Yes Man

In the wedding gown world, it’s all about the dress.

Oliver Goldsmith, the 18th century literary giant who authored the timeless comedy She Stoops to Conquer, liked to say that he chose his wife as she did her wedding gown: “For qualities that would wear well.” Had Goldsmith been born two centuries later, he might have my job—he knew that a bride-to-be’s decision-making process begins long before she says Yes to the dress. Wearability, for lack of a sexier term, is but one of the components that goes into picking the perfect gown. Here are five more:

Personal Time A bride’s personality is what I call “her story.” This is what makes her special and unique. A bride’s story should have a major influence on the look and gown she selects. I have worked with a wide range of brides. Everything from a princess bride to a fantasy bride who had wings fabricated to match her gown. Now that’s a personality!

Location Location Figuring out your wedding location actually goes hand-inhand with selecting a wedding dress. It’s important that your wedding dress and your venue are telling the same story.

Be a Calendar Girl The date or season of the year can greatly affect your choice of wedding gown. Some styles and fabrics should be ruled out simply by virtue of the fact that they aren’t necessarily friendly to certain times of year or day. For example, heavy velvet may not be the best choice for a summer ocean-side wedding. Although you may have a certain look in mind, consider the fact that you want to be comfortable and enjoy every moment of your big day.

Celebrate the Outer You When it comes to body type, I say embrace who you are. The number one question I am asked is What type of dress will be the most flattering for my body? I don’t believe in labeling, changing people or placing them in a group of predetermined shapes or sizes, and then telling them what they should wear.

Eureka Moment This is what we refer to in the show as saying “Yes to the Dress.” It is the magical moment where everything else is put to the side and the girl falls in love with how she looks and feels. At that moment, she knows the dress makes her feel beautiful and she cannot wait for her walk down the aisle. EDGE

Editor’s Note: Randy Fenoli is Fashion Director of Kleinfeld Manhattan and one of the stars of TLC’s hit series Say Yes to the Dress. His first book, It’s All About the Dress, will be published in November by Hachette.

Beyond the Traditional

      

House of Stylists

Fashion stylists are fast achieving celebrity status. Imagine a store staffed with them.

You know the old saying It’s not the destination, but the journey? Well, when it comes to fashion, believe me, it’s the destination. The journey? A mere afterthought. Which explains why well-dressed women think nothing of devoting their most precious commodity—the better part of a day—to visit a clothing Mecca called Coco Pari, with outposts in the hip little Monmouth County towns of Red Bank and Deal. Coco is the total package, offering head-to-toe fashion and, more importantly, a point of view you won’t find in any department store. Staffed by young fashionistas bubbling with style, ready to plug a customer in and cover her act from every angle, Coco Pari has created a new breed of saleswoman-meets stylist— a funky hybrid of fashion editor and best friend. Red Bank store manager Briana, Southern transplants Sophie and Faith, playful Lauren and eye-catching Lindsay literally live, eat and breathe fashion. By day, they are consulting with shoppers on silhouettes that flatter each woman’s unique personality and style. By night, they are out and about, texting back and forth about who’s wearing what. They know the trends and they are not afraid to tell customers what looks good, even if they might not be thinking along the same lines. The ladies at Coco Pari have that “it” factor, and it radiates and translates as they work with customers from the trenches to the cash register. What pleases them the most is simply helping women achieve perfection. In the spirit of full disclosure, I should point out that the saleswoman-as-stylist approach is not the main reason why regulars make the trek to Coco to get a fresh new take on their wardrobe each season. That honor goes to Kimberly Landau, the store’s sole accessory, ready-to-wear and evening couture buyer. The sexy, rocker-chic 36-year-old hand-picks and hand-trains each fashion assassin on her floor; she has established a powerhouse retail operation with fans and followers throughout the tri-state area. The ease with which the Coco Pari sales staff pulls outfits is somewhat deceptive. Landau often stays in the store past 2:00 a.m., merchandising like a madwoman, and then game-planning with the girls before the doors open each day. Everything is clean and clarified. Because Landau does the buy, Coco customers can be completely confident that they’re looking at the cherry picked “best of the best.” It’s the key to the Coco Pari experience. “Fashion really is about building confidence for women,” notes Landau, who loves to see women elevate themselves using her store as a workshop. “Coco Pari is not for people who want to stay under the radar. Many people come here with ‘friends’ who won’t give them an honest opinion, but my employees will give it to them straight—one hundred percent.” The actual shopping experience at Coco is difficult to capture in words. To me, it’s like tumbling down Alice’s rabbit hole into a decadent, bejeweled jackpot of Jimmy Choos, Herve Legers and Christian (!) Louboutins. It’s an animal print upholstered, crystallized toy box perfectly fitting for the innermost reaches of the feminine psyche. It’s nice to know that somewhere—in between Lacrosse games, pick-ups and drop-offs, charitable nights out on the town, and everything else that finds its way onto our overcrowded calendars—you can still find a fairy godmother like Kimberly to help women transform their mood, their minds and their hearts.

Editor’s Note: Vicki McDougal is a television producer and photographer who has been working in the fashion industry for more than 20 years. She snapped the photos for this feature. Coco Pari (cocopari.com) is located at 17 Broad Street in Red Bank and at 270 Norwood Avenue in Deal.

Sun Salutation

 Summer is here. And attention must be paid! 

For those of us fortunate enough to be renting a beach house—whether it be for a few days or a few weeks—there’s no sense investing those big bucks if you’re unwilling to spend a couple more to look your best when you hit the sand. Whether you’ll be making the scene with oceanfront cocktails, hitting a charity gala at that swanky beach club, or just having a family barbecue on the sand, here are some tips to make sure your endless summer has you looking as fabulous as possible. First rule of thumb: you don’t have to get a burn to grab a perfect tan. Physicians Formula Bronze Booster Self- Tanning Bronzing Veil ($15) is enriched with 100% natural oils. It hydrates, protects and helps regenerate the skin for a smooth, flawless finish. Mimicking the effects of a deeply hydrating body butter treatment, this formula is ideal for quenching sun- and wind parched dry skin. Don’t forget to still blend a little with your fingertips after applying to ensure a streak-free finish. This product will leave your skin looking naturally tan, not orange or streaked. It’s quality luxury, and most importantly, it’s safe. Secondly, toner is essential for healthy skin in a warm-weather climate. Yon-Ka Lotion PG Toner ($26) is pretty much as naturally perfect as it gets. It rehydrates dry skin with soothing, nutritious ingredients. This aromatic toning mist is designed for semi-oily skin. It refreshes, soothes, and equalizes, and the amazing scent makes it perfect for a midday

post-beach lift. Thirdly, any summer house inhabitant worth his or her weight in Mimosa needs a quality moisturizer with an SPF. Neutrogena Oil Free Moisturizer is a modern classic that knows no bounds. It’s sheer, odorless, and packs an SPF 30 punch. Not only will it protect you from UV rays, it’ll keep your wallet intact at around $10 a bottle. I recommend reapplying as needed whenever you start to feel dryness. For the same affect on your hair, Frederic Fekkai’s Summer Hair Sun Bandana ($20) is heat-activated to protect hair follicles from the harshness of sun, saltwater and chlorine. Locking in conditioning elements, Sun Bandana is also oil-free, which is a total rarity in the hair mask product world. And it smells amazing. As for the fellas, don’t be swayed by what your buddies tell you! Harsh sun, salt water and chlorine hold the same dangers for your skin and hair as they do for the ladies, so don’t be afraid to moisturize in the manliest way possible. Jack Black’s 16 oz. Beard Lube Conditioning Shave cream ($32) is perfect for summer. It’s a light, non-invasively fragrant, pre-shave oil, shave cream and skin conditioner in one.

KISSY–KISSY No summer would be complete without a little romance, right? That being said, it’s important not to neglect your lips. The more tender the skin, the more vulnerable it is to sun damage. In this instance, it’s best to just stick with a classic. Smith’s Minted Rose Balm ($7) is pretty much as good as it gets. This balm is as smooth as Carmex without the globby, heavy feel. Incidentally, it also manages to taste refreshing and sexy at the same time, which makes it a favorite of surfers and supermodels alike. Speaking of surfers and supermodels, every great summer share necessitates at least one fabulous fete. Great bones make for a great home, for a little extra midsummer’s night flair, fill your house with gardenias and keep bowls of fresh lemons and limes on every table (a Martha Stewart secret). You’ll be pleasantly surprised at how far a little aromatherapy can take a first meeting. The next morning, en route to the beach, revisit the citrus and scrape the skin gently with your fingernails. Sounds funny, right? The Ancient Romans relied heavily on oranges, pomegranates, and other succulent and aromatic fruits to spice up any and all get-togethers. And if anyone knew how to party, it was that lot. However, while it’s always fun to embrace a When in Rome mentality, moderation is the order of the day, so sparingly massage the essence into your hair and body. You’ll be making new friends in no time at all. As the days get longer, remember that every carefree, sunny day is to be enjoyed to its fullest, and each balmy night that follows deserves a steamy story. Hopefully, between looking the part of a bronzed, summertime beauty—with help from the sun, sand, and science—this will be the most fantastic and fruitful of all your summer escapes.

