Paul Bennett Hirsch’s Cultural Commentary
Pissarro, Monet, Cassatt and Degas are a few impressionist artists who rebelled against 19th-century academic art. In post-World War ll into the 1950s, Abstract Expressionism à la Pollock and de Kooning was sideswiped by Pop, or popular, art, with its mainstream images. Think, for example, Warhol’s soup cans, Lichtenstein’s comic-strip paintings, George Segal’s plaster-wrapped human figures. Thereafter, from the mid-1950s into the late ’70s and early ’80s, Pop art took hold. Think Keith Haring, and now Paul Bennett Hirsch, both of whom studied at The School of Visual Arts, NYC. Hirsch also holds a degree in fine arts and graphic design. Be of hyper vision when you see Hirsch’s works, bold and subtle, keenly observant, unique in language and energy, akin to the intricacy of the way a neurosurgeon navigates a brain.
A long time New Jersey resident who now lives across the country in Washington, Pop artist Paul Bennett Hirsch knows that any and all styles of art can co-exist. Hirsch has created a huge, impressive body of work. “I began as a photo realist,” he says, “then I morphed into a neo-expressionist. Now I’ve embraced the moniker of creative survivalist.” His art includes works on canvas and paper, objects, plates, screens, steel sculptures, cones (of knowledge), clothing and textiles, flora and fauna, plastic proto paintings, and many more mediums…one might say “Picasso-esque,” for his art appears on just about anything but a fish skeleton. In addition to Hirsch’s museum exhibitions and corporate collections, he is working on a 2023 solo exhibition at the prestigious Ryan James Fine Arts gallery in Kirkland, WA. Search every inch of his work for the many-splendored symbols, letters, words and numbers within his dominant images at ryanjamesfinearts.com or check out his Facebook page (paul.b.hirsch).