Melora Hardin

Tell me about Jan Levinson, the emotionally complicated sometimes-girlfriend of Michael Scott on The Office. How did you play that character without turning fans against her?

I love that you can see into all those layers. I don’t know that I was trying to walk that line you talk about, but to me, from the minute I said the first line as Jan Levinson I sensed she was very complex. Maybe it was just the lucky combination of the writing of Jan and me playing her.

You just finished your first day on the new season of Dancing with the Stars, didn’t you? How are you feeling?

I’m exhausted, but I feel great. It’s just go, go, go with this show. I haven’t had a day off in two weeks, so I’m like, Okay, so is that the pace? I guess so. Yeah, it’s intense.

How do you know you’re “good to go” when the music starts, as opposed to an acting role? Is it a different mental process?

It is. I had a big “Aha” moment the night before because it’s live television, which is really refreshing and different, something that we don’t get a lot these days. It’s similar to theater in that you have to be on—you have be ready to go when they say go, and you know you’re going to get one chance. With film and television, it’s different in the sense that you have to be ready to go…but you also know that you have time to finesse. Sometimes with film and television, you show up and run through it a couple of times, and it’s out of order, and you have to bring all of your skillsets to prepare your emotional self—where your character is in that moment in time and in the arc of the story and the arc of the evolution of the character.

Also, in television and film, you can really communicate so much through your eyes.

And you have lines, and sometimes you have songs. You have more than one scene to show people who the character is. Here, you have one moment. You have one chance. You have no lines. It’s in this giant universe of lights and explosions, and they’re barely on your face because they’re watching your body. It’s a much bigger, broader stroke that you have to make as a performer. That was a big realization to me.

Fans may remember you from your starring roles in the film Lambada and the TV series Dirty Dancing. I guess Dancing with the Stars was not your first tango.

I started acting professionally at six, and I’d started dancing at five. [When I was younger] I think I would have told you that acting and singing and songwriting were my hobbies, and that I was going to be a ballerina. In my little girl mind, that was what I thought I was going to do. I think Dancing with the Stars is this wonderful opportunity to reawaken my little girl fantasy and dream. It’s the closest I’ll ever come to being a ballerina.

Editor’s Note: This Q&A was conducted by Gerry Strauss. Gerry spent a little more time with Melora and they chatted about her roles on Transparent and The Bold Type, as well as her work as a director on an upcoming documentary based on her friend Paula Cole’s iconic song “Where Have All the Cowboys Gone?”

Basketball Hall of Famer Nancy Lieberman

This year marks an impressive milestone for the WNBA. When the league began its inaugural season in 1997, what did you feel was the best-case scenario?

I felt like the WNBA would be fantastic. It had the backing of the commissioner, David Stern, who had been working on it since 1984. I really admire him for that. He was very, very serious about this opportunity for women and had already talked to the owners and had people in place, with a game plan of what the WNBA would look like. I remember him asking me to come into his office in New York. He closed the door and said, “Nancy, before I am done being commissioner of the NBA, there will be a W one day.” I was like, “Excuse me, what are you talking about?” He said, “My only hope is that you will still be around to play in it.”

And at 39 you were, in that first season.

Those first two or three years, it was a dream playing in front of 10,000, 15,000, 18,000 people in sold-out arenas. The hype, the backing of the NBA guys who were so excited to see the league happen and flourish—and the fans! You can’t give enough credit to the fans for buying tickets and believing in women and what we were trying to do. We’re playing in major arenas on network TV. It was a beautiful thing. The men didn’t have that when the NBA started. I knew you needed long-term sustainability to have success, so you needed money and bandwidth. The only ones who could really deliver that was the NBA…and it did.

Not a lot of fans are aware that you also played in the first Olympic women’s tournament, in Montreal in 1976.

I feel very, very lucky to have been young enough—but also old enough—to be a part of both. I was a high school senior and missed my graduation to go to the ’76 Olympics. But first we had to qualify. No one thought we were going to make it, so we ended up winning the qualifying tournament in Rochester…and there was no budget! Billie Moore, the Olympic coach, and Bill Wall, the head of USA Basketball, put our travel on their credit cards. How about that! Pat Summitt, Lucy Harris and Ann Meyers were among my teammates. It was fantastic. We were in the locker room getting ready to play for the silver medal and Billie Moore looked at us and said, “Ladies, tonight we go out there and we play. It will change the course of women’s basketball for the next 25 years.”
And you were how old?

