encouraging its own medical staff to make themselves available to see patients via the same service, Horizon CareOnline, powered by American Well, the leading national telehealth provider. For more info on this service visit horizoncareonline.com.

The Chef Recommends

EDGE takes you inside the area’s most creative kitchens.

Grain & Cane Bar and Table • Grilled Salmon Tikka with Herb Salad

Grain & Cane Bar and Table • Grilled Salmon Tikka with Herb Salad


250 Connell Drive • BERKELEY HEIGHTS (908) 897-1920 • grainandcane.com

Scottish salmon marinated in yogurt, spices and flash grilled. Served with a tossed salad of tender herbs, pickled onion and a light citrus vinaigrette. A beautiful early winter dish that has a warm spice finish and pairs beautifully with a light red wine.

The Thirsty Turtle • Pork Tenderloin Special

The Thirsty Turtle • Pork Tenderloin Special

1-7 South Avenue W. • CRANFORD (908) 324-4140 • thirstyturtle.com

Our food specials amaze! I work tirelessly to bring you the best weekly meat, fish and pasta specials. Follow us on social media to get all of the most current updates!

— Chef Rich Crisonio

The Thirsty Turtle • Brownie Sundae

The Thirsty Turtle • Brownie Sundae

186 Columbia Turnpike • FLORHAM PARK (973) 845-6300 • thirstyturtle.com

Check out our awesome desserts brought to you by our committed staff. The variety amazes as does the taste!

— Chef Dennis Peralta

The Famished Frog • Mango Guac

The Famished Frog • Mango Guac

18 Washington Street • MORRISTOWN (973) 540-9601 • famishedfrog.com

Our refreshing Mango Guac is sure to bring the taste of the Southwest to Morristown.

— Chef Ken Raymond

Arirang Hibachi Steakhouse • Pork Belly Bao BunsArirang Hibachi Steakhouse • Pork Belly Bao Buns

1230 Route 22 West • MOUNTAINSIDE (908) 518-9733 • partyonthegrill.com

Tender pork belly, hoison sauce and pickled cucumber served on a Chinese bun.

 

Daimatsu • Sushi Pizza

Daimatsu • Sushi Pizza

860 Mountain Avenue • MOUNTAINSIDE (908) 233-7888 • daimatsusushibar.com

This original dish has been our signature appetizer for over 20 years. Crispy seasoned sushi rice topped with homemade spicy mayo, marinated tuna, finely chopped onion, scallion, masago caviar, and ginger. Our customers always come back wanting more.

— Chef Momo

Garden Grille • Beet & Goat Cheese Salad

304 Route 22 West • SPRINGFIELD (973) 232-5300 • hgispringfield.hgi.com

Beet and goat cheese salad with mandarin oranges, golden beets, spiced walnuts, arugula, with a red wine vinaigrette.

— Chef Sean Cznadel

Outlaw Ribeye

LongHorn Steakhouse • Outlaw Ribeye

272 Route 22 West • SPRINGFIELD (973) 315-2049 • longhornsteakhouse.com

Join us for our “speedy affordable lunches” or dinner. We suggest you try our fresh, never frozen, 18 oz. bone-in Outlaw Ribeye—featuring juicy marbling that is perfectly seasoned and fire-grilled by our expert Grill Masters. Make sure to also try our amazing chicken and seafood dishes, as well.

— Anthony Levy, Managing Partner

Bone-In Natural Cut Ribeye

Outback Steakhouse • Bone-In Natural Cut Ribeye

901 Mountain Avenue • SPRINGFIELD (973) 467-9095 • outback.com

This is the entire staff’s favorite, guests rave about. Bone-in and extra marbled for maximum tenderness, juicy and savory. Seasoned and wood-fired grilled over oak.

— Duff Regan, Managing Partner

Ursino Steakhouse & Tavern • House Carved 16oz New York Strip Steak

Arirang Hibachi Steakhouse • Japanese Taco

23A Nelson Avenue • STATEN ISLAND, NY (718) 966-9600 • partyonthegrill.com

Choice of Tuna with wakeme, Kobe beef with sushi rice or Rock Shrimp with pineapple. Served in a crispy wonton shell, Asian slaw, topped with spicy mayo and teriyaki sauce

Ursino Steakhouse & Tavern • House Carved 16oz New York Strip Steak

Ursino Steakhouse & Tavern • House Carved 16oz New York Strip Steak

1075 Morris Avenue • UNION (908) 977-9699 • ursinosteakhouse.com

Be it a sizzling filet in the steakhouse or our signature burger in the tavern upstairs, Ursino is sure to please the most selective palates. Our carefully composed menus feature fresh, seasonal ingredients and reflect the passion we put into each and every meal we serve.

Do you own a local restaurant and want to know how your BEST DISH could be featured in our Chef Recommends restaurant guide?

Call us at 908.994.5138

 

Community Events

We welcome the community to our programs that are designed to educate and inform. Programs are subject to change.

 

SEMINARS

Visit www.TrinitasRMC.org for seminar listings or check for updates on our Facebook page, www.facebook.com/TrinitasRMC.

 

SPECIAL PROGRAMS

Health  Services with Women In Mind

Trinitas helps provide women access to vital health services with a focus on preventive measures. These include educational programs and cancer screenings. Programs offered in English and Spanish. 

To learn more about these services, contact Amparo Aguirre, (908) 994-8244 or at amaguirre@trinitas.org

 

Ask the Pharmacist: Medication Management

Free of charge, by appointment only. Monthly on the 4th Tuesday, 11:30 am – 1:00 pm

Call (908) 994-5237.

 

Trinitas Health Foundation Events

SUNDAY, NOVEMBER 24 • 12-4 PM

Tailgate with Trinitas

New York Giants vs. Chicago Bears! Watch the game with former Giants greats!

Galloping Hill Caterers, Union, NJ

 

SATURDAY, FEBRUARY 15

Evening at the Races

Meadowlands Racetrack, Rutherford, NJ

 

THURSDAY, MAY 14

20th Anniversary Gala

The Venetian, Garfield, NJ

Join the foundation at this beautiful black tie event complete with fantastic live music, dancing, an incredible auction and amazing food and drink.

For more information about the Foundation or to learn more about its fundraising events, (908) 994-8249 or kboyer@trinitas.org.

Proceeds from these events benefit the patients of Trinitas Regional Medical Center. Making reservations for Foundation events is fast and easy on your American Express, MasterCard, Visa or Discover card.

 

TCCC SUPPORT GROUPS

Conference Room A or Conference Room B Trinitas Comprehensive Cancer Center

225 Williamson Street, Elizabeth NJ 07207

 

Living with Cancer Support Groups

All events take place from 1:00 – 3:00 pm. Call (908) 994-8535 for 2019 schedule.

 

MEDICAL AND BEHAVIORAL HEALTH SUPPORT GROUPS

Sleep Disorders

If you are experiencing problems sleeping, contact the Trinitas Comprehensive Sleep Disorders Center in Cranford at Homewood Suites by Hilton (easy access to the GSP). The center is headed by a medical director who is board certified in sleep, internal, pulmonary, and intensive care medicines, and is staffed by seven certified sleep technologists

For further information, call (908) 994-8694

or visit www.njsleepdisorderscenter.org

 

Narcotics Anonymous

2:00 pm; and Sunday 5:00 – 6:30 pm

Jean Grady, Community Liaison, (908) 994-7438 Grassmann Hall, 655 East Jersey St., Elizabeth

 

Alcoholics Anonymous

Friday 7:30 – 8:45 pm

Jean Grady, Community Liaison, (908) 994-7438 Grassmann Hall, 655 East Jersey St., Elizabeth

 

HIV Education and Support Program for HIV Positive Patients

Monthly. Call for scheduled dates/times.

Judy Lacinak, (908) 994-7605 Early Intervention Program Clinic

655 Livingston St., Monastery Building, 2nd Floor, Elizabeth

 

Mental Illness Support Group (NAMI) for Spanish Speaking Participants

Monthly, Fourth Friday except August, 6:30 – 8:30 pm

Mike Guglielmino, (908) 994-7275 Martha Silva, NAMI 1-888-803-3413

6 So. Conference Rm., Williamson St. Campus 225 Williamson Street, Elizabeth

 

TRINITAS CHILDREN’S THERAPY SERVICES

899 Mountain Avenue, Suite 1A, Springfield, NJ (973) 218-6394

These workshops are appropriate for parents, teachers, or individuals who work with young children. They focus on practical strategies that can be implemented into daily classroom and home routines. All workshops offer suggestions that are appropriate for all children. A special emphasis is placed on children with special needs and those with an Autism diagnosis.

Workshops are $15 per class.

November 19, 2019  6:00 – 7:30 pm 10 Tips for Looking at Behavior Through a Mental Health Lens

December 10, 2019 6:00 – 7:30 pm

10 Tips – Make & Take Evening (make activities to take back & use in your classroom)

Limited number of registrants.