Graduated Pearl

 

Best-selling novelist Kristin Hannah discusses her new book…and the challenges, choices and rewards of parenting a high school senior.

Timing is everything. Indeed, in her latest foray into the women’s fiction market, New York Times bestselling author Kristin Hannah explores the complex dynamic created when a family with high school- aged twins opens its home to a disadvantaged teenager. Night Road unfolds during a time in the twins’ lives that challenges even the most steadfast parent: senior year. This is the story of the Farradays—mother Jude, father Miles and teens Zach and Mia—and Lexi Ball, a former foster child. When Lexi moves into the Farradays’ small, close-knit community, she quickly becomes Mia’s best friend—and, eventually, the object of Zach’s affections. But the inseparable trio’s world is shattered when a reckless decision tears the Farraday family apart, changes the entire course of Lexi’s life, and grief forever transforms Jude’s ability to be a mother. The book raises profound questions about the resilience of the human heart and the courage it takes to forgive through the haunting story of a family shattered by tragedy, and their struggle to put the pieces back together. Hannah didn’t have to look far for the inspiration she needed to infuse her book with the emotional turmoil parents experience when teenagers first begin vying for independence. She was inspired to write Night Road after experiencing the ups and downs of her own son’s senior year. “We’ve always had a really close relationship, and he’s a really good kid, but we suddenly found ourselves battling constantly about the decisions he was making and the dangers waiting out there in the world for him,” she says. “I didn’t realize until quite some time later that I didn’t sleep much that year…and I started writing Night Road when I could look back and reflect upon that stressful time in the life of any family.” Night Road’s powerful maternal force, Jude, in many ways epitomizes the term “helicopter parent” for the micromanaging role she plays in her twins’ lives. Hannah says her most recent book is much like the 2008 novel Firefly Lane (which explores the friendship between two women as they pursue the often opposing goals of fame and family) in that the story was largely drawn from her own personal experiences. “The challenges, the choices, and the questions that arose during my son’s senior year of high school really informed the writing of Night Road,” she explains. “There’s a lot of myself in the character of Jude—but then there’s a little bit of me in all of my characters. What writers bring

Photo courtesy of Deborah Feingold

to the table is a collection of our experiences and world views, our moral codes and philosophical beliefs…and all of that is often tangled up within our characters.” Like Jude, Hannah’s own personal journey was fueled by the influence of motherhood. She originally had her sights set on becoming an attorney, but when her mother was diagnosed with cancer during her final year of law school, the pair began working on a novel together. Though her mom always insisted that Hannah was destined to be a writer, she didn’t return to the uncompleted manuscript again until she was placed on bed rest during her own pregnancy, desperate for an outlet to pass the time. Jude Farraday’s tendency to always put her children’s needs before her own probably mirrors Hannah’s desire to keep motherhood the utmost priority, even if it meant putting her own writing aspirations on the backburner from time to time as she established her career as a fiction author. “I was in this interesting position of being a working mom who stays at home,” she recalls. “It did require a lot of balancing, but quite honestly I’ve always put motherhood first. As my son got older he needed me around less and less, so I’ve been focusing on my career a lot more in the past ten years.” Indeed, Hannah had already penned 18 novels, most of which delve deep into the complex relationships between women (friends, sisters, mothers, daughters) and how they guide our lives. “These are the relationships that determine how we’re going to live and who we’re going to be, and that has always fascinated me,” she says. Night Road explores the friendship between two teenaged girls and, eventually, the all-consuming passion of first love. Still, Hannah remains true to the maternal character of Jude by repeatedly averting the reader’s attention to her classic inner struggle: what it means to be a good mother. She provokes readers to reflect upon the decisions they make as parents, and how to strike that delicate balance between protecting your children and helping them spread their wings. “It’s a coming-of-age story about kids trying to break free at 18, but it’s also about how we, as mothers, try to keep our children safe,” Hannah says, adding that Night Road really is about motherhood. “Writing it did give me a lot of time to think about the decisions and challenges that 18-year-olds and their parents face. I hope the book could spark a discussion between parents and their kids.” The best piece of advice Hannah has for moms? “Remain open and honest,” she says, and “create an environment where conversation can occur.”

Editor’s Note: Special thanks to Tanya Farrell, Susan Belfer and Nicole Rotunda. Night Road was released this spring by St. Martin’s Press.

Three for the Money

A Trio of Westfield Winners 

If at first you succeed, why not keep at it? It’s hard to remember a time when Theresa’s wasn’t around to feed families who realize they can’t make meal ends meet in between soccer and homework. Or couples who commute and, on occasion, want more than takeout rotisserie chicken and strip-mall Chinese. Or 20-somethings just off the train who are looking for a gathering place with more eats than drinks. The successful formula at this Italian-leaning, something-for-everyone restaurant on Elm Street encouraged founder and guiding force Robert Scalera to open a Southwestern-style spot called Mojave Grill, a mere blink away in downtown Westfield. Now folks craving a good bowl of black bean soup, quesadillas with punch and pizzazz, and chile-infused main courses had a downtown alternative in the same come-as-you-are vein as Theresa’s. And when it seemed there was a niche not yet explored, Isabella’s American Bistro was born in yet another storefront on Elm. It borrows culinary themes now and again from its siblings, but does have a much-loved jazzed-up meatloaf, wasabi-crusted seafood specials and a fruited bread pudding locals can’t do without. In other words, bistro style with an American-food attit      ude. An old friend from Westfield told me her four kids might have gone hungry during their high school days if not for Theresa’s and Mojave. They were at one or the other— sometimes both—every week. They’d all zero in on their favorite dishes, order and feel sated. Tara King, catering manager for all Scalera’s restaurants, says the faithful indeed do pop in two, three nights a week. And that doesn’t include lunch stops, since they all serve midday meals as well. Curious? Come dine with us then. We took in dinner at each of the Westfield mainstays to catch the individual flavor of each place. Neighborhood joints though they may be, there’s a sense of pride in the crafting of dishes that’s not always apparent in restaurants with a similar purpose and point of view. Ingredients are fresh. Stocks are made in house, not purchased in vats from food distributors. Though there are no ahead-of-time reservations to be made, there is a nightly call-ahead system that keeps table waits to a minimum. The restaurants routinely are packed to the gills, but on most occasions, there’s commendable flow from kitchen to table. Scalera’s restaurants are well run.

THERESA’S The always-smart partnership of shellfish and beans makes for a simple, yet engaging starter. Shrimp are marinated, then grilled, and plated with a white bean salad. The pair is united by a sweet flash of roasted red pepper and the herbal kick of a pesto-laced oil. Flashy and fussy? No. Soulful and satisfying? Yes. So is a local favorite pasta dish, the now-classic penne with vodka sauce. It’s so often tired and trite, laden with massive amounts of sauce that prompt giggles among teens, who think they’ll get a buzz from a sauce labeled “vodka.” Sorry. There’s a vaguely astringent quality to the spirited sauce, but what gives Theresa’s version of the dish a lift above the norm is the carbonara-like addition of crumbled pancetta and sweet peas. Potent in a non-alcoholic way. It’s possible that riots would ensue in genteel Westfield if the asiago-crusted chicken ever were taken off Theresa’s menu. Our polite server on this night said there was no chance of that. Folks love the cheese-on-cheese aspect of the dish, what with mozzarella layered in the mix. It’s all balanced by a dose of tomato and a garlicky cream sauce. If you’re looking for a sweet-tart sensation, give the balsamic-and apricot-glazed pork tenderloin a go. It’s got the appeal of something barbecued as well as a couple of hearty standbys on the side in garlic-licked mashed potatoes and a tangle of spinach. The dessert of choice? A dense, yet light, flourless chocolate cake that demands, and receives, a dollop of vanilla gelato.

MOJAVE GRILL There was a special soup on tap the night of our visit that intrigued: caramelized onion and potato, punctuated by the freshness of scallions and topped with crisped onions that have been shot through with cayenne. Of all the Scalera concepts, I’ve liked Mojave the best. There’s bolder seasoning and more of a distinctive personality on the plates, particularly on the specials’ roster. This soup crystallizes why?: The onion-potato soup is thick, rich and calls for counterpoint, which it gets in the rawness of the scallions and the heat of the crunchy cayenne’d onions. The signature black bean soup needs its jalapeno spike, as well as the luxurious lime crema, chunks of avocado and chopped, spiced tomato. Extra dimension in a dish is why we eat out, so we can experience what we might not do for ourselves at home. We tend not to make tuna ceviche at home very often, either, which is why Mojave’s faithful snag the chunks of yellowfin made brazen by ginger and pasilla chilies and then soothed by cooling cucumbers and avocado. Tune into the pulled chicken enchiladas and, if you’re in the mood for comfort food, for the ancho mole, red rice and black beans with a swath of cotija cheese and sultry crema. They’re just about as harmonic as a chorus from The Mamas and The Papas. If you’re craving quesadillas, nab the blackened chicken number that comes cosseted with a Monterey Jack-esque cheese and a generous slather of avocado-basil aioli. I wasn’t taken with the yucca-crusted grouper, a nightly special, for the grouper was overcooked, the taste of the yucca not doing a thing for the fish, and the red pepper puree overwhelming. The one-two punch of seared flank steak topped with a vigorous chimichurri hit on all cylinders, though—and it just might make you whip up your own take on the parsley-garlic-hot pepper-vinegar sauce this summer when you’re grilling a flank steak in your backyard.