I had just turned 18 at the games. I’m sitting there going 25 years?! I can’t remember what I did yesterday or what I have to do tomorrow. She had such a handle on history, on where the game would be and where it would take us. And she was absolutely spot-on…it did impact women’s basketball on every level. Now I’m just proud to be part of basketball. I’m humbled. I’m an athlete from the ’80s and it’s 2021 and I’m still relevant, coaching the Big 3 for Ice Cube, and doing TV for the Oklahoma City Thunder. I’m really happy. I love being around this game.
Editor’s Note: This Q&A was conducted by Chuka Erike. He spent an additional five minutes with Nancy, who shared her thoughts on playing with guys, the meaning of greatness and some words of wisdom she received as a teenager from Muhammad Ali.

The following is bonus web only content:

If you could go back and talk to the teenage Nancy at Rockaway High, what would you tell her?

Never stop working, wanting or dreaming. Everything is possible. All you have to do is prepare and play hard.

At what point did you realize you would be living a life in basketball?

You know, I needed sports more than sports needed me. Everybody has their path and situations that go on, good and bad, and mine was a little difficult in terms of my home life. So I fell in love with a game that brought me a lot of joy and confidence. It helped build my self-esteem and the people I met, my lifelong friends, came through sports. Every kid should play sports for the right reasons: They are with their friends, they are having fun, and they get to compete and repeat. It becomes such a fun time in your life. As I look back now, I say to myself, “Wow, I got to have fun.” I played AAU, I played in all those different tournaments, then to be able to be on that USA team and play with some of the best women in the world, Hall of Famers, and finally become a professional. How could I ever look back on my career and not have gratitude and not have just tremendous love and amazement? People would love to have my career, our career—Ann Meyers, Lynette Woodard, Cheryl Miller and all my teammates on the 1975-76  Pan-Am/Olympic team. We really opened the door for the generations that came after us, which is the amazing part because you play in the now, but you want to have an effect on what goes on in the future. And we did that.

That seems like a lot of pressure.

It depends what you perceive as pressure. I don’t have that thought in my brain. I don’t think about pressure, I think about privilege. It’s a privilege to play in a championship game. It’s a privilege to play or coach in the NBA or the BIG 3. It’s a privilege to win two college championships at Old Dominion. I don’t get scared…I respect everybody, but I fear nobody. That’s what Muhammad Ali taught me when I was 19 years old. It was one of the first things he said to me—and I sure do appreciate everything that he imparted to me in my life for over 40 years. I often think about all the people I have had the opportunity to meet, to mentor, enjoy and to win with, these lifelong friendships with men and women in sports, in business. It’s crazy. And then to be in an airport and people come up to you. Yesterday, I was leaving West Palm, because I was visiting my mother, who is 91 and I hadn’t seen her in about a year and a half because of COVID. These guys wanted to talk to me and one wanted me to sign something for his 8-year-old daughter. To know that you’ve done something right for the right reasons is very fulfilling and is actually a blessing.

Speaking from your standpoint as one of the greats of the game, do you have a sense of what elevates certain athletes to the top of their sport?

The mind. What Kobe Bryant called the “mamba mentality.” Jordan had it, Muhammad Ali had it, I have it. A lot of people are great, a lot of people are Hall of Famers, and then there’s that next level up. If you were a game-changer, well, that’s special. I had to break the rules for this generation to have what they have—people were racist, people were bullies and people were condescending. I am who I say I am…you don’t get to tell me who I am.

Could you have imagined all the twists and turns in your basketball odyssey? 

No, I could not have. I have had to be resourceful. I was not as fortunate as Sue Bird, Tina Thompson, or some of these kids who had long careers in the WNBA. I didn’t have that opportunity. I did anything and everything I could to play. I played for the Lakers in the Summer Pro League, and two years in the USBL, getting waxed by guys who were NBA level.  But I had IQ, I had skill and I had will and I wasn’t afraid. I played for the Utah Jazz in ’86  with Frank Layden, then I ended up crossing over to the G-League and coaching for Donnie Nelson, the Mavericks president, and worked my way up into the front office. I had to do things. I had to be nimble. I had to be flexible. Tamika Catchings—she’s like my sister, the Hall of Famer—she played all those years in the WNBA and then when she retired they reward her with a front office job with the Indiana Pacers. Now she is running the Indiana Fever WNBA team. I didn’t have that. My road was different, but no less impactful. It actually made me bigger and better, expanded my mind and my thinking. And I have met so many wonderful people that championed me, so I’m really good with my path.


Editor’s Note: This Q&A was conducted by Chuka Erike, who has spent a decade working in the basketball and tennis industries. In January 2016 he was honored by the NBA with the Community Assist Award. Chuka is currently working on a children’s book on athletes and their pets—written from the perspective of the pets!



5 Minutes With… Tovah Feldshuh

Your new memoir, Lilyville, explores the evolution of your relationship with your mother, Lily, interwoven with the evolution of your acting career. It was not always an easy relationship, was it?