To register, e-mail your name and courses you would like to attend (include dates) to Kellianne

Martin at Kmartin@trinitas.org or by phone at (973) 218-6394 x1000.

Winter Programs: Oct. 21 – Feb. 7

All programs are offered one time per week, for 45 minutes. These programs are a great alternative to individual therapy. They give children the oppor- tunity to address key developmental areas in structured environments that are more reflective of typical real-life home 

and school situations.

Call for times and pricing.

SCRIBBLES TO SCRIPT HANDWRITING PROGRAM

An opportunity for children from preschool (prewriting) through elementary (cursive) school to work with an occupational therapist and participate in multi-sensory fine motor, visual-motor, and visual-perceptual activities to learn pre-writing skills, proper letter formation, and writing within the given lines using the Handwriting Without Tears® program.

SPORTS READINESS

An opportunity for children to work with a physical therapist and have an intro into several fall/winter sports in a non-competitive small group setting.

SOCIAL BUTTERFLIES

An opportunity for children to work with a speech & language therapist and engage in activities to address turn-taking, topic maintenance, appropriate question asking, following non-verbal cues, and using manners.

TYPING WHIZKIDS

An opportunity for children to work with an occupational therapist to learn efficient keyboarding skills, including key location and finger placement, and speed and accuracy.

 

Alison Sweeney

More than 25 years have passed since Alison Sweeney first turned heads as the delightfully outlandish and manipulative ingénue Samantha “Sami” Brady on Days of Our Lives. The girl you loved to hate built a devoted following over the years, which extended to her seven-season stint as host of The Biggest Loser and, now, to The Chronicle Mysteries, which began airing on the Hallmark Channel in February. Sweeney produces and stars in the heart-pounding true crime series, which was inspired by her addiction to podcasts. Throughout her career, she has maintained a deep and genuine connection with her fans, which she continues to spin into entertainment gold. Gerry Strauss sat down with Alison to talk about her new project and the nature of what it means to be a good guy, a bad guy and a hero.

EDGE: So you know that the theme of this issue is “unsung heroes.” Who comes to mind when you hear those words?

AS: It’s hard not to think of the incredibly brave, hard-working firefighters, police, and all the first responders who helped battle the major wildfires in California in 2018. There are so many heartwarming stories of heroism and courage that came from each department. I am so proud and grateful for the work my husband, who is a CHP officer, and his colleagues do, and their constant selflessness in protecting others, as well as their commitment to their jobs. They are all heroes to me.

EDGE: Did the experiences of the contestants on The Biggest Loser strike you as being heroic?

AS: It was so inspiring for me to get to know them, to hear their personal stories and to see their efforts to rise above whatever was standing in their way and to overcome obstacles as they made significant changes to their lives. It was something different for everyone, but to not give up and to keep fighting? That’s heroic. Also, I’ve had the opportunity to work with several different charitable organizations, including hosting the MDA telethon. It was a gift to meet so many incredibly brave young people battling Muscular Dystrophy. They’re not just heroes for continuing to fight and stay strong in the face of such an overwhelming disease. They’re heroic because every patient I met still had hope and love and generosity in their heart for others.

EDGE: On Days of Our Lives, you were a superb antihero.

AS: What a lovely compliment [laughs] thank you! I am eternally grateful for the role of Sami and her misadventures.

EDGE: How much fun is it to play bad guys?

AS: I loved all of Sami’s schemes and machinations. It was always so fun to play as an actress, especially when she got caught. Those were always the best scenes.

EDGE: Does it seem strange to you now to have grown up, both as a person and an actress, on a daytime drama?

AS: Since I started at such a young age, I didn’t know anything else. I grew up having a relatively normal childhood, but then I went to work and played Sami, whose life was far from normal. I never confused my real life story with Sami’s, but it does feel as though I lived through both. In a way, I’m lucky. Just think of all the outrageous personal mistakes I got to experience vicariously through Sami [laughs] rather than making them in my real life!

EDGE: Whom did you look up to in your early soap days?

AS: Certainly, I always looked up to Deidre Hall and Drake Hogestyn through the years at Days because I was lucky to work with them a lot when I first started. It was like going to Daytime Drama University because I learned the ropes from the best. In turn, I’ve taken the opportunity to share what I know with younger actors—when they are open to it. Frankly, that’s not as common a trait anymore.

EDGE: How has social media changed the soap opera world since you became a daytime star in the 1990s?

AS: I remember joining the “World Wide Web” when soap chat rooms were first becoming a thing. I quickly found myself hooked on the instant feedback from fans. Sami always took a lot of criticism [laughs], but when she finally found herself some legitimate romantic love interests—instead of stealing someone else’s—I found the “shippers” online to be incredibly helpful. The actors that I worked with and I, we loved interacting with the fans and reading their reactions to a specific scene or cute subtle moment on camera. The fans notice everything. They appreciate the details. And they don’t forget anything. Ever. [laughs] Those are huge lessons I take with me to work every day, in whatever it is I’m doing.

EDGE: At what point did you decide that you wanted to be more than strictly a performer?

AS: I think the “producer” in me has always been there, below the surface, screaming to get out. Most people who’ve known me were not surprised at all when I announced I was developing and producing my own projects for Hallmark.

EDGE: What aspect of overseeing a project appeals to you?

AS: It’s not that I am a control freak, but I like to be a part of all the details. I love every department that contributes to making the movie the best it can be. Mostly, I love being able to choose to work with people who love it as much as I do. That is truly a blessing.

EDGE: Where did the idea for The Chronicle Mysteries come from?

AS: I am obsessed with the true crime genre— podcasts in particular. Like most people, the first season of Serial by This American Life captured my interest and I haven’t considered climbing out of the rabbit hole. There was one podcast I was listening to where the female journalist was interviewing some dodgy suspects and I thought, She’s really out there in real life, in danger. In that moment, I realized this could be a great scripted mystery series. Podcasting is a great premise because the technology is so good these days that people can really relate to it, and it’s so open that my character, Alex, could really take the podcast into any story that interests her. I think there’s a lot of potential for this…no limits!

EDGE: Has producing the series been easier, harder or different than you imagined?

AS: This is the hardest, most comprehensive project I’ve been a part of. As I mentioned, I’m so appreciative of my colleagues who are as passionate about it as I am. It’s important to me to keep challenging myself with new goals. I consider myself a storyteller, and the feedback from the viewers on the stories is so valuable to me—it makes it all worthwhile. Melissa Salmons, whom I met while she was writing at Days, is a fantastic writer and, thankfully, I got her hooked on true crime, too. We spend endless hours coming up with ideas for the episodes, the crimes, the suspects—everything. Honestly, I hope the police never have cause to look at my search history [laughs]. But seriously, there is intensity to this concept that is bigger than anything else I’ve done. I’m lucky because a lot of it can be done after I drop my kids off at school, and before soccer practice is over.

EDGE: Since you brought it up, how does a project like this fit onto your plate?

AS: I hope I continue to have the opportunity to push myself creatively, while still being the best wife and mom I know how to be. Sometimes I forget that I left the stove on and burn dinner, but the kids get to see my husband and me supporting each other, every day, through it all. To me, that’s the best role modeling we can do.

Lady Gaga

What is it about A Star Is Born that affected so many people?

It sort of reminds me of what my voice teacher told me many years ago. You never want the audience to be leaning away from you as you are singing at them, but rather that the audience is leaning into you because they want to hear you. I have talked to so many people about this film. I’ve gotten so many messages. The true star in this film is bravery…the true star in this film is perseverance. I think it’s the ability to go on when things are hard and I think that that is a tale that can be told forever.

The singer you play is so different from Lady Gaga. As an actress, how did you develop the character of Ally?

I wanted her to be completely different. What I did not have at my disposal—which I usually have—is the ability to do it all myself. I had to be collaborative with everyone around me and that ultimately stripped away all of the armor of characters that I’ve built before. So for Ally, yes it was for me beginning with not wearing makeup every day, not wearing wigs every day, dying my hair back to my natural color, taking cues from the costume fittings that we did, dressing like her on a daily basis, working hours in the studio on Ally’s music, working with [coach and adviser] Lukas Nelson and figuring out how Ally’s sound would transform as she fell in love with Jackson—and how she would sound with him, and then how she would sound later. So for me it was very much about finding a new character but finding it without all the armor that I had before.

How do you stay in the moment when you have so much to think about?

I learned at the Lee Strasberg Institute relaxation techniques where you sort of flop in a chair and you drop each part of your body, one at a time, and you really sink into the chair and you really feel relaxed. Also, being unafraid to really be in the skin of someone else. For me, that was the thrill in this, that I got to be somebody else—somebody else whose story is somewhat like mine but also so not. I was like, “I’m going to make it, I’m a singer, I’m a musician, I’m going to get this gig, I’m going to fake being my own manager on the phone and I’m going to pretend that I’m the hottest performer in town!” And the thing is that Ally is not like that. Ally was just so insecure. So I had to relax into a vulnerability that I am not normally comfortable with, but I was able to do that because of [director] Bradley [Cooper]. Bradley really made me feel comfortable. It’s about loving the skin you are in and having that self-compassion.