As I scooped up the last of the spiced walnuts in the orange-and-arugula salad at ISABELLA’S, I sensed an impatience on the part of my dining companion. It took no special powers of deduction for me to realize my pal wanted our bacon- Cheddar meatloaf now. It soon arrived and began to disappear. I managed to score two bites and reasonable enough spoonfuls of mashed potatoes and creamed spinach, both of which benefit from gravy chunky with shallots. You’d think meatloaf is only served in this country when the moon is full on a fourth Tuesday the way some people attack slices of the stuff. There’s no denying the appeal of Isabella’s meatloaf. (Which has a lot to do with an abundance of bacon, I suspect.) While the attack on the meatloaf was taking place, I took advantage of an uninterrupted spell communing with the night’s special ravioli: pasta pockets stuffed with goat cheese and roasted red peppers, then drizzled with a vibrant tomato-pesto sauce. There’s an accord reached on the fettuccine tossed with baby shrimp, corn, sweet peas, sundried tomatoes and mushrooms, all of which is bound by a chipotle-charged cream sauce. This is vintage Scalera and what I think his restaurants do best: Take a bunch of familiar ingredients, a concept that’s not off-putting, then jazz it all up to the level of food you expect when you go out to eat. My wish for Isabella’s? That it would pair a cut of beef other than filet mignon with a crust of peppercorns. That intense coating would work much better with a chewier, heartier flavor, such as strip steak or rib-eye, than it does with a mildmannered filet. But all ends well here with a banana-studded bread pudding streaked with caramel and served with vanilla ice cream. It usually does at Westfield’s trio of winners. EDGE

Editor’s Note: Andy Clurfield is a former editor of Zagat New Jersey. The longtime food critic for the Asbury Park Press also has been published in Gourmet, Saveur and Town & Country, and on epicurious.com.

Tee Party

A glamorous golf getaway is closer than you think.

As a rule, it’s wise to steer clear of playing 18 holes with any golf course owner who tells you one of two things: 1) His handicap is higher than the national debt; 2) He rarely gets in a round at the course he owns. Why is it prudent to avoid such a fate? Chances are, when you walk off the 18th green and settle up, your wallet will be noticeably lighter and you’ll feel like you just spent four hours in an overgrown cow pasture. That being said, Ken Wang isn’t your normal golf course owner. And Pound Ridge Golf Club in Westchester County is hardly your normal course. “It has a sublime rhythm,” says Wang, a married father of three sons, MIT grad and brother of famed fashion designer Vera Wang. “You remember every hole individually. The course has a certain harmony and serenity.” “May and June are beautiful here,” adds Todd Leavenworth, the general manager at Pound Ridge GC, “but you can’t beat the fall. That’s the best time of year for the course.” When Pound Ridge is green and lush, it’s a sight to behold. Designed by the legendary Pete Dye, the course is about 90 minutes away from Central New Jersey. It’s distinguished by unique rock formations and breathtaking views, including several of the Long Island Sound. In typical Dye fashion, there is an exquisite logic to the course, a quality that appeals to the mathematician in Wang. “It’s hard to pinpoint my favorite holes,” he says. “I love number 7, number 10 and number 11. They are gorgeous.” Leavenworth gushes about the par-3 15th hole known as Headstone. “It’s spectacular,” he says. “There is white marble behind the green that slopes at about a 20-degree pitch. You can actually hit to the marble and have the ball roll back toward the hole.” One feature of Pound Ridge GC that golfers of all levels love is the number of tees per hole—a staple of any course designed by Dye. There are at least five tees on every hole, and some have six. “Pete is sensitive to the fact that all golfers don’t play at the same level,” says Wang. “When you play Pound Ridge from the correct tees, it’s a very enjoyable experience. The course is unusually fair to women.” There’s a good reason for that—Dye’s wife, Alice. The winner of nine Indiana Women’s Golf Association Amateur Championships, she has her husband’s ear every time he starts work on a new course. “Pound Ridge was a family affair,” says Wang. “Alice gets extremely involved whenever Pete is designing a course. She makes him more in touch with how women play the game.” “This is a really fun course for women,” he adds. “Probably more so than any other course I know.” Dye also puts a premium on exactitude. To score well at Pound Ridge GC, you have to hit the ball straight and the correct yardage. “The first time I played Pound Ridge, I felt like I had stepped into a math problem,” Wang recalls. “There’s an elegance to the course and artistry to the environment.” That’s a good way to describe the area surrounding Pound Ridge, as well. The closest neighboring towns are Bedford in New York and Greenwich and New Canaan in Connecticut. Close enough for a day trip, the surrounding area also offers enough to build a romantic weekend or ladies overnight around a round or two of golf. There are great restaurants, charming inns, lots of antique stores and all manner of shopping. Soon, says Wang, golfers at Pound Ridge GC won’t have to leave the course for a good meal. He has been working with architects on building a clubhouse. “It’s a funny project,” he says. “We’re talking about a ‘destination course’ in a residential area. We get local members and people flying in from London and Japan. We have several audiences to please.” With the current trend in clubhouse construction trending toward downsizing, Wang has shed his notions of what a traditional design looks like. Fortunately, he has a sister who knows a little bit about style. “Vera is pretty hip,” Wang says. “I defer to the higher power. She reminds me that the world isn’t filled with wood-panelled walls.” There’s always a chance that visitors to Pound Ridge GC will bump into Vera. According to Ken, she plays there severaltimes a year. “Vera is a pretty good player,” he says. “I’m probably better on the first ball, but she likes to throw down a second sometimes. She’s usually better on that one.” Ken’s sister isn’t the only celebrity who frequents the Pound Ridge area. Richard Gere, Susan Sarandon, Tim Robbins and Mike Myers are among those who claim residency in and around the town. Gere also owns a cozy place there, the Bedford Post Inn (above). While Wang prefers to stay out of the spotlight, he can’t deny the legacy he has created at Pound Ridge GC. “I didn’t use to think of it in those terms,” he says. “I started playing golf as a kid. The idea to buy the Pound Ridge property came after my father built a house in town in 1980. When we decided to turn the course into 18 holes, it took nine years to get all the approvals. Now we have a glamorous golf course that is very sensitive to the environment. It’s unlike any other course in the area. It’s nice to know that you’ve built something that will be around for a long while.” EDGE

Editor’s Note: Mike Kennedy is EDGE’s Business Editor. Born and raised in Ridgewood, he is the best golfer on the magazine staff, which is how he pulled this assignment. Mike writes often about the business of sports, and has also authored several children’s books.

Driving Ambition

Mike and Suzanne are what some would call the classic suburban power couple. They are generous, good-natured and successful. Both are fit, focused and—when it comes to sports— fearsome competitors. Naturally, their teenage sons have followed in their parental footsteps. Michael (15) is a member of a state championship swim team. George (17) is nationally ranked at two miles and a member of the winning 4 x 800 prep relay team at the Millrose Games in Madison Square Garden. Along with their growing collection of ribbons and trophies, the boys have also acquired the less than- charming adolescent swagger that comes with the realization that they can now best Mom and Dad in almost any sport they choose. One notable exception? Operating an automobile. Neither yet has the means (nor the license) to prove what, to them, is a foregone conclusion: that they are “better drivers” than their mother. This is the same woman, lest they forget, who has chauffeured them flawlessly to and from more practices and meets than they can, or she cares to, remember. Water under the bridge, Mom. It’s all about what you can do, not what you’ve done. And so it was with considerable enthusiasm that Suzanne accepted the opportunity to put her two backseat drivers in the front seat for a Family Race one Thursday evening in March at Pole Position Raceway, the indoor karting venue located near the Liberty Science Center in Jersey City. She admits she was itching to teach Michael and George a lesson as all three pulled on their helmets and strapped themselves into their karts (which—because of Michael’s age—were limited to a still-speedy 30 mph). Suzanne also admits to underestimating the fact that her sons work together like Velociraptors. With their three vehicles lined up one behind the other to start, the boys insisted she have the honor of taking the lead kart. In almost any race, both teens knew, you want your adversary ahead of you so you can choose the time and place of their ultimate defeat. In other words, she was dead meat before they started their engines. The flag dropped and the three roared into the first turn. Moments later, Suzanne found herself in third place. A nudge from George and then a stronger bump from Michael sent her into the black-and-yellow padded barrier. By the time she got back up to speed, she was playing catch-up. She never did close the gap on her sons, who showed her no mercy and gave her no daylight. They were too busy fighting for fraternal supremacy. George edged Michael at the finish line, with Suzanne a few heartbeats behind. “I should have realized they would never let me win,” she says bemusedly. “Even though I’m their mother, they will still win at any cost. The mistake I made was that I never should have started in front of them.” In the days that followed, as Suzanne returned to chauffer duties, mother and sons had something new to discuss: the fact that they were now officially, indisputably and undeniably “better drivers” than she—against a wealth of evidence still to the contrary. Suzanne reminded Michael and George that she had nearly caught up to them after they sent her into the wall. They corrected their mother, informing her that she had actually fallen a full lap behind! Shifting gears quickly, Suzanne pointed out that handling a kart at 30 mph takes considerably less skill and experience than zig-zagging through Turnpike traffic at 75 (although for the record she has never done that). Blank stares. Exasperated, Suzanne said that intentionally running your materfamilias off the road doesn’t make you a “better driver”—it makes you a dangerous one. Michael and George refused to dignify their mother’s accusations of collusion and dirty driving. Both maintain that Suzanne was the unfortunate victim of an unlucky accident. Looking back, Suzanne says the only humiliation she actually suffered that evening was being photographed on the victory stand with her boys (now both six-footers) towering over her. Otherwise, it was a tremendous experience. “It was very entertaining,” she says. “We thoroughly enjoyed ourselves. It’s a great place. We hung out for an hour after the race. The people there couldn’t be nicer.” Okay, down to brass tacks. In a return engagement, does Suzanne think she would avenge her defeat? “I do,” she says with a competitive smirk. And just how? “No way I’m divulging my strategy! Let’s just say that Mom’s still got a few tricks up her sleeve.” EDGE