No. My mother was born on a table in the Bronx in 1911 and believed that you shouldn’t praise your children too much, lest they grow too proud and evil should strike them down. This wasn’t just a Jewish tradition, it was a peasant tradition, I think from her family’s roots in Eastern Europe. Training your child, correcting your child, fixing, preserving and protecting your child was the priority—and it was a priority I absolutely did not understand or appreciate, in the sense that I could not equate that with love. By contrast, my father had unbridled, unconditional love for his children. My mother and I struggled. It was tough. When I turned 18, I asked her if she loved me—it was right out of Fiddler On the Roof—and she said, “Who sat in the station wagon while you were at your piano lessons? Who took you to Hebrew school? Who takes you to the voice lessons you insist on having? Who carts you all over the place to fulfill your desires? That’s me.”

Did she approve of your career choice?

I did not have her approval. There was no support. She was very transparent in not wanting me to go into theater. My older brother David had gone into theater so that was one child “down the tubes,” and now her second child…what did I do to have these two kids in the arts? Well, in my case, I had to construct this whole fantasy life just to feel good!

Did that change with your success on Broadway and all your awards?

No. The first confluence of our values was the day I married. She said, “You can do anything you want now…you married a Harvard lawyer!” She had married a Harvard lawyer, so she could finally breathe a sigh of relief. However, as our lives progressed, and I became a mother, my mother and I had more and more in common. She lived long enough for us to solve all of our problems.

What changed?

Part of the reason was that I wanted to. I didn’t sit there waiting for fate to come my way. When I turned 40, she asked, “How much longer are you going to blame me?” I said, “Not another minute.” Our journey was so enormous that, rather than writing a memoir about my life, I thought it would be more interesting to relate it to this woman who lived 103 years, to give my readers, my audience, a rich overview of having a mother who was born before women’s suffrage and who lived through the Spanish Flu, Roaring Twenties, the Great Depression—during which she put herself through NYU—and World War II, when her husband was drafted at 32. I loved my mother. She was hilarious. On her tombstone it says Mother Grandmother Matriarch Comedian.

Editor’s Note: This interview was conducted while Tovah was on a six-mile bike ride around Central Park. For another five minutes (and then some) on Lilyville and the mothers and daughters she’s played, visit Lilyville is published by Hachette Books.

Sigourney Weaver

How have you been coping with Coronavirus?  

I’m a New Yorker, so we stayed in New York City. I feel very safe in New York because, no matter what people say about New York, I’m sorry but it’s a great city and New Yorkers really do watch out for each other—even though it may not look like it. Eventually I was able to go upstate to an area where there aren’t many people. But, of course, our hearts were here with the frontline workers and with all the wonderful citizens who have been so ill. In a way, I feel like the whole world has been given a pause to reflect on where we’re going, especially in terms of health…but also with climate change. If we can change our behavior that quickly for COVID, we can change our behavior that quickly to protect the planet and each other. I hope that we as a whole world use this opportunity to come together more. And I hope our country is part of that.


Do you think theater will bounce back?  

I think it will change and that’s not necessarily  bad. It will become less expensive, less exclusive, maybe more the people’s theatre, as it was in Shakespeare’s day… I don’t have a crystal ball, but I think that maybe we’ll go back to a different phase. Broadway now has so many musicals and very, very big, big shows and they’re great—I have great respect and admiration for all that’s involved—but theater used to be a more intimate experience for the audience, a more specific experience, perhaps. I believe the theater will carry on forever because it’s the people’s theater really in the end. We tell stories that illuminate the human heart. And there will always be an audience for that, if we have to do them standing outside or on a bus or who knows what. But I worry about my friends who are theater actors and are so used to working non-stop. I’m very worried about them. 


How did appearing on (the Netflix French-language series) Call My Agent in 2020 come about? 

I had been a fan since I was told about it by a French friend. I never dreamed that I would be in it. It was probably a secret wish, but I never mentioned it to anyone, except maybe my husband. And so I was very surprised to get this script when I was shooting a film in Nova Scotia, with an offer and a script about me. It was the first time in my life, without reading the script I just said Yes right away.   


How do you look back on playing Ripley in Alien…and that so many people look to her as a role model? 

All of us on Alien are very pleased that the film still resonates for people. Ripley was written basically as a character, a kind of “every person,” and it was unusual then, especially not to have a woman go, “Oh, my goodness!” The writers and the producers and (director) Ridley Scott did not want that, and neither did I. I think now we’re so far away from that in terms of women’s strength and women’s situation. We have a long way to go, but it’s changing so rapidly. 