As a music star yourself, how do you think Bradley did portraying a rock star?

As soon as I heard Bradley sing I was like, “Oh, my god, he could be a rock star.” So I believed in him fully, right off the bat and I still do. He just did a tremendous job, the way that he portrayed a rock star with such authenticity. 

Editor’s Note: This Q&A was conducted by Samantha Fraser of The Interview People. Samantha has profiled a number of international celebrities, including Michael Bublé for the British magazine Sorted last December.

Dominic Chianese

Dominic Chianese has been at this a long, long time. Longer, in fact, than even his most ardent fans probably know. Between playing the pivotal character of Johnny Ola in the first two Godfather movies and his unforgettable performance as Uncle Junior in The Sopranos, Chianese inhabited indelible characters in landmark films such as Dog Day Afternoon, All the President’s Men, And Justice for All, Fort Apache the Bronx and Unfaithful. He has also guest-starred on multiple Law & Orders and landed recurring roles on acclaimed series Boardwalk Empire, Damages and The Good Wife. His Broadway credentials stretch across three decades and include Oliver!, Richard III, Requiem for a Heavyweight and The Rose Tattoo. It was as a stage performer, actually, that Chianese first earned his show business spurs. Mark Stewart talked to Dominic about the craft of acting and his many roles, including that of Enzo on the new NBC ensemble drama The Village, which debuted on NBC March 19.

EDGE: How is film and television acting different from stage acting?

DC: It’s a different method of performance. You don’t use the body. It’s mostly in the face. If it doesn’t come out in the voice and the eyes and the facial expression, you fail.

EDGE: Did your years in the theater help you develop a screen personality?

DC: Yes, but I had to go through The Godfather first, which was my first real movie. I owe a lot to Francis Ford Coppola. That was 1971. It’s important to understand that I’d spent 20 years in the theater before I played Johnny Ola (left). I could never have made him believable without all that time in the theater… and if Francis hadn’t manipulated me when I was talking to Michael Corleone.

EDGE: How so?

DC: I started to “act” in front of the camera and you’re not supposed to do that. You’re just supposed to be the person. There’s a big difference—a different in the voice and a difference in the audience, which is the camera.

The camera does not lie, because the face is going to show everything.

EDGE: There were some impressive actors in The Godfather cast, including Marlon Brando and Al Pacino. Who else stands out among the people you’ve worked with?

DC: Oh, I’ve worked with some great actors. Al Pacino probably taught me the most. George C. Scott—who got me on East Side West/Side, my first TV show, in 1963—John Lithgow, Bobby Duvall, they all taught me something. They knew what the heck they were doing. I learned from a lot of great actors. And also my teachers: Phillip Burton and Wilson Mayer at Brooklyn College, and Walt Witcover, whose class I went to in 1962-63-64. He helped me understand what I was missing.

EDGE: How did you get into acting in the first place?

DC: My first inkling was when I was seven years old. I remember it like it was yesterday. But if you’re asking when I really put my mind to it, I was 20 years old. My voice—my love of music, of singing—is what got me into acting. I was in college, at Champlain College up in Plattsburg, New York. When I was 19, I was asked to join a group of a cappella male singers who were World War II veterans, older guys who were 26, 28, 30, on the GI Bill. They needed a bass so they gave me the job. We traveled to all the Ivy League schools. That is when I knew I was meant to do this. I knew I would definitely be performing the rest of my life. Less than a year later, the Korean conflict was starting and the college was closed down because the government needed a base. I returned to New York City. And as soon as I got off the bus, I went to the Jan Hus Presbyterian Church on East 74th Street and auditioned for Gilbert and Sullivan. I managed to land a chorus job and we toured for one whole year around the country. I was paid $110 a week, which was a fortune back in the ’50s.

EDGE: Did you think you could make a living on the stage?

DC: I spent about 10 years flirting with the idea that maybe this was not for me. The pressure was on to get an education. I ended up in 1961 with a degree from Brooklyn College, but while I was there I had Burton and Mayer, two great teachers who were experienced in the business. They encouraged me to no end. I remember I was cast in Chekov’s Three Sisters and thought I was doing a great job until the last scene. Burton said, “I don’t believe you when you’re saying goodbye to Masha. Maybe you shouldn’t be an actor”—in front of all the other kids [laughs]. Remember, I was 33 years old and had a lot of experience at that time, but I’d been doing mostly comedies and musicals. I think Burton and Wilson were in cahoots. They knew that I had natural ability creating characters and they wanted to get me to really understand the art, the technique.

EDGE: By technique what do you mean?

DC: I read a lot of Stanislavski. He developed The Method [of Physical Action] back in the 1930s. He said you can’t fake emotion. That’s all the method really is. It’s not a miracle cure or a set formula. He said you have to find your own way, really get in touch with something, so that you’re not faking the emotion. The imagination comes out in the voice. Everybody has to struggle a little to find their own technique, their “m-o”—whatever you want to call it. Once you do, you can be a lead actor or a character actor; it makes everything better, including your singing and your comedy. The analogy would be if you’re learning the piano and sit facing the opposite wall with your back to the keyboard, it’s going to be very hard to develop a technique. You have to face the piano, you have to stand a certain way and place your fingers on the keys a certain way, and that makes it easier. Most important is that, whether you’re in theater or in film, whether you’re acting in New York or a small town in Illinois, you’ve got to act the truth. You’ve got to really believe in the character and give it all you’ve got—put your concentration into the character. And then practice, practice, practice.

EDGE: Junior Soprano seemed like a challenging role. He was part manipulative psychopath and part demented old man, and you never knew how much of each you were seeing when you tuned in. Where did you draw your inspiration for that character?

DC: Junior was basically a New York-New Jersey kind of guy, so I drew him from my real life experience. Not as Mafioso [laughs] of course. I’m talking about his way of speaking. Being around so many Italian-Americans my whole life, it was easy to incorporate that into the character. Subconsciously, it was probably my father, my uncle and all the guys around the neighborhood. It was different than playing a farmer from Ohio, if you know what I’m saying…it came naturally to me.

EDGE: Junior was definitely losing it by the end of the series. Was that difficult to play?

DC: I’ve spent a good 30 years going to nursing homes and performing for people, so some came from that experience. But, again, a lot of it came from technique. You know, in order to play drunk in the theater, you have to play sober. You’re trying not to show that you’re drunk. So to play a guy with Alzheimer’s, you have to concentrate on something else, so it looks like you don’t know what you’re doing. I knew that people with Alzheimer’s have a way of not looking you in the eye, and of asking questions and not expecting an answer right back. There’s something missing.

EDGE: Everyone here in New Jersey basically adopted you from that role.

DC: I know [laughs] I know. Especially the people from Belleville!

EDGE: Tell me about your connection to New Jersey beyond the character you played in The Sopranos.

DC: Jersey is where my father did his bricklaying work. We lived in the Bronx but I used to go to Jersey all the time throughout the 1950s. I was always going to Jersey on the bus to lay brick with my father. We’d go to Newark. We’d go to Short Hills. We’d go to Paterson. We’d go to Clifton, where [Sopranos creator] David Chase lived as a little boy. I actually worked on the apartment he lived in, in 1952.

EDGE: Having been part of some legendary ensemble casts. I’m curious. Does your new show, The Village, have a live-theater ensemble feel to it?

DC: I never thought of that but, yeah, that’s definitely true. There is a good, collaborative feeling. The connections are like live theater. The writers are wonderful on this show. I’m very optimistic about The Village. It’s a show about real people, it’s not concentrated on a particular character. I just love the cast and crew on this show, I really do.

EDGE: What do you think the viewers will find most appealing?

DC: I think the fact that the issues are real. There’s a pregnant teenager, a returning veteran, immigration themes, an old man from a nursing home. It’s been very well written and represented here. It’s a show everybody can connect with no matter where you live. It’s about a community, and that’s what I like very much. We’re all in one building in Brooklyn. I grew up that way in the Bronx. We knew everyone from the first floor to the fifth floor. So for me it’s very familiar.

EDGE: Do you see a younger version of yourself when you look around the set?

DC: God no! [laughs] I do see great young actors. It takes me back to when I did my first TV show.

EDGE: So how do you strike a balance between the film and theater technique in this case?

DC: Film is different, but the imagination you use is the same—whether you do theater or film. In this case, the actual performance has to be attuned to the camera as opposed to the live audience. I feel very relaxed with The Village. When you’re relaxed and you’re connecting with your fellow actors, you’re just having a good time.

Jodie Foster

You had a five-year absence in front of the camera prior to Hotel Artemis.

Well, I directed two movies and a whole bunch of television in between the last five years. I’ve been busy. That’s my priority, directing, and I’ve said that in my fifties that directing would take priority. I needed to really commit to that, but if I found something to act in that works, that’d be great.

The last role that you did in front of the camera was Elysium, which [also] had a class warfare theme. Is that a coincidence or is that something that resonates with you?