Editor’s Note: Pole Position (polepositionraceway.com) is located off Exit 14B of the New Jersey Turnpike and is open seven days a week. Family Races are run Monday thru Thursday. Direct:

Do Not Enter

The fast-food Drive-Thru has transformed our lives. Well, that’s one way of looking at it.

Fast food giant Taco Bell recently became embroiled in a high-profile lawsuit, during which it was compelled to respond to allegations that its “beef filling”

contained— what’s the delicate way of putting this? —twice as much “filling” as “beef.” The media seized on this story, as did the late-night comics. Unfortunately, everyone missed the point: The crime is what’s in fast food, not what isn’t. “Fast food poses a huge threat to the American public’s health, along with smoking and substance abuse,” says Ari Eckman, MD, chief of the Division of Endocrinology, Diabetes & Metabolism and director of The Diabetes Management Center at Trinitas Regional Medical Center. “Fast food meals are high in fat, sugar, salt, starch and calories, and very low in fiber and nutrients.” Indeed, the convenience of grab-and-go meals is far outweighed by the dangers that await us after we make that final hard left to the pickup window. Study after study is showing that reliance on heavily processed foods could be costing us our health. In a 2005 report published in The Lancet, healthy young adults who consumed fast food more than twice each week gained 10 more pounds and had twice as great an increase in insulin resistance—a precursor to type-2 diabetes—as their healthier eating counterparts. Fast foods are rich in trans fats, those manmade fats that have been shown to wreak havoc on the human heart. “Trans fats are terrible for one’s cholesterol,” Dr. Eckman says. “It’s dangerous to eat these foods if you have high blood pressure

e or high cholesterol.” Fast food isn’t just a nutritional nightmare. With the constant push to supersize, fast food portions are warping our sense of when to say when. “People are not at all in touch with the reality of how much they’re eating,” Dr. Eckman says. “The portion sizes are encouraging people to eat more. Burgers 50 years ago were only one ounce, and now they’re six ounces. You buy a 64-ounce soda, which is a half-gallon— and contains 48 teaspoons of sugar.” As a result, Dr. Eckman maintains, our society is becoming supersized. “Over 60 percent of our population is overweight, and 30 percent is obese,” he says. “And the children’s statistics are even more mind-boggling—nine million American kids were considered obese, a rate that has nearly doubled in the last 20 years. It’s getting out of control at an epidemic rate.” Fortunately, there are measures you can take to fight back—even if you have to eat fast:

  • Check the labels. Most fast-food restaurants offer nutritional information on their websites or on pamphlets, which enables you to make a more informed decision about what you order. “Try to stay away from the foods that are highest in cholesterol, saturated fats, sugar and salt,” Dr. Eckman says. “Choose low-fat options, if they’re available.” Keep in mind that that healthy salad may come with a not so – healthy dressing, so resist the temptation to squeeze the entire packet onto your greens.
  •  Cut down on your portions. Avoid the push to supersize your meal—those value menus may be a better dealfinancially, but could cost you your health. “To help spread out the calories, consider eating half of it and giving the other half to your partner or taking it home for another meal,” Dr. Eckman advises.
  • Turn your kids into educated eaters. The fast-food commercials—and those little plastic toys—may entice your kids into clamoring for a drive-thru run, but you can fight back. “Making a healthy dinner at home can be a fun activity you do with your kids, that can help encourage them to eat healthier,” Dr. Eckman suggests. “You can also talk with your kids about the problem of obesity and some of its long-term effects on health, so they can become educated and make healthier choices on their own.”
  • Moderation. Dr. Eckman suggests limiting fast food to only one meal per week, at the most. “Enjoy it once in a while, but this really shouldn’t be a weekly or biweekly event,” he says. “You don’t want to sacrifice your health for convenience.” EDGE

Editor’s Note: Lisa Milbrand is a New Jersey-based writer whose articles on health and relationships appear in Parents, Arthritis Today and Modern Bride. Her blog themamahood.com celebrates the life of a working mother.

What’s Up, Doc?

A Sniff of Victory

  At the Union County Kennel Club Show, there’s competition at both ends of the leash.

The problem with a bright idea is that sometimes it becomes a do-it-yourself project. During a fit of `insomnia last January I found myself watching a silly late-night cable show called Animal Champions. It got me thinking about what makes an “official” champion in the animal world. A few days later I assigned a writer to attend the 101st Union County Kennel Club Show—held near the southern tip of New Jersey, at the Wildwood Convention Center—and try to capture the spirit of competition in a fun and lively story. Alas, the original writer, having been stuck in one too many snowdrifts during the winter that wouldn’t quit, bowed out after hearing rumors that the top two-thirds of the Garden State Parkway might be a sheet of ice on the morning in question. With one child in college and another getting close, a gruesome highway death didn’t seem to have the same downside for me, so I agreed to go in her place. In the spirit of full disclosure, I should point out here that I am not a dog person. And they seem to know it. Even “my own” dog—the one my wife and daughters outvoted me on 3-to- 1—is careful not to irritate me. I’ll spare you my troubled history with canine-Americans. Not that it isn’t interesting. It’s just that I can’t stand it when other people yammer on about their childhood this and childhood that. Upon arriving at the convention center, I was greeted with open arms by show officials, who cheerfully tolerated me as I got my facts straight and asked a lot of stupid questions over a quick lunch. Then it was out onto the floor. My goal? Quietly observe, form an opinion, and then dig-dig-dig until I understood what it means to compete at a real dog show. What surprised me after watching several breeds go through judging was that the dogs were not eyeing one another or trying to intimidate each other, at least not that I could tell. They were completely absorbed by their work. And make no mistake, they treated it like work. It’s a job they love, of course—a champion show dog has to enjoy the experience. However, there was no interplay between the animals even when they were standing inches apart in the ring. It was a little weird, but I got it. These were the “pros” of canine competition. Whatever makes my dog run in crazed circles around vehicles exiting—but not entering— our driveway had been bred out of these animals. Still, this was a competition, with money and prestige at stake. Someone in the building was driven to win. I just had to find out whom. I decided to cruise the aisles between the different handlers. Each had a space staked out, with dogs in crates, dogs on grooming stands, and dogs on their way to and from the judging rings. An unattended Cocker Spaniel eyed me with suspicion and I returned its glance with a raised eyebrow. I hadn’t lost my touch. The animal leaped off the table and ran down the aisle in front of me, causing a brief panic. I felt bad, like I’d broken something in an antique shop. Since the dogs clearly were not going to help me, I turned my attention to the people preparing them for competition. I’m better with people anyway. Among the many top handlers and trainers present at this event was one who towered over the rest, at least figuratively. His name is Kaz Hosaka, and he is to the poodle world what Michael Jordan is to basketball. Smooth, clever, elegant and nearly unbeatable. (And he’s been on Charlie Rose, so take that other poodle handlers!) Based out of Greenwood, Delaware, Hosaka attends as many as 150 shows a year and has been honing poodles like samurai swords for three decades. You do the math. The important number is #1, and he has racked up a bunch of ’em during his career, including the #1 toy poodle in 2010. Hosaka is a “finisher” of dogs. In other words, if you think you’ve lucked into a great poodle, Kaz is the man who knows how to transform it into a champion. He won’t take a dog unless he truly believes it can be a winner. Often he must break the bad news: This is a wonderful pet, but not a show dog. That being said, Hosaka will consider animals that other handlers have turned down because they may be too difficult. “I am the last stop,” he smiles. “If I can’t do it, nobody can.” Like many in his profession, Hosaka (left) is a handler of owners, too. Most ship their dogs off like boarding-school kids, dropping in occasionally to monitor their progress at important shows. The bulk of handler-owner contact is accomplished over the phone. When one does appear at an event, Hosaka’s rule number-one is don’t come near his set-up and throw your poodle off its game. Helicopter parenting may be tolerated in the human world, but during shows it is definitely frowned upon. One owner who left her dog alone was Charlize Sutton, and the strategy paid off. Her confident little Norwich Terrier went out and blew the fleas off the competition, grabbing Best in Breed. Charlize had more pressing matters to attend to, barely acknowledging the victory. She had her nose buried in an iPad, watching Dora the Explorer. Charlize is two—by far the youngest owner I could locate, though probably not, a neighboring groomer whispered to me, the least mature. Charlize (right) was stationed in a portable playpen in the midst of a dizzying ballet involving three humans, 17 dogs and a seemingly endless array of clippers, snippers, brushes and blowers, each of which was wielded with maximum expertise and minimum effort. Her parents, Jessy and Roxanne, along with assistant Tom Durst, have a first-class operation back in Narvon, Pennsylvania, and they get paid well for the work they do. The Suttons were on a winning streak when I barged into their little corner of doggie heaven. Miles, a regal, self-possessed Rhodesian Ridgeback, was returning from the judging ring with, yawn, another Best in Breed nod. Miles looked like he could stare down a lion (which, apparently, he was bred for), and so did Jessy. He handles the working breeds at shows, while Roxanne works her magic with terriers. “We are sticklers for conditioning,” Jessy responded when I asked what gave his dogs an edge. “When an owner hires us, it may not seem cost-effective right away, but the constant work we do pays off in the long run, because we finish dogs quickly.” Is the flip side of this equation, I wondered, that owners apply a huge amount of pressure? The Suttons confirmed this after getting off the phone with Miles’s owner, reporting the Rhodie’s win within seconds of the judge’s decision. “The owners who hire us believe they should win every time,” says Jessy, adding quickly that “it’s okay, because that’s the attitude we have. We want to win every time, too. Of course, not even the number-one dog in the country wins breed in every show—if they did no one would show. It would be boring.” After talking to a half-dozen handlers I began to wonder how often owners actually show their own dogs. The people I asked offered wildly varying percentages, but I could tell the number isn’t high. Basically, owners who can afford show dogs tend to work for a living and therefore rarely have the time to show them. Those that do are more likely to participate in a weekend show as opposed to mid-week ones like this one.