Editor’s Note: This Q&A was conducted by Jason Adams of The Interview People. Jason interviewed a number of celebrities in 2020, including Elle Fanning, Javier Bardem and Vanessa Kirby, who plays Princess Ann on the current season of The Queen. Sigourney Weaver has completed filming for Avatar II and III, which are slated for release late next year. Season 4 of Call My Agent (Dix pour Cent) will be streaming on Netflix later in 2021.

Peter Fleming

Three-time U.S. Open doubles champion

Was there something extra-special about winning your own country’s championship?    

Yeah, of course—it felt great. Everybody knows the U.S. Open. You won the U.S. Open? Well, that’s pretty cool. There was a lot of pressure. It’s one of the two biggest tournaments of the year. In doubles, John [McEnroe] and I wanted to win. In singles, I don’t think it ever entered my mind that I had a chance to win, but I wanted to do well. It was a big two weeks.  

How did you get to know John and become his doubles partner? 

I met him when he was 12. We both were training at Port Washington. I’m four years older, so that’s a big age difference, but we were still quite good friends because he was definitely a precocious kid. He didn’t act like he was 12. The summer that he got to the Wimbledon semifinals, in 1977, we became really good friends and literally, we were hanging out every day. We both did well in doubles tournaments with other partners. It was kind of just an organic thing: Maybe we should try and play together. It seemed to be the most natural thing to be able to travel to the same tournaments and be in the same matches. We thought it would work out really well, which is what happened.  

When you were growing up in Chatham, it was the height of the tennis boom. What was the competition like at the junior level here in New Jersey? 

There weren’t a million future pros. The god of New Jersey tennis was Jeff Miller. Jeff grew up in Scotch Plains and he was beating the best players—the best men player—in the state at age 14. He was amazing. Jeff was two years older than me. I couldn’t have competed with him in a million years. I won the state tournament the year after he graduated, as a junior.  

When you joined the men’s tour after college, you were stepping on the court with players like Bjorn Borg, Guillermo Vilas, Jimmy Connors, Ilie Nastase…how do you not feel intimidated? 

When I was in college I had the opportunity to play in tournaments with pros and I beat some top-ranked guys and lost close matches to other ones. Obviously you are nervous, but also excited to match skills with them. Then I became such good friends with John McEnroe and practiced with him every day for maybe two years. As he improved and suddenly became one of those icons, I would say C’mon, I’ve beaten this guy plenty of times. You know, so much of doing anything is about belief. Do you believe it can happen? Then it can. If you don’t believe it can happen, it’s not gonna. Plain and simple.  

Editor’s Note: Peter Fleming won 60 doubles titles during his career, including four Wimbledons and three U.S. Opens. He was the world’s #1-ranked doubles player in the mid-1980s and achieved a #8 world ranking in singles in 1980. Peter lives in England and works as a tennis commentator. He graduated from UCLA and is a member of the Intercollegiate Tennis Hall of Fame. 


Mark Strong

What have you been watching during the COVID-19 shutdown?   

After finishing Tiger King, I sat down with my wife and sons and wrote a list of all the films they should have seen, and we’re working our way through  those in my DVD collection after dinner. I wanted to introduce them to things like Being John Malkovich, old war moves like Where Eagles Dare, Lawrence of Arabia and Bridge Over the River Kwai. Also on the list is Tree of Life, Magnolia, Punch Drunk Love and Moneyball. We could never watch my own films—they would wonder what kind of narcissist I was.

What are you listening to?

I’m listening to a lot of podcasts, such as The Ballad of Billy Balls, which is set in the late-70s in New York and is about a girl’s attempt to discover a punk singer called Billy Balls. I’ve also been listening to Anton Lesser, who I played with at the Royal Shakespeare Company back in the 80s for Richard III. I also read the new Hilary Mantel novel, The Mirror and the Light.

What else are you reading?

I brought down a whole bunch of scripts to our little place in Sussex right on the edge of the Downs.  I always find reading for pleasure diversionary and not as profound as something I’m going to be performing on stage. I did enjoy the coming-of-age story my wife wanted me to read, called The Art of Fielding, by Chad Harbach, about a college baseball player aiming for a national championship.

What do you miss the most?

I’m itching to get back to football with my friends in the garden. I play every Monday and Friday with the same guys I’ve played with for the last 17 years. I love the camaraderie and skill of six or seven a side. I’m missing it so much, because it makes my head feel right when I’m fit.

What will you be working on when things loosen up in the industry?  

There will be another Shazam movie—people are realizing superheroes can be funny, which is good.   I’m reading the script for Temple, as we are meant   to be working on the second series. I’m going to be doing Oedipus next year with Hellen Mirren, so I read that every couple of days to try and let it get under my skin.

Editor’s Note: Mark Strong’s acting résumé includes unforgettable turns in Zero Dark Thirty, Tinker, Tailor, Soldier, Spy, The Imitation Game and the two Kingsmen movies. He also stars in the British TV  series Temple. This Q&A was conducted by The Interview People.