Yeah, it probably does. Income inequality is going to be a part of science fiction because that’s what we’re facing in the future…and climate change, problems with healthcare, no water in the sea, police brutality. These are all themes in Hotel Artemis. We’re looking at the next twenty-five years at what’s going to happen. That’s what science fiction is. It’s prescient about where we’re headed.

Why do movies depict such a grim future for humanity?

Well, we see it as grim. It may just be an evolution of where we’re headed. I mean, you look at The Matrix, right? That was a really prescient movie…people are like, Oh my God, this is where we’re going to be? That’s just crazy. But that is where we are now—I look at my kids on a Sunday morning and that’s where they are. And it’s okay. It’s just the evolution of our species. Technology has been a really, really fascinating point of departure of evolution for our culture.

How so?

Think how long it took for human beings to lose their hair on their bodies, right? We didn’t need it anymore because we got clothes. Well, it took about five seconds for technology and the digital revolution to change everything overnight. It took thousands of years for every other [type of] evolution. But digital technology has changed everything overnight—whether it’s the stock market, whether it’s the influence of media on our politics, whether it’s viruses, or algorithms—and how algorithms speak to each other—I mean, for science fiction it’s the best thing ever. Talk about being a working mom and raising boys. It’s just a great experience. I loved having boys. I’ve loved watching them. It’s fascinating to me because it’s different. Their puberty is so different. And I have such a close relationship with them. It has been really great for me in a way to come to really understand men, in a way, through them…it’s a beautiful bond. Yeah, the boy thing is special. 

Editor’s Note: This Q&A was conducted by Izumi Hasegawa of The Interview People. She was born and raised in the Shusse Inari Shrine in Shimane, Japan, where she received a Shinto priest certification. She works as a film journalist and owns Hollywood News Wire Inc. and runs WhatsUpHollywood.com.

 

Tiffani Thiessen

Photo by Rebecca Sanabria

In every generation, there is a young woman—typically an entertainer—who can legitimately be called “America’s Sweetheart.” For a broad swath of current-day adults, the object of their affection and admiration back in the day was Tiffani Thiessen, aka Kelly on Saved By the Bell. Unlike most sweethearts, however, the qualities that made Thiessen so appealing have remained undiminished as they have grown deeper and increasingly complex. Through a career that has seen her play a bad girl on Beverly Hills 90210, a seductress in Hollywood Ending and an FBI consultant on White Collar, she has never lost an ounce of her humor, charm or likeability. Pairing her unique accessibility with a love for food and friends, she created her own culinary brand, including a television series (Dinner at Tiffani’s), a lifestyle website and a cookbook that hits stores this October. Gerry Strauss caught up with Tiffani over the summer, as she prepared to start on the second season of the Netflix sitcom Alexa & Katie, in which she plays the mother of a teenage daughter struggling with the dual challenges of freshman year in high school and a cancer diagnosis.

 

EDGE: From a young age, you’ve spent most of your life as a working, on-the-go celebrity. How did your family shape your lifestyle, your values and your love of cooking?

 

TT: I always say I come from good stock. My parents showed me that kindness is key and to treat people the way you want to be treated. I grew up in the kitchen with my mom, grandmother, and aunt, so you could say that I have always loved cooking. But I really started entertaining more when I bought my first house. I loved having people over and having them gather around my table. A lot of my recipes are from my own family, so there is definitely a lot of heart behind them. I am all about food bringing people together around the table, hence my new cookbook’s title, Pull Up A Chair.

 

EDGE: Has your own approach to proper diet changed from when you were growing up?

 

TT: I am definitely more aware of what goes into my body and what my body is getting nutritionally from what I am feeding it. But having kids makes you look at food differently, too. We grow a lot of our own fruits and veggies and also raise our own chickens. That, in itself, has really taught my children and me the value of good, nutritious food and how important organic food is to our bodies. I have loved cooking since I was little and the passion continued to grow as I got older. I was fortunate enough to turn it into a show and book.

 

Houghton Mifflin Harcourt

EDGE: What surprised you the most about hosting Dinner at Tiffani’s?

 

TT: Oh gosh, probably how many people found it fun to watch some familiar faces cook and laugh alongside me. I love to eat and drink with people I enjoy being around, which is why I created the show—and I guess others did, too. It’s funny because most of the people that came onto my show were people that I knew, and I knew well—whether it was a working relationship where we maintained a friendship over the years, or it was a new relationship that came about because I was working with them. There was one person that I actually met on the show that I became pretty close with afterwards because we were brought together by a mutual friend. He came onto the show and then I kept having him back because we clicked, and I could not have loved him more. That was a guy named Ross Anderson, who I just absolutely adored, and I felt like he was one of those people that I can’t believe we weren’t friends 20 years ago. But we’re making up for long-lost time now, you know?

 

EDGE: With Dinner at Tiffani’s and your social media presence and now your new book, your personal life and family have been opened up to the world like never before. Is that something that has taken some getting used to?

 

Upper Case Editorial Services

TT: I have always naturally been open with my fans to the extent that I am comfortable with sharing. With the cookbook. it just gives people more insight to my home and the stories behind all my recipes, which I am excited to share. The show only showed my kids briefly. Plus, I’ll share a little secret a lot of people don’t know about. All three seasons of my cooking show were shot on location [laughs]—I never shot in my house!

 

EDGE: Is there something special about seeing your name on a cookbook?

 

TT: Oh my goodness—it almost feels surreal! This is something I have dreamt of for a long time. It was more than three years in the making, so seeing my name on the cover is a “pinch-me” moment for sure.

 

EDGE: Speaking of pinch-me moments, what was your initial reaction to the opportunity to be on a new teen based sitcom like Alexa & Katie?

 

TT: At first I was like, They want me to play a mom to two teenagers? But I really fell in love with the story they were telling. It’s a comedy, but one that has so much heart. It’s definitely not your conventional sitcom. And I have to say, the cast and the chance to work with Netflix was another big plus. I read the script and was truly moved by what they created on the page, so I wanted to be a part of this story. Everyone can say that they have been touched by cancer in some way and I think this show does a beautiful job of showing the life of a kid who is going through that.

 

EDGE: Your television career began around the same age as your Alexa & Katie co-stars, Paris Berelc and Isabel May. Is there a full-circle aspect to the experience?

 

TT: It is so fun. It brings back a lot of memories for me personally. The girls often come to me for advice—which I have to say I love. They are both such amazing girls. They are extremely hardworking and are always eager to learn more, which reminds me of myself when I was their age.

 

EDGE: Looking back now, which role do you regard as the biggest game-changer?

 

TT: That’s a hard question because I’ve had so many shows and films. Thank God, I can say that it’s been a long career, and each role and each job has done something different for me. There was my very first big show, Saved by the Bell, and what it taught me in the sense that I was brand new in the business. I traveled, I learned all about how to be on-camera—what a multicamera sitcom was all about—and how to really schedule between having to work and having to go to school. Then, after going through that, I got older and landed on 90210, which was my first experience being on a film show and being on a show that was a little bit older, a different tone of a show. There were edgier storylines that were a little harder to swallow and to make sure that we did correctly on TV. Then there were more current shows, where I was able to be a mother and be able to have two kids during working on a show like White Collar, so it’s hard to say that I had one role that really elevated me in a different way. They really all kind of did that for me in different ways.

 

USA Network/Jeff Eastin & Warrior George Productions

EDGE: I’d have to imagine that working on films like Woody Allen’s Hollywood Endings was memorable in its own way as well.

 

TT: Oh gosh, very much so. I mean, you put the name Woody Allen to it and of course it’s a different experience because you’re working with one of the greats. That whole experience for me was absolutely one of my most memorable, right from the moment I got the call to come to New York and actually meet and audition for him. They felt that I was too young for the role I’d gone out for, so they actually created a new role in the movie for me. Not only was I working with him, but it was really my first time working in New York City as a young adult and working with amazing people like Téa Leoni and George Hamilton and Debra Messing—people that I always had looked up to. That was pretty amazing in and of itself. And then to be able to go to Cannes with him for that film is something that will be in my memory box for the rest of my life. I still pinch myself that I got to experience that and to be able to have that as part of my career, you know?

 

EDGE: The series White Collar offered you the chance to work alongside notable actors again, including Treat Williams, Diahann Carroll and Willy Garson. Did you spend time under anyone’s learning tree during your years on that cast?

 

TT: I always try to learn different things from different people, but I would say Willy Garson was probably someone that I was the closest to on the show, He really was the guy that took me under his wing. He had lived in New York prior for many years doing Sex and the City and he knew that city left and right. He really showed me New York, probably better than any tour guide ever could. Being that we are both foodie people, it was like a match made in heaven.

 

EDGE: You’ve played so many characters throughout your career, from teen to temptress to mom and everything in between. Looking back, which role was closest to the “real Tiffani” at the time?

 

TT: I would definitely have to say Elizabeth Burke on White Collar, for sure. I got to play the same character for the entire series, and the writers tailored that character to me so well—from the relationship that she had with her husband, to her interests and personality—it all very much spoke to me.