It is accepted wisdom, however, that owners don’t “shine” the way top handlers do, meaning they are not as adept at pushing a dog’s best attributes to influence judges. What is the price tag for a top handler? Hang on to your teeth. To take a dog from obscurity to the Westminster Kennel Club Show can easily cost $250,000. One breeder described the animals that reach Westminster as “Yale pHd’s.” My first thought was that a quarter-million is a bargain for any kind of advanced degree from Yale, even for a dog. (And believe me, I know a few.) Then I wondered how much of that goes to the handler? The answer is a lot, but also not as much as you’d think. A huge chunk covers the endless travel and other costs that mount up at this level of the game. That being said, dog handlers with a winning track record do generate handsome six-figure incomes, especially when they work with several championship dogs at once. This was something of a revelation to me. I was frankly astounded. Although, when you sit down with a pad and paper (as I did) and actually work out the huge amounts of time and travel involved, it makes a lot of sense. They may make a nice living, but they definitely earn it. Suddenly it dawned on me where the true competition was at these shows. For my first four hours I had been looking at the wrong end of the leash. Follow the money, right? Every win is a notch in a handler‘s belt, and every notch has a dollar value attached to it. More wins demand higher finishing and showing fees, and at the big shows there is serious bonus money, too. Come away from a few shows empty-handed and the phone might stop ringing. Simply put, the real competitors at these shows are not the dogs. They are the handlers. The competition is 24 hours a day, seven days a week. It’s deadly serious, yet only in the rarest circumstances could it be considered cutthroat. You get that after you’ve talked to a few handlers. They are focused and tense and totally on their games. But they honestly adore what they do and adhere to a strict code of conduct and ethics. Apparently, there are enough owners, enough shows and enough money to keep everyone happy. Including my friends, the dogs. EDGE

Clutch Performers

Martin Truex Jr

You’ve probably heard that NASCAR has become a really big deal. You may even know a couple of closet racing fanatics yourself. But let’s be honest— New Jersey is hardly a breeding ground for stock-car racing talent. Well, just don’t tell that to the folks in Ocean County. Every weekend they root for one of their own, MARTIN TRUEX JR., to take the checkered flag against the likes of living legends Jimmie Johnson, Jeff Gordon and another “junior”—Dale Earnhardt. How does a world-class racer go from the dirt tracks of South Jersey to the legendary ovals and super speedways of NASCAR? Turns out, it’s all in the family.

EDGE: Your father was a short-track racing legend in the northeast, and also the local “Clam King”—the owner of a large seafood business here in New Jersey. What do you learn from a family culture like that?

MT: Well, it’s a little bit different from what most people grow up around. My dad was a businessman who raced as a hobby, but he was very serious about it. He had aspirations of moving up and running in the big time—which he did, but he never had the equipment to drive for a living. Obviously he put a lot into it. His passion for racing is one of the things that made him successful in business, because he knew he had to make money to go racing.

EDGE: So you understood the connection between passion and work ethic?

MT: Yes, I did. My dad worked really hard so he could go racing. That’s what I learned from him, that you have to work hard for something. And that to be a racer you really have to want to do it, because there are thousands of people who want to do it, too. You won’t get that chance without working hard and taking it seriously.

EDGE: When you and Martin Sr. talked about racing, did you focus much on the danger of the sport?

MT: No. As a racer you worry about how you can go faster, how you can do better than the guy in front of you. I don’t think anyone who has raced for a long time worries about the danger of it. You’re passionate about winning, and all that other stuff is just secondary.

EDGE: How was the competition in South Jersey when you were growing up?

MT: When I was racing in Jersey it was never what I’d call a “hotbed.” There were only a few places we could go. But there was good competition. So I was able to learn the ropes and refine my techniques at a young age. That had a lot to do with why I became successful.

EDGE: Did you feel at home behind the wheel when you first began competing as a teenager?

 MT: Racing was something I was interested in long before I got to do it. The will to get into racing was there for a long time. I was able to learn a lot from my dad—I didn’t just go and watch him race. I really paid attention to what was going on. I hung out in the shop, worked on the cars and tried to learn as much as I could. When I first got into a race car it was second nature. I felt I’d been doing it all my life. It felt natural to me.

EDGE: Your younger brother, Ryan, has gotten off to a fast start in his career. Do you think you two had a similar feel for racing?

MT: Yeah, I think we did. One day he came to my father and me and said, “I want to race.” We’d never really appreciated his interest in it, but once Ryan started, we could tell that he really knew what he was doing. He had been paying attention, he had been learning—almost with no one even noticing it. Right off the bat he was fast, and right off the bat he’s been winning. When Ryan got into a car, he clearly understood racing. He’s going to be running some Nationwide races this year and he’s only 18! That tells you how quickly he’s learned and how well he’s been able to adapt to different cars in different situations.

EDGE: You won back-to-back Busch championships in 2004 and 2005. Obviously, at that point you knew you could be successful at the top levels of auto racing. Looking back, what was your Eureka Moment—the time when you first thought to yourself, “Oh, man. I can do this!”

MT: As soon as I got in [Dale Earnhardt Jr.’s] Chance 2 car in 2003, I knew right away. The first time we ran, no one was expecting much and I had a shot at winning that race. I knew at that moment that this was my opportunity, and that I had to take advantage of it. I knew we could do it. With the crew we had and the equipment we had, I knew it was possible to win. From that moment on I was able to focus on what I needed to do as a driver and as a member of a team. And I had a great team. So we went into 2004 with a ton of confidence. We knew we could win races…and we ended up winning the championship.

EDGE: At the Daytona 500 in 2010, you were right there at the end, leading the race.

MT: Yeah. We had as good a shot as anyone. We were leading right up until the end. It’s hard to be the leader at the end of the restrictor plate races because you’re kind of a sitting duck.

EDGE: That’s an example of how razor-thin the difference is between winning a race and coming in, say sixth, which you did—just a couple of seconds behind the winner.

MT: It all comes down to circumstances. It takes not only your decisions but the decisions of the other drivers to determine the outcome. If two or three other guys had made different moves, and then I had made a different move, the outcome would have been completely different.

EDGE: Do you look back and say I should have done such-and-such differently?

MT: It’s really hard to second-guess, hard to look back. Obviously I wanted to win the race—that’s what I was there for—but there were 10 or 15 guys who could have won that race! So it’s a little bit of a crapshoot. That’s just the way it goes. You don’t think too much about the past, you just learn from it—and hope you do better the next time and win.

EDGE: One of the great challenges in any sport is filling the shoes of a legend. In 2010, you were hired to replace one of the all-time greats, Michael Waltrip, a two-time winner of the Daytona 500. And you were hired by Michael Waltrip— talk about pressure!

MT: No, working with Michael has just been a blast. When he got out of the car, he wasn’t looking for a guy who was “as good as me”—he was looking for someone he thought was better, because he wants his car to run up front. To have him pick me, that was a cool feeling. To be honest, it reminded me of when I was 18 and my dad was still racing in the Busch North series. We were planning on running a few races together and seeing what happened. We ran one race and he retired. He said, “I realize you’ve got a great opportunity to do what I always wanted to do. I’m going to quit right here and put all I can behind you to get you ready to go.”