Tom Hanks

Suzy Maloy


How powerful can a book be?

A book can be the most powerful tool in the cosmos. A book can change lives. A book can be deadly. A book can lead others to make the world a better place. A book can start wars. Don’t take books lightly; weigh them with criticism and experience. Read the good ones. Use the lousy ones to level the bedposts.

Has your Hollywood life helped you to become a better student of the world?

Absolutely. I have always said that I might not have had the most formal education, but movies have helped me to study and to learn about history, politics and the arts. I will be forever grateful for that…I feel very fortunate because I get to study history while I am working. It’s almost better than just sitting in front of a book and having to study it. I do like to do that as well, but when you are learning it the way we do by visiting a lot of historical places, it’s even more fun.

Do your movies make people smarter?

I like the fact that [historical] movies make people smarter…we don’t see that too much in Hollywood these days.

Which role do you identify with the most?

That’s a tough question. It’s almost as if you are asking me which kid is my favorite. I remember Turner & Hooch the most because one thing after another went wrong. Try to make an emotional connection with a dog!

Forrest Gump is my favorite. I find him very inspirational. Why do you think it’s had such an impact on people? He lived at the speed of common sense. I think we’d all love to do that, but Forrest did it every day of his life.

What was it like to know that Toy Story 4 was the last Toy Story, the last time Sheriff Woody would be voiced by you?

It was a lot more emotional than I really thought. You know, when we recorded the last session, the whole creative team was there. It was a historic moment for all of us, and it was a very emotional one, as well.

Do you enjoy doing voiceovers?

I loved to be the voice of Sheriff Woody. He grew so much, and has become a lot deeper and profound than I thought he would ever be. He will always be a part of me now.

What advice do you give young actors?

Act at every opportunity. Be the person in the duck costume if that’s the only role open. 


Editor’s Note: This Q&A was conducted by Suzy Maloy of The Interview People. Suzy writes for several magazines and web sites. Recent interview subjects include Chris Hemsworth, George Clooney, Robert Redford, Don Henley and Goldie Hawn.


Morgan Freeman

You started in movies really late. Do you think it was good in a way for you?

Absolutely. I was 20 years on the stage in New York prior to getting the movie career, as such, though I did do television work, I did some movies. I think the training—both in the profession and in life—was to my benefit. When I was working in the ‘70s and ‘80s, the drug culture was booming and a lot of people didn’t make it through it. I was very peripatetic when I was young, back-and-forth cross-country, to New York to Los Angeles to San Francisco, trying to find the doorway, where to be able to get in. It’s just being in the right place at the right time.

Which is better, to be the President, to be God, or to be a movie star?

Movie star.


It pays. None of the rest of them pays. Not nearly as well.

What are the cons of being a movie star?

Well, first, it’s what I wanted from a very young age, I wanted to be in the movies. But as you start to watch your career go on, you realize that you didn’t want to be “star.” If you are a character actor, you don’t want to be a star, because you can’t be a character. A star very rarely gets roles like Quasimodo. Bob De Niro could walk down the streets unrecognized after he had done Bang the Drum Slowly, Godfather II and Raging Bull. He had done all these well-received movies, but he could walk down the street unrecognized. That’s character acting, when you hide, when you become the character, that’s the essential difference to me.

When you were a kid, did you ever dream about being the President?

No, I only dreamed about being an actor. When I was a kid, I went to the movies every day I could find enough money. President? CEO of something? No. Later on, I thought it might have been interesting to have been a racecar driver.

Is that on your bucket list?

I’ve done it!

Is there anything left on your bucket list?

I wanted to be a jet pilot. I wanted to be a sailor, a water sailor. I wanted to be a cowboy—I’m a good horseman, I love horses and live with them. And the rest of it is just to be here, to enjoy life.

When you play the President, do you take pleasure in it?

The pleasure is in working. Believing that you are the President or God or the devil or whatever, the only joy in that is bringing the character to life. I don’t get any personal sense of the power of God or the power of the President. Make believe is make believe. I hate for people to somehow gloss over that and say, “Oh my God! God just walked in the room!” Don’t do that. 

Editor’s Note: Morgan Freeman played the President in his most recent film, Angel Has Fallen, co-starring with Gerard Butler. He is due to star in four films in 2020, including the action comedy The Hitman’s Wife’s Bodyguard, with Ryan Reynolds, Salma Hayek and Samuel L. Jackson.

This Q&A was conducted by Sarah Williams of The Interview People.


Timothy Olyphant
Lady Gaga

What is it about A Star Is Born that affected so many people?