Editor’s Note: Tiffani Thiessen’s new cookbook, Pull Up a Chair: Recipes from My Family to Yours, is published by Houghton Mifflin Harcourt. Its 336 pages are replete with 125 family recipes that she picked to “bring people together”—ranging from Stuffed French Toast to Short Rib Enchiladas (husband Brady’s favorite) and Curried Deviled Eggs to Boozy Date Milkshakes…and desserts including Mom’s Cream Cheese Pie. Her lifestyle website tiffanithiessen.com offers an intimate look at her family life and work. Tiffani’s sitcom, Alexa & Katie, debuted last March and was renewed by Netflix for a second season a month later.

 

Mädchen Amick

You had what most people would consider an unconventional childhood. Looking back, what did your mom and dad get right in terms of nurturing your talent and creativity?

They were incredibly brave. My father was a musician and he was the creative side of my parents, while my mom was more analytical. She was an office manager.

So two different parenting philosophies that came together. 

They loved and adored me and made me feel I could do anything in the world I wanted to do.

What were their aspirations for you?

My dad’s dream was that I might eventually join his band and that we could go on tour together. As much as I love music and have it around me—I married a musician and have musical children—I went into dancing and eventually found my way into acting. Because I was a methodical child when I went to them at 14 and said “I have a plan…I want to move to L.A. when I’m 16, do I have your blessing?” they knew I was serious and supported me. When I became a parent, I looked back. When my kids were 14 and 16, I don’t think I would have been comfortable with that.

Which of their parenting skills have you embraced?

My husband and I always encourage our kids to follow their dreams and their instincts. It’s more important for you to be happy than ”successful.” Find a career that feeds your soul and makes you feel good. That’s a thing that I definitely pulled from my childhood. 

You played Shelly on Twin Peaks as a young woman and now you are back in the same role, playing the mother of a young woman. Was that unexpected?

It was definitely a surprise that she was a mother of an early-20s child, who is following in her mom’s footsteps in an abusive relationship—and also to show that Shelly hasn’t emerged from that cycle, either. It was fascinating for me to see what David Lynch and Mark Frost wrote. Shelly has to think about what advice she would give and that fine line of protecting her without pushing her too far away. It threw me at first, but that story of the cycle that didn’t break…it is an important one to tell.

In Riverdale, you’re a different type of mom.

Yet she’s a mother in a similar way to Shelly, in terms of wanting to protect her children. She just goes about it in a completely opposite manner. Shelly is trying to keep her distance and show her daughter love, whereas Alice steps in every single time. She’s completely overbearing, a bull in a china shop—but with the same good intentions. 

Editor’s Note: Mark Stewart conducted this interview, which strayed into some fascinating territory after the allotted time. For 5 more minutes with Mädchen Amick log onto EdgeMagOnline.com.

 

Jaime Pressly

To make it big in the world of situation comedy, you can’t be just another pretty face. In fact, jaw-dropping good looks often work against you. Jaime Pressly was an absolute revelation in the demented, over-the-top sitcom My Name Is Earl—giving as good as she got with comedy veterans Jason Lee and Ethan Suplee, and setting new standards for questionable parenting as Earl’s ex-wife, Joy. Now a mother herself (son Dezi is 11 and twins Leo and Lenon were born last year), Pressly has landed on yet another hit comedy series, co-starring with Alison Janney and Ana Faris in Mom. Gerry Strauss talked to Jaime about her unique upbringing, and how it has influenced her career choices.

EDGE: After your Emmy-winning performance as Joy on My Name Is Earl, the world got a chance to fall in love with you again as Jill when you joined the cast of Mom in the show’s second season. What appealed to you about the new role?

JP: Well, the first thing that was appealing was the fact that Chuck Lorre called me and said he wanted me to do it. Anytime Chuck Lorre calls you and says he wants you to do something, you’re like, “Yup, okay.” It’s kind of like if [My Name Is Earl creator] Greg Garcia were to call me and say he wants me to do something, I’m there. So the opportunity to work with him was a no-brainer for me. And to go to work with Allison Janney and Anna Faris? That was another no-brainer for me.

EDGE: Jill is in recovery. Was that interesting to you?

JP: I was excited about the role…when Chuck called, he said, “She’s a girl who’s a recovering drug addict and alcoholic.” At the beginning, we thought she was going to be bipolar. I was like, “Well that sounds interesting. Write me in, I’m down.” The writing on Mom is incredible—much like the shows, I loved when I was a kid, like Roseanne and Maude and All in the Family and Cheers and Golden Girls. All those shows weren’t afraid to end on a low note. They had drama and comedy, and the comedy came from real-life drama, which is what made it real. It wasn’t just hitting the punchline.

EDGE: As a mom yourself, how does the shooting schedule work?

JP: I just couldn’t have asked for a better opportunity. To be able to go to work and have that great schedule when I am a mom was extremely appealing. Unlike the schedule on Earl, which was tougher because it was single camera. You know, I get to come home. I get to be with my kids in the morning and at night.

EDGE: How about your own childhood, growing up in Kinston, North Carolina? I know you competed in gymnastics. Were you a competitive kid?

JP: It was a pretty idyllic childhood, I’m not going to lie. It was a tiny, tiny town, and everybody knew each other. We rode our bikes to school in kindergarten all the way through. It was safe. My mom was a dance teacher—she only retired like a year ago. I was a gymnast for 11 years but I was actually more of a dancer. I danced for like 25 years. And competitive? No. I’m only competitive with myself. Even with going on a casting call or an audition, I would talk to everybody in the room because I’m not out to cut anybody’s throat. If I get the job, great. If I don’t, good luck to you. So it has always just been about topping myself, not anybody else.

EDGE: What do you think your parents passed down to you?

Upper Case Editorial

JP: I would say, from my mom, I learned discipline, because dancing teaches you discipline certainly. My dad would tell me that good things come to those who wait, so from him, it was more about taking things slow and learning how to be patient. With my mom, it was about learning discipline and working hard for what you get. And then manners came from both my parents because we’re southern… you know, it’s a thing there. Everything was really about manners. And with my kids, everything is about manners. My son Dezi, who’s almost 11, he’s one of the most polite children you’ll ever meet out here, I promise, in California.

EDGE: When you began your modeling career, you had to be legally emancipated from your parents’ care. How did that go down?

JP: It wasn’t a bad thing. It wasn’t like I divorced my parents. It was because neither of them could go with me, and as a teenager, I had to get past child labor laws. So we emancipated me so that I could go to Japan on the contract.

EDGE: Amicable as it may have been, you were still very young to be traveling and living on your own… across the globe, no less. Did you feel ready?

JP: I was. I had no fear. You know, really, fear never came into my body until I had a child. I was just fearless in every way. I was excited and eager to travel. It was fun for me— although I can’t imagine ever sending my child away at 15 and not going with them. But for me, it was different. I was a different kid. I grew up very quickly and I had a good head on my shoulders. I knew what I wanted, and I was a fighter. I wanted to get out there and see the world and I wanted to travel. So it never even crossed my mind to be afraid.

EDGE: When did acting enter the picture? 

JP: I always wanted to act. I started out modeling first because I had entered a model search when I was back home in North Carolina. I found it in the back of a magazine, and I ended up winning. My mom and I came out here to California, and they brought us back out again because they wanted me to shoot for the cover of Teen magazine. Two other girls and I ended up getting it, and my mom and I moved out the month that my first cover came out, which was June of ’92. So that was how I got my foot in the door. But standing in front of the camera and just posing was never the plan. It was fun for a minute and I loved the travel. But it was never my end-game plan, by any means.

Chuck Lorre Productions/Warner Television

EDGE: A couple of your early roles involved some nudity and sexuality. Were you comfortable being placed in those situations?

JP: I was and I wasn’t. I mean, there were moments of me feeling like I hate doing this, but like I said, I grew up as a dancer. Dancers are very comfortable with their bodies. Also, I had a European brain back then when it came to showing your body, so I didn’t think it was that big of a deal. And then, you know, you have kids and you cover up. Overall, I didn’t love it and I can tell you that the manager that I had for many years pushed me in that direction. So it wasn’t necessarily my choice, but it was how I was managed. Whether that was right or wrong, I have my own opinions but you know, it worked.

Courtesy of Original Film

EDGE: It seems as if you began to hit your stride in the teen comedies of the late-1990s—movies like Can’t Hardly Wait. How was that experience?

JP: It’s just the age that I was. We were all well out of high school. None of the people that were ever in those movies were actually teenagers. We were all adults. But those were the roles, those were the movies that were hot at the moment, and so everybody was in them.

Chuck Lorre Productions/Warner Television

Can’t Hardly Wait had everybody in it—I swear—and then Not Another Teen Movie. I mean, Chris Evans, Captain America, came out of that, you know? The roles were fun, the scripts were good and it was experience. The movies did well in the theaters, so it wasn’t like it was a bad direction to go in. And at that age, those are the roles that are offered. The older you get, the better the roles get, the more intense and deep and meaningful the roles might be. When you’re younger, you’re catering to the younger demographic and the younger demographic doesn’t exactly go out and watch heavy movies.