EDGE: It’s the NASCAR version of the Circle of Life.

MT: I guess. But I can’t imagine stepping out of the car and handing over the keys, per se, to someone I thought would do a better job. It just blows my mind. I love racing so much, I can’t imagine being in a position where I’d do that. And for my brother Michael, racing’s all he’s known and done. He is so passionate about it. So that really showed his true character—and made me very proud. It makes me want to do a good job for him.

EDGE: The main sponsor of your car is NAPA. Do you have much interaction with them?

MT: NAPA Auto Parts has been a huge part of this sport for a long time, so it’s an honor to drive the race car for them and be the face of NAPA. Being a part of the company, of the storeowners and employees, that part’s actually been a lot of fun.

EDGE: Does winning a race ever get old? Do you still get the same thrill you did when you were a teenager?

MT: To be honest, these days, at this level, wins are so much more difficult to come by that it’s better. The harder they are to get the sweeter they are!

EDGE: When you return to New Jersey for the holidays to visit friends and family, is there any one place that is special to you?

MT: The Jersey Mike’s in Manahawkin. My friends and I spent a lot of time in there. You know how on TV you have those restaurants the high school kids use as their hangout place? That was ours. That place will always be special.

EDGE: A lot of people who grow up in Jersey don’t truly appreciate it until they’ve left. What is it about the Garden State that you remember most fondly?

MT: The thing I appreciate, having grown up at the Jersey Shore, is the natural diversity of the state. Where I lived in Ocean County I could go five minutes and be out on the bay fishing, or go five minutes in the other direction and be out in the woods hunting. But with my family being in the seafood business and me loving to fish, the salt water is what I miss the most. Jersey sometimes has a bad reputation, but if you ask me, it’s a pretty great place to live.

Stars & their Cars

The Art of the Reach

Knowing how to get into the ‘best possible college’ starts with understanding what that actually means.  

We have all consumed the Kool-Aid. We all crave and covet the translucent rear-windshield sticker announcing to the community what a great job we did getting our child into a name-brand college. In doing so, however, we are committing a heresy of emphasis; we have become so obsessed with the outcome that we have overlooked the whole point of the process. As a Certified Educational Planner with many years in the trenches of the “admissions game” (as one colleague playfully refers to it), I have accumulated an abundance of two things: anecdotes and raw data. The data speaks for itself; in the end, numbers are numbers. But the anecdotes—the “data” lived out through the hearts, hands, and hormones of respiring teenaged beings—is why I cannot imagine doing anything else with my life. It is this passion that is incendiary with my students; it is the invisible permission slip for each of them to permit themselves to dream of a life and future that is so meaningful, so gratifying, so spectacularly promising, that they cannot help but begin to vision what it might be. Which is why nothing makes me cringe like hearing a parent say, “WE want to apply to…” My philosophy is this: Focus on the student’s process of growth and self-discovery in the college application process, and the ideal college match will be the beautiful consequence. Your child’s “reach” school may not even be on your radar when you begin. Thus your first and most important effort should be to identify the best possible destination—not just for those four wonderful years, but for the rest of his or her life. I may be uttering heresy to those Type A’s among us (myself included) who cleave to the Machiavellian means-to-an-end mentality of Why do anything if it doesn’t get you to the next level in life? But the experts back me up. Steve Antonoff, of Antonoff and Associates in Denver, Colorado, says this about people in my profession: “The treasure the consultant has is not the list, the treasure lies in figuring out who a young person is and helping them discover what colleges will be the best fit for them.” What Antonoff is gesturing at is that a great consultant—or a great guidance counselor, or a wise mentor—will do whatever it takes to: 1) cut through the teen peer-pressure culture that oppressively enforces conformity, 2) focus on students for who they are, and 3) mirror back to them the unique gifts with which they have been blessed. In my own practice, I encourage each young person not to put his or her light under a basket, but to hold it aloft so as to illuminate the room, the school, the community and, I daresay, the globe. Only then does a true picture begin to emerge of the “best possible college.” Only then can a young person start building an application strategy to get into that school. In that spirit, consider the experiences and outcomes of the following four students…

JANET: Almost Famous Janet attended a “magnet” public high school. She excelled academically and acquired along the way a specialization, due to the unique coursework and curriculum of her specialized high school. With a friend (and following the promptings not of her single parent, but of her passion), she began a music and entertainment web site. This enabled her to obtain press passes, which she and her friend used to gain backstage access at various performances and concerts. What would have been fun and games for her peers was work for Janet. She spent countless hours preparing questions for interviews and then sitting with musicians pre-performance. But Janet’s love of this subject made this work feel like play. She would then blog about her interviews on the website, which developed a devoted readership (à la Almost Famous). When Janet came to me to select colleges, her mother was concerned about pursuing too narrow of a focus in music industry management. Herein lay the folly. While I understood her mother’s apprehension, Janet was perfectly poised, based on her industry exposure and connections to be an ideal candidate to such coveted programs as the Clive Davis Department at the NYU Tisch School of the Arts and Drexel University’s Music Industry program. These are specialized and, as such, require specialized students who  “make sense” to the admissions reader. Not only was Janet accepted to every college to which she applied, she received copious amounts of merit aid to incentivize her to come hither.

JULIA: Model Applicant Julia, a print-model blonde go-getter with a husky voice, possessed perhaps the healthiest self-esteem I have ever encountered in a young adult from a public high school. My preconceived notion of the modeling industry’s impact on a teen was that the vulnerability, competition and rejection based on the mercurial whims of anonymous PR marketers would crush a young person’s confidence and spirit. However, Julia not only developed real empathy for the outcast and socially ostracized, but a “centeredness” wherein her confidence emanated from an aquifer within. The resilience she learned from the endless industry “go-sees” amplified her determination and attenuated her fear of failure—a debilitating attribute of today’s Millennials. She got passionately involved with a buddying program that pairs special-needs adolescents with their peers. Julia shot high, landing among the stars, at a small liberal arts college that is providing her the raised academic bar that she did not always receive during her high-school experience. She is “opening it up” as they say on the Autobahn and seeing just how fast those horses under the hood can take her. Yet it wasn’t without a fight. Julia aimed very high and was waitlisted. She did not have a final answer until the summer months. However, when she received that all-important call back, she immediately seized the opportunity! Fortuitously, the waitlist situation provided an opportunity for all the eager adults in Julia’s life to clamor on her behalf to the admissions representative reading her application—evidence that the squeaky wheel does get the grease. Julia’s tenacity, her “nothing ventured, nothing gained” attitude—combined with persistence and patience—earned her acceptance to her “reach” school.

ADDIE: Academic Goddess Addie is a gifted scholar with the intellectual Midas touch. Her challenge lay in discerning a focus, as she truly excelled in every subject area—in addition to being a concert pianist and visual artist. I often wondered if she descended directly from Mount Olympus or, at the very least, possessed a divine bloodline. I encouraged Addie over the course of our two-year consulting relationship to begin to explore “insights,” those tenuous moments of epiphany in which an overlap or connection between two or more seemingly disparate disciplines collide and novel and nascent ideas are born. She researched a summer program in London that amalgamated her love of art history with her burgeoning interest in the fashion industry. Leave it to Addie to design, for her culminating assignment, contemporary street wear employing medieval monastic and Tutor-inspired hoodies for the common hip-hop man on the street! Upon her return, we explored the conundrum of the typical fashion studies program: Fashion minus intellectual rigor. The notable exception was Cornell’s Fiber Science and Apparel Design Program in the College of Human Ecology. Addie scheduled a visit, and with her stellar grades and the ideal programmatic fit, she was ushered in Early Decision and could not be more elated to this day.

ROGER: Mr. Clutch Roger is another story entirely. A lovable guy, Roger stood 5’ 5” in cleats. Conspicuously smaller than his teammates, Roger chose the topic of being the runt underdog and had lots of fun with himself throughout his personal statement. He came across as affable, humble and perseverant—three characteristics that we brainstormed during his second foot swinging session in my office’s pair of worn leather chairs. Roger also conveyed depth. His father’s work revolves around cars and Roger had developed an abiding passion for all things automotive, including a deference for Lee Iaccoca. He wrote a moving essay tying the current event of the American car-maker crisis to the future of business in America, which earned him an acceptance off the waitlist at a notable undergraduate institution with an accomplished undergraduate school of business. Roger channeled his passion and, through his voice, translated his ardor for cars and the automotive industry into a profoundly passionate plea to be admitted. He succeeded. It was a testament to colleges wanting doers a well as believers.