It sort of reminds me of what my voice teacher told me many years ago. You never want the audience to be leaning away from you as you are singing at them, but rather that the audience is leaning into you because they want to hear you. I have talked to so many people about this film. I’ve gotten so many messages. The true star in this film is bravery…the true star in this film is perseverance. I think it’s the ability to go on when things are hard and I think that that is a tale that can be told forever.

The singer you play is so different from Lady Gaga. As an actress, how did you develop the character of Ally?

I wanted her to be completely different. What I did not have at my disposal—which I usually have—is the ability to do it all myself. I had to be collaborative with everyone around me and that ultimately stripped away all of the armor of characters that I’ve built before. So for Ally, yes it was for me beginning with not wearing makeup every day, not wearing wigs every day, dying my hair back to my natural color, taking cues from the costume fittings that we did, dressing like her on a daily basis, working hours in the studio on Ally’s music, working with [coach and adviser] Lukas Nelson and figuring out how Ally’s sound would transform as she fell in love with Jackson—and how she would sound with him, and then how she would sound later. So for me it was very much about finding a new character but finding it without all the armor that I had before.

How do you stay in the moment when you have so much to think about?

I learned at the Lee Strasberg Institute relaxation techniques where you sort of flop in a chair and you drop each part of your body, one at a time, and you really sink into the chair and you really feel relaxed. Also, being unafraid to really be in the skin of someone else. For me, that was the thrill in this, that I got to be somebody else—somebody else whose story is somewhat like mine but also so not. I was like, “I’m going to make it, I’m a singer, I’m a musician, I’m going to get this gig, I’m going to fake being my own manager on the phone and I’m going to pretend that I’m the hottest performer in town!” And the thing is that Ally is not like that. Ally was just so insecure. So I had to relax into a vulnerability that I am not normally comfortable with, but I was able to do that because of [director] Bradley [Cooper]. Bradley really made me feel comfortable. It’s about loving the skin you are in and having that self-compassion.

As a music star yourself, how do you think Bradley did portraying a rock star?

As soon as I heard Bradley sing I was like, “Oh, my god, he could be a rock star.” So I believed in him fully, right off the bat and I still do. He just did a tremendous job, the way that he portrayed a rock star with such authenticity. 

Editor’s Note: This Q&A was conducted by Samantha Fraser of The Interview People. Samantha has profiled a number of international celebrities, including Michael Bublé for the British magazine Sorted last December.

Christian Bale
Jodie Whittaker

Jodie Whittaker, the first actress to play Doctor Who

Was there a jar on the set where people had to pay a pound when they referred to the Doctor with male pronouns?

No, there wasn’t [laughs]. But do you know, I was guilty of it when I was auditioning. Trying to learn my lines, I kept going Ah it’s so hard because he says this line. And I thought, Man, we’re indoctrinated to not ever put ourselves a little bit higher.

How much of a “woman’s touch” do you bring to the Doctor?

I have never approached a role thinking How would a woman play this role?…because I just am one. And I don’t know if a guy has ever gone How would a guy do this scene? You just are, and it’s your point of view. Essentially, I suppose my energy and my approach to this is coming from a very instinctive place, which feels genderless to me because it’s never been necessarily ingrained in me that that’s a specific way that a woman behaves and a specific way a man behaves. The best thing about The Doctor is I’m not playing either [laughs]… I’m an alien!

Obviously, you are providing a great model for young girls watching the show, but what would you say to young boys who might be watching the series for the first time?

That it’s okay to look up to women, and that that is exciting and not to be feared. That’s the thing that we all feel—this is a show for everyone. When we were growing up, there weren’t necessarily people on television that looked like us or sounded like us. I suppose it’s just that your heroes don’t have to tick the same box. But it’s 2018, I mean the fact that we are having these conversations and also—as a woman being the front of a show—it will be really exciting when women aren’t treated as a genre, you know? Just as a cast member. If you lead a show, it doesn’t mean it’s “for women.” I’ve been thrust into kind of a genderless role, which is incredible. But also, you know, let’s not have this conversation in 2020, hopefully.

When you first found out you got the part, what was it like keeping that secret from friends, family…and the world?

It was particularly hard keeping it from your close friends and family. Knowing I was moving to Wales [where the series is shot], and getting the question Do you want to do that next month? I was, like, Er… I don’t know, I might be a bit busy. I just had to kind of make out that I had a lot of social events going on.

Were you nervous about fan reaction?

I’m not on social media, so I chose to think it was 100 percent positive and there were no negative comments [laughs]. But I think actually being the first woman to play the Doctor is incredibly liberating. With this role—and ask any of the previous Doctors—the rules are out of the window because the most wonderful thing is that you regenerate. So you can bring everything new, everything from previous, you can make it your own and stay loyal to it. Getting a woman doesn’t change that. 