EDGE: Let’s talk about My Name Is Earl. You won numerous awards for your role as Earl’s ex-wife.

JP: Awards were never something on my brain. I never even imagined—I mean, every kid that wants to be an actor imagines accepting the award one day—but I never actually thought it would happen. It never occurred to me that I would even be nominated, to be honest with you. So I just was doing what I loved to do with an incredible group of people, with amazing writing that I was so fortunate to have. It was never like, a plan: I’m going to do this and go win awards.

EDGE: And of course the irony is that Joy was never meant to be a recurring character.

JP: Joy was only supposed to be in three episodes. I was given an incredible opportunity by the creator, Greg Garcia, to just kind of do my thing. After doing those three episodes, I was like, “You know, I really want to be here. I love it here, I don’t want to leave.” And so he just started writing me into all the episodes because he didn’t want me to leave, either. Thankfully. Earl was one of the greatest experiences of my life. 

Benjamin Hollingsworth

TV Doctor Benjamin Hollingsworth of “Code Black”

What kind of research is involved in playing the role of Dr. Mario Savetti? It takes a lot of hard work and preparation to get to a point where you can convincingly play a doctor on TV. We pride ourselves in our ability to portray the medical world as authentically as possible. I’ve probably done about 300 hours of medical training and boot camp. I understand how to work with a central line, intubation, chest tube, thoracotomy and just about every major ER procedure from start to finish. And I’ve actually gotten good at stitching. When people need their pants hemmed, I can suture to help save on tailoring costs!

In what ways is your personal reality similar to your Code Black character’s?

I live my excitement at work—which is something I think we share—and I also have a competitive nature…but, of course, I don’t save lives. Something else he and I share is that we don’t come from a super-wealthy family. I attended a prestigious acting school, but I had to work my way to get there with barely any connections, and I’ve had to fight for my roles—and I’ve had to really put in the work to get them.

What do you admire about him?

He has this ability to survive. Angels Memorial is one of the toughest places in the world to work, and he not only survives but he excels. I really admire his ability to handle just about every situation thrown at him. He’s very instinctual, which is what makes him such a good ER doctor. He doesn’t question himself. He works really hard to know what he needs to do and he’s good at doing it. That absence of self-doubt is one of his greatest strengths. You co-star in the upcoming action film Hard Powder with Liam Neeson, Laura Dern, Emmy Rossum and William Forsythe. 

How does being part of a cast like that help you refine your craft?

Any time you get to share the screen with such talented veterans, you learn. I have conservatory training. I spent three years learning a craft, but one of the biggest things I learned in theater school was that you never stop learning. So even now, a decade after graduating, I’m still going to work and learning from the best.

You did an episode of Degrassi about 10 years ago. Is that some sort of right of passage for Canadian actors?

Yes [laughs] this was my first role out of theater school. It’s definitely a Canadian rite of passage! Degrassi opened up a lot of opportunities. I made a lot of good friends and we stayed in touch. When I first got started down in L.A., they were also there and we would all get together. There were a lot of friendships that formed from the show. It was great. 

Editor’s Note: Editor-at-Large Ashleigh Owens actually spent a good 10 minutes with Ben Hollingsworth. To read 5 More Minutes with the Code Black star—and learn about his 2018 film projects— log onto Edgemagonline.com.

 

Marlyne Barrett

You don’t often hear it discussed, but the role of “television nurse” is among the most coveted in the entertainment business. Like real-life nursing, it offers the challenge of creating order from chaos, as well as the opportunity to leave an indelible imprint on every shift. It has supercharged the careers of many of our finest actors (Julianna Marguilies , Maura Tierney, Loretta Swit, and Edie Falco, to name a few) and given us countless unforgettable TV moments. Marlyne Barrett brings something extra-special to the role of Maggie Lockwood, Head Charge Nurse at Gaffney Medical Center in the NBC series Chicago Med. She has a real-life nursing degree, and several family members—including her mother and sister—are medical professionals. While playing a nurse is literally second nature to Barrett, she has been winning critical acclaim for her stage and screen performances for more than a decade, including an unforgettable turn as a crooked politician on The Wire. EDGE editor Mark Stewart wanted to know what it takes to balance the subtle strength and intense conflict her characters exude. As he discovered, it comes naturally. But never easily.

EDGE: I think about the characters you’ve played throughout your career and they are without exception powerful and highly competent women. Do you look for those roles as an actor, or do they find you?

MB: That’s a chicken and egg question, isn’t it? Where you are in your career often mirrors where you are with your characters. What you can play in a rich, dimensional way often determines the roles available to you. What you ask yourself as an actor is: Am I ready to do this role…and is this role ready for me?

EDGE: What are the demands of the Maggie Lockwood character on Chicago Med?

MB: Maggie plays the spirit of the E.D. She’s the one that maintains the professionalism and the humanity. The current of her presence impacts the entire atmosphere. When you initially get a role like Maggie, you’re like I can do it I can do it and you find the swagger in the character, and you’re really excited to have the swagger. Now three seasons in, Maggie is in a place where she’s asking herself about her signature in nursing.

EDGE: It’s interesting how much depth has been added to this character this season. Why now?

MB: I think Maggie is one of those characters that the writers put in their back pocket for later development. You watch these shows where they may introduce new characters in the third season to bring a fresh breath to a show. Chicago Med is a little different. What we’ve decided to do is to develop Maggie slowly, to be kind of an ace in the hole. So you sprinkle her everywhere in seasons one and two, and here we are in the third season expanding Maggie in some really interesting ways.

EDGE: I hope you take a little credit for that.

MB: Oh, definitely. And I’ve enjoyed this process. When you know you’re going to play a character for many years, you want a slow burn. Unless you’re going to do it the British way, where in one season you may have six episodes. As an actor, it’s better to have these back pocket moments with the characters you’re developing.

EDGE: Normally, an actor spends weeks shadowing the real-life version of the person they are playing. Since you had a nursing degree, did you get a reprieve from that? A note from the doctor?

MB: No [laughs] but it was helpful. The cast actually works with Dr. Andrew Dennis frequently for medical rehearsals, but we don’t see nurses that often. However, there was a nurse at Rush University Medical Center in Chicago who influenced how I play Maggie Lockwood. Her name is Gloria. I remember walking into a situation where a woman who had been hit by a semi was wheeled into the emergency room. Her body was pretty damaged. Gloria was so focused, working her environment like a symphony conductor…she had syringes, she was advising nurses what to do, she was assessing the situation, she was not overwhelmed by the urgency. The maturity in her eyes told me she knew exactly what she was doing, And the wrinkles in her face made me understand that there had been a price paid for her talent in nursing.

EDGE: Are those wrinkles familiar?

MB: I definitely recognize them in my sister, who is a doctor, a young doctor. And I recognize them in my mother, who is about to retire as a NICU nurse. The vocation anchors itself in you. It drives a depth of commitment inside you. The deeper you go into this commitment of bringing healing to people’s lives, the more it invades your life. Nursing isn’t just something my mother did. It was part of her language, part of her swagger, part of her education, part of everything. Same thing with my sister.

EDGE: Maggie can be pretty tough on the young doctors and nurses. Did you get pointers from your mother and sister?

MB: I’ve never seen my mother interact with the residents. But it is something I actually witnessed firsthand in nursing school. And I’ve seen it in my sister. Often senior nurses and doctors collaborate to ensure that young doctors become the doctors the profession should have, so being tough is a calculation made to improve and maintain the healing atmosphere you offer patients.

EDGE: If you never planned to work as a nurse, why get the degree?

MB: It was a promise I made to my parents. My father worked for Siemens as a medical engineer. And we have cousins who are doctors and nurses. So it’s a family thing. When immigrants—my family is from Haiti—come into this country, this is what they call “royal” blue-collar jobs. Doctors, nurses, engineers. There is a regal-ness to doing these professions. You can use these jobs to enter any area of society.

Courtesy of NBC Universal

EDGE: Tell me about the friendship you built with Ian McShane (above) while you were on the NBC series Kings.

MB: Everyone, in a number of professions, across the board, says the same thing about that man: Ian McShane is an authentic, incredible human being and a phenomenal artist. Ian was involved in the resurrection of my career. There is a five-year gap in my résumé. I was the victim of an assault. I’m a person who loves to laugh. I love life. I love human beings. After I was assaulted, to say that I was distraught would be an understatement. I became introverted and depressed. I needed a lot of prayer and a lot of counseling, in addition to the physical help I received. During that time of major pain, that’s when I met my husband. I met him a month after the event. He took the time to love on me well. And it was Ian McShane who was my true north.

EDGE: How so?

MB: Ian was there to help me get back on my feet. I thought I was leaving acting for good. He did not think that I was, and he said that when I was ready to come back, I should contact him. When the time came, I reached out to a lot of friends who were A-listers, people with whom I had worked. They said Yeah, I’ll help you. But I never heard from them, really. I made one call to Ian and he had representation ready to hear from me, he had a meeting set up for me, and within two weeks I was back on-air, on American Crime.