Pop Quiz: What’s the common denominator that enabled these kids to first identify and then successfully apply to the best possible college? If you answered passion, you have cracked the proverbial code. Bravo. Now, for the extra credit. What have you done to model that level of passion for your own student? Have you drawn out of yourself or your child a love so profound, an interest so strong that as much of your free time as possible is spent gathering information about that passion without counting the hours? Or have you encouraged résumé-padding or highlighted the “because it looks good for college” rationale? If you are raising a recalcitrant leader, soul-search as to why. Do you have the tendency to swoop in and take over school projects or science fair experiments? Do you occasionally or frequently send the message You are not actually capable of doing this yourself, therefore, I must help you? We Type A’s do so unwittingly—from the moment we tie their shoes— because we don’t have the patience to wait for them to do it themselves. And besides, it has to be a certain way, doesn’t it? If passion is the birth, then ownership is the conception. You hear your child needs a “hook” to get into college, so you steer him toward Habitat for Humanity. But can he swing a hammer? Does he have a heart for the homeless or disenfranchised? Listen intently to him. What does your child find outrageous? Enervating? Inconceivably unjust? What website (besides Facebook) does your child most frequent? Remember when he was into dinosaurs and you took him to the museum, and reread him that book ad nauseum? Remember when she loved those Pokemon characters and you listened as she recited the hundreds of different permeations she had memorized? What about that train kick, or that vampire phase? Perhaps, over time, you have fanned the flame of their curiosity. Do so now. Do so always. But avoid seizing the stick and flint and attempting to ignite it for them, because unless they can own the process, they can never fully or truly own the outcomes. EDGE

 Editor’s Note: When Erin is not authoring articles, she runs Avery Educational Resources (averyeducation.com). She also does pro bono work with children who lost parents on 9/11. A Division I varsity athlete and a competitive Irish step dancer, she holds two Masters degrees from Oxford and Yale Universities, respectively.

Hot Pads

Tablets join SMART Boards, e-Readers and other technologies that are transforming the classroom experience.

Around this time last year, Steve Jobs introduced the iPad to an eagerly waiting world. For many tech critics, the device was a head-scratcher. It was dubbed the “Giant iPhone” by its detractors. Among those who immediately saw the awesome potential of the iPad were educators. Tablet devices and e-readers (by this time next year there may be close to 100 out there!) seemed tailor-made for the technological needs and aspirations of schools at every level. Teachers, students and educational researchers all nod in agreement that we have come to at an important place in the evolution of learning. Things seem to be changing at light speed. The same pulse-quickening technology that drives lunchroom chatter is finding its way into classrooms all over the state in the form of SMART Boards, iPads and other devices that connect kids to information in attention grabbing ways. It’s an exciting time to be a student. For teachers, it’s a time of transition. They must evolve with the technology. Fortunately, the traditional forms of delivering information, despite losing ground, are not leaving the scene.

 

Teachers know how to get students involved and active, and emerging technology is just another weapon in their arsenal. Power, after all, comes not from a cord. Knowledge is power. Allison May, Director of Curriculum and Instruction at the Chatham Day School, confirms that the newest trends in education rely on technology. “Technology allows teachers to personalize education more effectively,” she says. “By using the Kindle and iPads, teachers can attract more students to read.” May also notes that online textbooks offer myriad tools for teachers to engage and retain students’ attention. At the Pingry School, teachers have found integrating tablets into the classroom flow to be a more or less natural process. “They are using iPads to create a forum for discussion, and a way to share which apps are working best for each student,” reports Ted Corvine Sr., Pingry’s Assistant Headmaster and Lower School Director. “The next generation of technology is creating additional opportunities for differential learning and student collaboration in the classroom.” At Oak Knoll School in Summit, students are benefiting from technology and online capabilities. They learn how to sift through data on wiki sites, utilize digital cameras, make use of computers, apply software and employ apps to learn, and make multimedia presentations. Science teacher Tatiana Kurjaninow notes, “Because businesses, companies and educational institutions are collaborating more online than ever, I believe it is so important for us to be teaching our students how to use these technology tools now in the classroom.”

 

Technology is also transforming the way parents, students and teachers keep in touch. Through email, blogs, and teacher websites, parents can communicate with the school 24/7. As we grown-ups catch up to our tech-savvy kids, this kind of communication will eventually just become a part of ordinary parenting. Jennifer Phillips, Director of Educational Advancement at Far Hills Country Day School, predicts that, 10 years from now, no one will be questioning the role of technology in schools. Everyone will have it and everyone will use it. “No longer will we be asking, ‘Should we use technology in this lesson?’ Technology will be portable and accessible all the time, everywhere—and a given tool for all learning.” When Donna Toryak of Mount Saint Mary Academy looks into her crystal ball, she predicts that paper, pencils and textbooks will be passé, and will no longer be a staple of the traditional classroom. “Online and virtual classrooms may replace what we now see as students sitting in rows at desks, listening to a lecture or annotating the day’s lessons. Technology is a very thrilling theme for the future.” The future has arrived at a growing number of New Jersey schools, and in some cases it’s in the hands of four-year olds. The Rumson Country Day School built a Passport to Adventure afternoon enrichment program around 10 recently purchased iPads. “Our pre-school iPad program enables students to learn through interaction with technology,” explains Laura Small, a teacher and administrator at RCDS. “They practice and master letter recognition, handwriting and math concepts technologically as well as traditionally.

 

The iPads also enable our preschoolers to explore hands-on different cultures, traditions and animals from around the world.” Remember when teachers used to reprimand students for having their heads in the clouds? Well, Michael Chimes, Director of Academic Technology at Gill St. Bernard’s School in Gladstone, looks into the future and says, “Institutions like our school, and users like our faculty and students, will move to the Cloud.” The Cloud is a service that stores applications and data on remote servers, allowing users to access programs and files without having to invest in expensive hardware or software. It is sometimes referred to as virtualized computing. “In other words, remote servers will hold the software and the files we work with,” says Chimes. “The web and all that is available will be far more accessible.” For budgetary reasons—with which New Jersey parents are all too familiar—the most sophisticated learning technology tends to be in private schools right now, from kindergarten all the way through 12th grade. However, most schools have begun the transition to new technology and, as competition between hardware and software manufacturers intensifies, those schools that have had to wait will find it less expensive to play catch-up. For now, the price tag of staying on the leading edge is still considerable. With tuitions rising in private schools and public school budgets gobbling up 60 to 70 percent of property taxes in some towns, many would argue that this is not a good time to pour precious dollars into educational gadgetry. Granted, keeping up with technology may seem expensive and taxing. But, in the end, the price of ignorance is so much greater.

Designing Woman Irina Shabayeva

The power of television in our society has been made painfully clear by the current Reality TV craze. With careful editing and decent ratings, it seems any half-wit can become a major media star. Yet for all of the bad things this genre says about us as a culture, it can also do a lot of good. Exhibit A is IRINA SHABAYEVA, an outrageous young talent who rose above the competition to win Project Runway. For all its contrivances, the program transformed an industry unknown into New York’s newest designing woman—a career-launch that might never have happened but for the magic of basic cable. EDGE Style Editor Dan Brickley has been there and done that. The former host of TLC’s A Makeover Story is now a regular in US Weekly and runs a successful pop-culture web site. Dan caught up with Irina while she was putting the finishing touches on her new Fire & Ice collection (see pages 55-62), due to debut at Fashion Week in February. As he discovered, the first thing you need to know about Irina is that she was born in Georgia…and raised in Brooklyn.

EDGE: Georgia? I’m not hearing that.

IS: The Republic of Georgia—not USA Georgia. From grade one to four, I was in Georgia. Then my parents moved to the States and I finished my education in Brooklyn.

EDGE: How is that fusion of cultures reflected in your personality?

IS: Europeans in general are straightforward, want to offend anyone. I think there’s a way to be both, to be polite and honest. EDGE: Did this help you on Project Runway? IS: I think it did. EDGE: What goes through your head when you stand in front of the judges…and a couple of million viewers? IS: You’re nervous because of the lights and the cameras, and the whole situation makes your heart race. But I wasn’t really afraid of what the judges had to say because, chances are, whatever they found—good or bad—I already knew. Most creative people can look at their work and, if it’s not that great, call themselves out on it and just say, “Hey, you know what? Maybe this is a flop.” Everyone has had a day where nothing seems to come together. Unfortunately, on Project Runway the whole world knows about it because the judges make sure that you hear it over and over again. EDGE: Did the judges ever have a bad day? IS: Everyone had their days. EDGE: When you live, work and—most importantly— compete with other designers 24 hours a day, it can bring out the worst in someone. Yet you managed to stay above the fray. IS: Project Runway was a big deal, so I decided that if I was going to do it, I was really going to focus. I knew that some people would be really friendly and others would reach their boiling points quickly. The competition never stops. When we were off camera, we were still interacting, so someone could say something that would trigger a reaction the next day when the cameras were rolling again. In order to avoid getting swept up in the drama, I just stayed focused on doing what I was there to do—which was to meet a challenge every day. EDGE: One of your fellow contestants said that you weren’t there to make friends. Naturally, that’s the reputation you got as a “character” on the show. Fair or unfair? honest people. They call it like it is. American culture is a lot more sugar-coated. People are afraid to be honest sometimes because they don’t want to offend anyone. I think there’s a way to be both, to be polite and honest.

EDGE: Did this help you on Project Runway?

IS: I think it did.

EDGE: What goes through your head when you stand in front of the judges…and a couple of million viewers?