Editor’s Note: Doctor Who has been produced by BBC since 1963 and over 800 episodes have aired. Jodie Whittaker is the twelfth Doctor Who. The sci-fi series has had a devoted, decades-long following in the U.S. and new episodes run on BBC America. This Q&A was conducted by Lucy Allen of The Interview People. When she’s not interviewing celebs you’ll find her and her dog, Cindy, on the beach in Santa Monica, CA.


Jodie Foster

You had a five-year absence in front of the camera prior to Hotel Artemis.


Well, I directed two movies and a whole bunch of television in between the last five years. I’ve been busy. That’s my priority, directing, and I’ve said that in my fifties that directing would take priority. I needed to really commit to that, but if I found something to act in that works, that’d be great.


The last role that you did in front of the camera was Elysium, which [also] had a class warfare theme. Is that a coincidence or is that something that resonates with you?


Yeah, it probably does. Income inequality is going to be a part of science fiction because that’s what we’re facing in the future…and climate change, problems with healthcare, no water in the sea, police brutality. These are all themes in Hotel Artemis. We’re looking at the next twenty-five years at what’s going to happen. That’s what science fiction is. It’s prescient about where we’re headed.


Why do movies depict such a grim future for humanity?


Well, we see it as grim. It may just be an evolution of where we’re headed. I mean, you look at The Matrix, right? That was a really prescient movie…people are like, Oh my God, this is where we’re going to be? That’s just crazy. But that is where we are now—I look at my kids on a Sunday morning and that’s where they are. And it’s okay. It’s just the evolution of our species. Technology has been a really, really fascinating point of departure of evolution for our culture.


How so?


Think how long it took for human beings to lose their hair on their bodies, right? We didn’t need it anymore because we got clothes. Well, it took about five seconds for technology and the digital revolution to change everything overnight. It took thousands of years for every other [type of] evolution. But digital technology has changed everything overnight—whether it’s the stock market, whether it’s the influence of media on our politics, whether it’s viruses, or algorithms—and how algorithms speak to each other—I mean, for science fiction it’s the best thing ever. Talk about being a working mom and raising boys. It’s just a great experience. I loved having boys. I’ve loved watching them. It’s fascinating to me because it’s different. Their puberty is so different. And I have such a close relationship with them. It has been really great for me in a way to come to really understand men, in a way, through them…it’s a beautiful bond. Yeah, the boy thing is special. 


Editor’s Note: This Q&A was conducted by Izumi Hasegawa of The Interview People. She was born and raised in the Shusse Inari Shrine in Shimane, Japan, where she received a Shinto priest certification. She works as a film journalist and owns Hollywood News Wire Inc. and runs


Mädchen Amick

You had what most people would consider an unconventional childhood. Looking back, what did your mom and dad get right in terms of nurturing your talent and creativity?

They were incredibly brave. My father was a musician and he was the creative side of my parents, while my mom was more analytical. She was an office manager.

So two different parenting philosophies that came together. 

They loved and adored me and made me feel I could do anything in the world I wanted to do.

What were their aspirations for you?

My dad’s dream was that I might eventually join his band and that we could go on tour together. As much as I love music and have it around me—I married a musician and have musical children—I went into dancing and eventually found my way into acting. Because I was a methodical child when I went to them at 14 and said “I have a plan…I want to move to L.A. when I’m 16, do I have your blessing?” they knew I was serious and supported me. When I became a parent, I looked back. When my kids were 14 and 16, I don’t think I would have been comfortable with that.

Which of their parenting skills have you embraced?

My husband and I always encourage our kids to follow their dreams and their instincts. It’s more important for you to be happy than ”successful.” Find a career that feeds your soul and makes you feel good. That’s a thing that I definitely pulled from my childhood. 

You played Shelly on Twin Peaks as a young woman and now you are back in the same role, playing the mother of a young woman. Was that unexpected?

It was definitely a surprise that she was a mother of an early-20s child, who is following in her mom’s footsteps in an abusive relationship—and also to show that Shelly hasn’t emerged from that cycle, either. It was fascinating for me to see what David Lynch and Mark Frost wrote. Shelly has to think about what advice she would give and that fine line of protecting her without pushing her too far away. It threw me at first, but that story of the cycle that didn’t break…it is an important one to tell.

In Riverdale, you’re a different type of mom.

Yet she’s a mother in a similar way to Shelly, in terms of wanting to protect her children. She just goes about it in a completely opposite manner. Shelly is trying to keep her distance and show her daughter love, whereas Alice steps in every single time. She’s completely overbearing, a bull in a china shop—but with the same good intentions. 