EDGE: He has a reputation for being generous as an actor, too.

MB: Yes exactly. You know, I did a scene with Ian on Kings and, after it was done, I was so bummed. I felt like, Man I wish I’d done that a different way. I went to see him the following day and said, “Hey remember that scene we did by the water?” He said, “Ya, doll. It was great, love.” I told him I felt there was something missing there. He said, “No, no. It was great.” I got very serious and told him he had a chance to pass on his gift and make me a part of his legacy. He laughed. And then he gave me the instruction. Well, you could do this, this, this and this— giving me pointers on how he’d approach it. From then on he really expanded my craft. And after Kings, I wanted to do some studying in London. He wrote me a great letter of recommendation to his alma mater, RADA [the Royal Academy of Dramatic Art] and I went on to study there.

EDGE: I would be remiss if we didn’t talk about your two seasons on The Wire. Nerese Campbell (facing page) was a brilliantly conceived character—a politician who used people and power in the same ways the criminals did. You were disturbingly convincing. 

HBO/Blown Deadline Productions

MB: Thank you! I made the conscious decision that if Nerese—as a politician—was going to rub shoulders with the boys, we were going to dance. It was Baltimore. And the truth is that I wanted her to go all the way to Washington. I calculated this idea that having a law degree and going into politics, she knew she would be dealing with people who weren’t necessarily refined. So what would I bring to the table when I wanted to sway a situation? I needed something as strong as a gun—something in her speech that was as potent as gunpowder, something so specific that my words balanced between intelligence, wisdom, and a threat. That’s what I thought Nerese was—all in a sexy body. There was one scene that captured her perfectly. She is going to work in her Mercedes on a sunny day, Bubbles is passing by and hands her a newspaper. Her window goes up, she opens the newspaper and we see that her illegal activity is on the front page. She’s exposed. And we see her, through the window, cursing like it’s her first language. Not like a politician, but like a gangster.

EDGE: So having lived through these two characters, Maggie Lockwood and Nerese Campbell, what do you think you’d be if you weren’t acting?

MB: [Laughs] A gangsta nurse.

Jim Gaffigan

What can you say about a standup comic who heckles himself? In the case of Jim Gaffigan, you can’t say enough. His observational comedy on the challenges of parenting, horrendous eating habits, and his own laziness has made him the most American of American comics. Professionally, Gaffigan is living the dream. He has conquered every platform a comedy icon can: television, film, radio, large venue, small venue, voiceover, publishing, CDs, DVDs, writing, directing and producing. He even earned rave reviews on Broadway in That Championship Season. Gaffigan, who received his third Best Comedy Album Grammy nomination this year for Cinco, will be making a stop in the Garden State this summer on his Fixer Upper Tour, with two shows scheduled for The Borgata in Atlantic City on August 4. Jim Sawyer caught Jim between gigs a few days before the tour began. 

EDGE: Is there such a thing as a “New Jersey audience?”

JG: New Jersey is three different worlds. And I’m sure it’s more than that. There’s Northern New Jersey, which is the suburb of New York, and there’s South Jersey, which is decidedly influenced by Philly. And then there’s the Jersey Shore.

EDGE: What do they have in common?

JG: You know, there is something about the Northeast. I chose to live in the northeast—I talk about this in my new special. What I love about Jersey is that it has this Northeast anger and passion, where, if you don’t deliver they’re going to throw you out. Yet Jersey also has this quality of “being taken on” by other states in the Northeast. I’m from one of those states, Indiana, which has to deal with being the butt of other cities’ jokes. So there’s a similar underdog quality that translates to a certain amount of pride.

EDGE: Do you set aside specific time for writing or do you jot down ideas as they come to you and develop them when you can?

JG: You know it’s always changing. Sometimes it is jotting down things on my iPhone and kind of fooling around. I wish it was more like that. But, sometimes it’s, you know, 20 minutes before a show talking to my friend who works with me on the show and I’m just coming up with an idea. Yeah, so I wish I could figure out where it all comes from because I’d go to that mind a lot more. But, in the end, there is nothing more rewarding than coming up with a new joke, or a new chunk, a topic.

EDGE: When you have reached the top of the comedy business- which you have- you have to think a lot more about the “business of comedy.” How has your business model changed over the years, and where do you see it evolving in the future?

JG: I think standup comedy, over the time that I’ve done it, has changed so dramatically in just accessibility to the public. And it’s changed from you get five minutes, and you try to get on the Tonight Show to you provide hour specials and they’re consumed on different platforms. My journey has changed so much. But I love writing new hours of material and finding myself getting better at standup.

EDGE: Is that a constant challenge?

JG: It’s all about self-refinement, right? So I don’t know. I love standup so much and it’s something I feel like I’m getting better at. So I like where it’s heading and, who knows, it’s like, in five years it will be a completely different business. When I did Beyond The Pale on Comedy Central that’s probably one of the more impactful things that happened in my career. But, in the next 10 years, there will probably be two other things that are the equivalent of YouTube or Netflix or satellite radio. Things just really keep changing and making standup more accessible to the world frankly.

EDGE: What are the parenting challenges that are peculiar to your particular profession?

JG: I think the unique one is probably balancing travel. I mean I’ve made a point of traveling as much as I can with my kids. You know, you forgo kind of making money on some trips, but I wouldn’t do it any other way. And I think the other thing is as a comedian, by necessity, you have to peak at night. Whereas parenting, it’s a 24-hour job.

EDGE: What for you is the most important part?

JG: I think the morning is a very important job. When I get the opportunity to go to school with my kids or drop them off…I wish I could do that more often. But, if I’m flying in from doing a show and I get home at 1:00 a.m., it’s unlikely that I’m going to be able to get up and make them eggs.

EDGE: You’ll be at The Borgata this summer. Casino crowds traditionally have been different than theater and club crowds. Do you find that’s still the case?

JG: It used to be much more the case. But now, you know, whether it’s The Borgata or Vegas, I think people are there for the shows. It’s kind of changed dramatically—just as performing at colleges has changed dramatically. Obviously, the casinos want people to stick around. But a lot of the venues in casinos are just so beautiful, they’re the best in the area, just great venues.

 

THE GAFFIGAN FILE

Born: July 7, 1966

Birthplace: Chesterton, Indiana

College: Georgetown Class of 1988

Residence: New York City

Fun Facts

  • At the age of five, Jim announced that he wanted to grow up to be “an actress.”
  • Jim was a football star in high school and played varsity ball in college.
  • Jim took a comedy class after moving to New York in the late 1980s and fell in love with standup.
  • His beloved Hot Pockets routine was inspired by an actual commercial that he mistook for a Saturday Night Live sketch.
  • Jim is one of several actors who have played Colonel Sanders in KFC’s popular TV ad campaign.
  • Jim’s acting skills have earned him guest appearances on some of TV’s most popular comedies, including Portlandia, That 70s Show, Sex and the City, Bored to Death and Unbreakable Kimmy Schmidt.
  • His own series, The Jim Gaffigan Show, ran for two seasons on TV Land.
  • Jim won an Emmy in 2015 for his contributions to CBS Sunday Morning.
  • Jim played attorney Paul Markham in the 2018 film Chappaquiddick.
Editor’s Note: Although no one would call Jim Gaffigan a visionary, in 2005’s Beyond the Pale, he did correctly predict that Dunkin Donuts would one day unveil a glazed donut breakfast sandwich. Of course, he meant it as a joke.

 

Wendy Williams

Wendy Williams is all about curves. She isn’t shy about showing hers off, of course. And she isn’t above throwing one or two at the celebrities she interviews. The Wendy Williams Show is 60 minutes of live, hold-on-tight entertainment, where anything can happen and almost anything goes. Make no mistake, however. Williams is both under and in control. She understands her business as well as anyone and, although she lives for the moment, her eye is always on the horizon. Indeed, as EDGE’S Gerry Strauss discovered, the most important curve for Wendy is the one she always seems to be out in front of.

EDGE: When did you decide that you wanted to be in broadcasting? 

WW: Sixth grade. I didn’t have a whole lot of interest in school, but I enjoyed reading books and I enjoyed writing. I knew I could do it. I thought that being a newscaster or a radio personality was definitely it. One of the two.

EDGE: Who were your influences?

WW: The black broadcasters in New York, like Sue Simmons, Vic Miles and Chi Chi Williams. In college, I majored in communications and minored in journalism. I immediately got involved with the college radio station, where I was reading news at the top of the hour. Radio was my second choice, actually, because I thought that you had to know an awful lot about music and you had to have an air of cool. I was a lot of things when I was younger, but cool was not one of them. I wasn’t in the in-crowd. So I read the news on the college radio station. One day, one of the DJ’s did not show up and they said, “You have to do it.”

EDGE: Were you scared?