IS: You’re nervous because of the lights and the cameras, and the whole situation makes your heart race. But I wasn’t really afraid of what the judges had to say because, chances are, whatever they found—good or bad—I already knew. Most creative people can look at their work and, if it’s not that great, call themselves out on it and just say, “Hey, you know what? Maybe this is a flop.” Everyone has had a day where nothing seems to come together. Unfortunately, on Project Runway the whole world knows about it because the judges make sure that you hear it over and over again.

EDGE: Did the judges ever have a bad day?

IS: Everyone had their days.

EDGE: When you live, work and—most importantly— compete with other designers 24 hours a day, it can bring out the worst in someone. Yet you managed to stay above the fray.

IS: Project Runway was a big deal, so I decided that if I was going to do it, I was really going to focus. I knew that some people would be really friendly and others would reach their boiling points quickly. The competition never stops. When we were off camera, we were still interacting, so someone could say something that would trigger a reaction the next day when the cameras were rolling again. In order to avoid getting swept up in the drama, I just stayed focused on doing what I was there to do—which was to meet a challenge every day.

EDGE: One of your fellow contestants said that you weren’t there to make friends. Naturally, that’s the reputation you got as a “character” on the show. Fair or unfair?

IS: It bothered me that it was taken to an extreme. It wasn’t like I said, “I hate everyone!” It was more like, if I made friends, well, that was a bonus. I mean, why wouldn’t you want to make a friend or two? But I wasn’t there to socialize. It wasn’t cocktail hour. I wanted to win that thing.

EDGE: Is it true you hadn’t watched previous seasons of Project Runway?

IS: I never watched any season in its entirety. I watched it randomly, like I’d go over to someone’s house and they’d be watching it.

EDGE: And what was your impression? What made you think it was worth a shot?

IS: I thought it was great. I mean, I knew there was a downside to Reality TV, but I felt that if there was something positive that comes out of a show like this, then maybe it’s worth doing. Tim Gunn was a judge, and that gave me a comfort level because he taught me at Parsons. That was disclosed to everyone, by the way—it wasn’t like we had a secret friendship. But I thought if Tim was part of the show, he’s so respectable and honest, I knew the judging had to be fair.

EDGE: What was the casting process like?

IS: It was a challenge. I understood that they pick people for their work but also for their personality. A lot of talented and creative people tend to be introverted. I tend to be laidback, and I can’t be someone that I’m not, but luckily they felt my personality was a good fit.

EDGE: That first day, when you were surrounded by all the lights and cameras and producers, did you think, “Oh my God! I’ve got to look good, too!”

IS: That first day, Dan? I did. But soon I was like, “Who cares? I’m here to win this thing!” I wasn’t going to look glamorous—it was too exhausting. My sister would watch and say, “Why are you wearing that grandma outfit? Why are you wearing that headband?” And I’d be like, “Because my hair is gross! I haven’t washed it in days!” In retrospect, they could have given us more time to get ourselves together, but I think they wanted us looking as tired and worn out as possible because then viewers sympathize with you. And people should have sympathized with us. We were beyond exhausted. There were days when I was thought, “Do I really have to move now? I don’t think my body can.” Ultimately, it was fun—in a weird, distorted way.

EDGE: When did you think you actually had a shot at winning Project Runway?

IS: A little more than half way into the competition. I was standing on the runway and it was my turn to go when one of the lights blew out. They brought out this three-story ladder to replace the light, which took an hour. I had that hour to just stand there and think. And it came to me. “I could really win this thing…and I think I am winning. I’m so winning this thing!”

EDGE: After you won, was there a clock ticking in your head? Did you think, “I’ve got to capitalize on this notoriety and strike while the iron is hot?” IS: I didn’t assume anything. As you know, Dan, the fashion industry is funny. People in the business like the show. They think it’s great. But it doesn’t validate you in their eyes. What validates you is your work. So I didn’t feel I had this celebrity glow that would take me places. Yes, it’s great to have fans and a recognizable name, but remember, those fans aren’t necessarily your consumers. Building a business—a real, successful business—is very different than winning Project Runway.

EDGE: So what’s it going to be for Irina Shabayeva? Custom order? Big label? Big backing?

IS: Well, I launched an evening line last season, as well as a bridal collection, and it’s been great. I’m at Kleinfeld Bridal and I’m in great company—Monique Lhuillier and Oscar De La Renta—so I’m going to stick with doing the bridal and evening custom order. In terms of my Ready To Wear, I want to build it up and become a brand because it has a place in the market. I’ve gotten so much great feedback. I just have to figure out how to juggle both.

EDGE: If you had to describe your aesthetic in three words, what would they be?

IS: Feminine. Strong. Luxurious.

EDGE: If you could pick anyone, past or present, to represent your line, who would it be?

IS: That’s a hard question. The first person who pops into my mind is Cate Blanchett. I think she’s a phenomenal actress. Maybe Queen Elizabeth I? She came from nothing to become queen, and struggled with being a woman and trying to rule a country. Cate played her in the movie, which I guess is why I thought of her.

EDGE: If you had to create a bumper sticker for all of the young designers who are following you into the business, what would it say?

IS: “Be Prepared to Make Sacrifices.”

EDGE: Meaning what?

IS: You have to grow up a little sooner. If you really want to perfect your craft, it requires a lot of time and dedication. There’s not a lot left over for fun and partying. I’m 29 and I still struggle to find balance in my life and do what I love to do. It’s a constant struggle. EDGE

Fire and Ice

What’s Up, Doc?

Going with the Flow

Cold feet. Heavy legs. Cramping. As the years pile up, we deal with life’s extra little discomforts every day. They can be a real pain in the you-know what. Dealing with them, however, does not mean ignoring them. If annoyances such as these persist, it may be prudent to speak with a vascular surgeon. The fact of the matter is that each of the aforementioned symptoms (including, yes, buttock pain) could point to something more serious. “We’re not talking about spider veins here,” says Salvador Cuadra, MD. “Vascular system disorders such as Peripheral Artery Disease (PAD) and Carotid Artery Disease—including Transient Ischemic Attacks (TIAs)—can begin with relatively mild symptoms. The earlier we catch these problems, the more likely a patient is going to have a favorable outcome.” As a vascular surgeon, Dr. Cuadra is a specialist who treats diseases of the major blood vessels. A member of the Cardiovascular Care Group (with offices at Trinitas and in Westfield, Springfield and Belleville), he treats problems with the carotid arteries in the neck, as well as the veins and arteries in the abdomen, arms and lower extremities. One of Dr. Cuadra’s specialties is called a carotid endarterectomy. In lay terms, this is a surgical procedure that addresses blockages in the artery feeding the brain. Plaque can build up and potentially cause a stroke. The surgery literally “shells out,” or removes, the plaque through a small neck incision. Although the condition is extremely serious, the surgical prognosis is excellent and recovery time is relatively short. Typically, it involves only an overnight hospital stay. Within the past decade, there have been other advances in the development of less invasive treatments for vascular system disorders. Most of these involve the use of stents, which are applied through a catheter inserted through the groin area. The less invasive nature of this procedure certainly makes it more attractive to patients. Vascular surgeons routinely perform angioplasty to repair arteries that are blocked or narrowed. There has been much recent research and discussion about the relative efficacy of stents compared to surgery. The much-publicized CREST Trial has indicated that stents have no statistical advantage over surgery and, in certain cases, might even run a higher risk of subsequent stroke. However, Dr. Cuadra is uniquely qualified to perform either angioplasty or surgery. He has found that some patients have better results with angioplasty and stents, while others benefit more from surgery. Another problem that can be addressed by inserting a stent is an aneurysm. In such a case, an artery develops a bulge (widening) rather than a blockage. Over time, this can cause a weakening in the arterial wall. A vascular surgeon will perform a procedure to insert a specialized stent that allows blood to pass through it removing the pressure on the arterial wall (the aneurysm) thereby reducing the risk of rupture. At present, dialysis patients constitute approximately 50% of Dr. Cuadra’s group practice. In cases of kidney failure— which requires hemodialysis to remove toxic waste and excess fluid from the bloodstream—surgery is done to establish the necessary connection between an artery and a vein thereby allowing for dialysis to be performed. Of the remaining 50%, different people land in his office in a number of different ways. Many patients come via their PCP referral already suffering from obesity and/or diabetes; their doctor may have found an abnormality through physical examination or through an ultrasound, or some other procedure such as a CT scan. Others come because of physical symptoms such as loss of circulation to the legs causing pain, ulcerations, and even gangrene in the extremity. Although Dr. Cuadra says he enjoys working with patients to prevent the onset of vascular disease, he embraces the myriad challenges he faces every day. Being a surgeon suits him, he says. “I like using my hands to solve relatively serious patient problems. Surgery is more rewarding to me than some other specialties. I can see a problem, diagnose it and fix it in a relatively short time period.” EDGE  

Editor’s Note: Dr. Salvador Cuadra attended Cornell University as an undergrad and received his medical degree—and became Chief Resident in surgery—at the State University of New York at Stony Brook. He has authored a number of vascular surgery treatises, receiving awards for several of his publications.