WW: I was frightened to death. But I found that it’s not about cool. It’s not even about the music. Radio personalities—back then they called them DJ’s—were just the conduit from one song to the next. If you wanted the personality part kicked in, where I would know a little bit more about something, like: “That was LL Cool J, this new rapper on the scene with ‘I Need a Beat.’ When I was home at Christmas, LL Cool J performed at this club in yadda yadda yadda…and I heard that he left with three girls.” People would be curious, “What else do you know?”

EDGE: And as your career developed, how did you develop sources for celebrity gossip?

WW: At clubs. Fast forward to 1988. I was 25 years old and got my first New York job. It was at a dance music station called Hot 103.9, which is now Hot 97. I was a single, young New York girl making $60,000 a year, with no student loans and no car notes, living life like it’s golden. I would do two or three appearances a night, seven nights a week, being paid to go to nightclubs. I was in the VIP area so, of course, I would be seeing things that I would bring back to the radio. Through the years, that’s how it’s been.

EDGE: That kind of access is a powerful thing.

WW: It is. And when you have that access, you have to choose, if that makes sense. I chose the audience over the celebrities. People like that extra information, but you have to choose which side you’re on. You can’t serve two masters. You can’t be friends and go to a party and hang out with celebrities, and then betray their trust and talk about them. You cannot do that. That’s not being a good friend.

EDGE: As you worked your way to the New York market prior to 1988, did you spend time in some wacky places?

WW: Fortunately, I didn’t. It all happened pretty quickly for me. I spent eight months in Saint Croix, then I worked in Washington, D.C. for another eight months. I desperately missed Jersey while in Washington. They’re so conservative. And you can’t get a parking space! Then, right after D.C., I started working in Manhattan, and I lived in Jersey the whole time. Jersey has never been far from my heart.

EDGE: Your radio career coincided with the rise of the “shock jock,” and often you are mentioned as part of that genre.

WW: I don’t particularly care for the term “shock jock.” It brings up distasteful man humor and I don’t find anything that I say so shocking. My delivery is not so shocking—I speak like you speak. But I’ll take it as a compliment, only because it put me in good company with my friend Howard Stern, who is one of the greatest personalities on radio ever…which means that I must be one of the greatest personalities ever!

EDGE: Does that realness and honesty you bring to the air ever present a challenge for you when you’re off the clock?

WW: It can be challenging. When I walk in a room, people sort of react as if Godzilla walked in. They’ve always wanted to see or be near me, but they don’t know how to react. It’s like, “If I touch her will I burn? If she catches me looking at her, will she say something?” It’s partly my reputation and partly my presence. I’m taller than most men and women once I put my heels on, and I have a larger frame than the average woman—but it all works for me. I actually enjoy walking into a room and watching everyone scatter, because the truth is that I’m a pussycat. I’m honest, not mean-spirited, so whatever is making them scatter, I know that if they gave me a chance, they would love me.

EDGE: Celebrity gossip has become a 24-7 industry. As someone who helped to pioneer that type of reporting, what do you think of the way our celebrity culture has grown?

WW: I’m very happy about how the thirst for celebrity information has grown. But, if you pay close attention, you’ll notice that we continually hear about basically the same 150 celebrities. They are in the weekly magazines. They are on TMZ. Every once in a while, you’ll get a new celebrity in the mix. But it’s basically the same 150 celebrities. There are a lot more than 150 famous people out there, but they are not in the magazines or on TMZ.

Photo by Nadine Raphael

EDGE: Why is that?

WW: Because they live in Jersey. Because they live in Maine. Because they live in Connecticut. Not Manhattan. Not L.A. or Calabasas, where the Kardashians live. If Alec Baldwin doesn’t want to be bugged, then he should move to Jersey. Do you understand? We know where to get “papped” [photographed by the paparazzi]. In Manhattan, there’s a place called Michael’s. They have Celebrity Wednesdays. I only go there with my mother and father because they love the whole celebrity culture. I think it’s cute. When they come to the show, they come on a Wednesday and we go to Michael’s afterwards. They know to straighten up because, as soon as we open the car door, we’re going to get papped—and then put in the Daily News the next day. If I don’t want to get papped, I’m not going to go eat lunch at Fred’s At Barneys. I’m going to go up the street to Lair. There’s no paparazzi at Lair.

EDGE: So you think a lot of it is voluntary?

WW: Absolutely. Can I tell you something? Paparazzi aren’t just sitting in people’s neighborhoods taking pictures of them strolling with their kids. Fifty percent of them get photos because they go to places like The Ivy or Michael’s. And then the other fifty percent, they call the photographer and say, “I’m going to bring a blanket in the park and I’m going to have my kids.” Isn’t that stupid?Stupidest thing ever!

Photo courtesy of Essence Communications, Inc.

EDGE: Let’s talk about your show. For those who don’t know, The Wendy Williams Show is broadcast live.

WW: I love that.

EDGE: How was that decision made?

WW: They told me You’re going to be live and I said, Great. I’ve got stuff to do after the show. I’ve got groceries to buy. Nobody has time to be up in this dusty studio all day. At 11:01, I’m free. I go home, I become Wendy Hunter. We’re live out of New York four days a week. We tape Friday’s show on Thursday afternoon, so Friday I’m free to go to Home Depot, work on an outside project, whatever.

Photo courtesy of Essence Communications, Inc.

EDGE: Do you ever worry about something going wrong on live TV?

WW: I may make it look like perhaps something will go wrong, but remember, I had almost 25 years of broadcasting live radio four hours a day. I’ve been inducted into the National Radio Hall of Fame. I’ve won several awards. I’m part of an elite group. You don’t get that far by slipping up; you get that far by making it look easy. But it really is not. I curse like a sailor in real life but I’ve never cursed on the radio. I’m a trained broadcaster. So, for me, live TV? It’s the best.

EDGE: Who haven’t you interviewed yet, but want to? Who’s on your wish list?

WW: I would love to talk to Michelle Obama. I don’t even want to talk to her about First Lady stuff. And I wouldn’t ask her to do a push-up or to dance, or talk about issues. I’d want to talk about life. “When is the last time you drove a car, girl?What kind of moisturizer do you use?” I’d want to talk to her because she just turned 50, and I just turned 50. She’s a mother, I’m a mother. She’s a prominent person and I’m working on my prominence. In terms of having a wish list? Well, doing a talk show and being a professional talker, you realize that there really is no such thing as a wish list, because sometimes the very people that you wish for end up being the worst conversationalists. I’ve had better conversations with cab drivers than I’ve had with some celebrities I’ve met.

EDGE: If your show ever got to the point where they wanted to move it to the West Coast, would you consider that?

WW: Oh my gosh, I shudder and I wince and I wince and I shudder! There was actually an informal offer to do that back when I was in radio and I couldn’t do it. It’s a nice place to visit—all due respect—but I’m not that girl and those aren’t my people. These are my people in the Northeast.

EDGE: Will you reach a point where you’d want to do something other than TV, or just stop doing TV?

WW: I do have a date when I want this show to end if—God willing—it doesn’t get canceled. Listen, we’ve been renewed to 2017. I’ll need a few more years after that. I knew that when I signed up for this show, and I had the conversation with my husband. I told him that I don’t want to do this forever—and we hadn’t even gotten started at that point. I treasure my privacy. I treasure having a life. The best part about my job is actually doing my job. Maybe the worst part about it is taking pictures and doing autographs—the stuff that regular people would consider fabulous is really not. Right now, I’m taking steps to set things up to earn a living after The Wendy Williams Show, but behind the scenes as opposed to in front of the cameras. It’s a situation where my husband will take the reins, and my son will have a built-in opportunity to work in the family business. The Wendy Williams Production Company will create everything from reality TV to Lifetime movies to docu-series. That’s what I want next. I also want to establish a platform where I can do more public speaking—from keynote addresses to charity events to PSAs. I want to get out and be able to do things that I don’t really have the time to do now, things that would be helping to make the world a better place.

EDGE: Talk about the privacy issue if you would.

WW: Ten years ago, I could take my kid to Great Adventure and I didn’t have to think about what time or day we are going to go. These days it’s, “You know what?I can’t go. I’m going to have my assistant drive you and your friends.” Ten years ago, life was just different. I never want to discount my radio career, but it wasn’t as visual and it wasn’t as widespread. It was mostly an urban audience, and you knew where the How you doin’s were going to come from. Now they come from everybody. So yes, there are challenges, but nothing that I can’t get around. Also, I have to say that people treat you the way you put it out there. When I am driving around my town, I do all the Home Depot-ing, all the Target-ing, all of the grocery shopping—all of the everything—and people know it’s me. But when they say How you doin’ I say, “Hi, how are you?” and that’s it.

EDGE: Friendly.

WW: Right. You engage…and then you disengage. Busy, busy, busy. People respect that. EDGE

Editor’s Note: If you know anything about Wendy Williams, then you know that the entirety of this interview couldn’t possibly be contained within these pages. For more on her career choices, being a parent and role model, the future of radio, and her list of favorite things, log onto edgemagonline.com!