Editor’s Note: Mark Stewart conducted this interview, which strayed into some fascinating territory after the allotted time. For 5 more minutes with Mädchen Amick log onto


Benjamin Hollingsworth

TV Doctor Benjamin Hollingsworth of “Code Black”

What kind of research is involved in playing the role of Dr. Mario Savetti? It takes a lot of hard work and preparation to get to a point where you can convincingly play a doctor on TV. We pride ourselves in our ability to portray the medical world as authentically as possible. I’ve probably done about 300 hours of medical training and boot camp. I understand how to work with a central line, intubation, chest tube, thoracotomy and just about every major ER procedure from start to finish. And I’ve actually gotten good at stitching. When people need their pants hemmed, I can suture to help save on tailoring costs!

In what ways is your personal reality similar to your Code Black character’s?

I live my excitement at work—which is something I think we share—and I also have a competitive nature…but, of course, I don’t save lives. Something else he and I share is that we don’t come from a super-wealthy family. I attended a prestigious acting school, but I had to work my way to get there with barely any connections, and I’ve had to fight for my roles—and I’ve had to really put in the work to get them.

What do you admire about him?

He has this ability to survive. Angels Memorial is one of the toughest places in the world to work, and he not only survives but he excels. I really admire his ability to handle just about every situation thrown at him. He’s very instinctual, which is what makes him such a good ER doctor. He doesn’t question himself. He works really hard to know what he needs to do and he’s good at doing it. That absence of self-doubt is one of his greatest strengths. You co-star in the upcoming action film Hard Powder with Liam Neeson, Laura Dern, Emmy Rossum and William Forsythe. 

How does being part of a cast like that help you refine your craft?

Any time you get to share the screen with such talented veterans, you learn. I have conservatory training. I spent three years learning a craft, but one of the biggest things I learned in theater school was that you never stop learning. So even now, a decade after graduating, I’m still going to work and learning from the best.

You did an episode of Degrassi about 10 years ago. Is that some sort of right of passage for Canadian actors?

Yes [laughs] this was my first role out of theater school. It’s definitely a Canadian rite of passage! Degrassi opened up a lot of opportunities. I made a lot of good friends and we stayed in touch. When I first got started down in L.A., they were also there and we would all get together. There were a lot of friendships that formed from the show. It was great. 

Editor’s Note: Editor-at-Large Ashleigh Owens actually spent a good 10 minutes with Ben Hollingsworth. To read 5 More Minutes with the Code Black star—and learn about his 2018 film projects— log onto


Jeff Hanna
Marcus Samuelsson

Celebrity Chef Marcus Samuelsson

Why are you head over heels about cooking?

I love the creativity of cooking and eating. Cooking is very rewarding. What I love about it is that you can cook a meal and can share it, you can share where you’ve been on a journey, you can share where you’re going, you can share what you’re excited about. It can be spiritual; you can really bring your mood into the food. But it is also something that still is both a craft and an art. I practice cooking almost every day. It’s a combination of work ethic, craftsmanship, and artistry.

When did you realize you had the knack for it?

When I was a teenager. I started to make meals for my family and everyone loved my food, even the pickiest of eaters. My grandmother helped me find that passion and my parents gave me my work ethic. Working in France showed me what it would take, and then coming to this incredible environment here in New York City pushed me even more, working with the chefs from Harlem EatUp and other local chefs, like Jonathan Waxman, Daniel Boulud and Melba Wilson. They’re the ones inspiring and pushing me every day.

Is there a difference between cooking for Americans and Europeans?

I do believe that there is. In America, you have a multicultural culinary base with a variety of different consumers, which makes it more interesting. In America, the biggest difference is we have diversity. The bigger the diversity the more you have to take into consideration. Maybe there won’t be as much pork on the menu, maybe you have to think about more vegetarian dishes. You have to think about people’s choices in order to feed a more diverse nation.

What is your favorite ingredient at the moment?

I am intrigued by seafood, even the most simple, like soft shell crab. I also like rhubarb.

Are you head over heels for a particular cookbook?

White Heat is my favorite, by chef Marco Pierre White. He showed me a different path in France. And I love Leah Chase’s And Still I Cook. She is one of my mentors.

Julia Child said careful cooking is love. Do you agree?

I completely agree. It is a way of caring. I think it applies to everything we do. Everything that I know and every place that I have been has always revolved around cooking. Whether I am breaking bread with my family in Harlem or in Ethiopia, to me it is one in the same, and I love it.

How would you tailor a menu for the ultimate date night?

The menu would have intimate, shareable food. I’d begin with oysters. I think there must be champagne, definitely some bubbles. I love something that talks about a journey a couple has shared together, like the Caribbean—for instance, grilled lobster with rice. They’d finish with strawberries and buttermilk sorbet, to bring back some childhood memories.

Editor’s Note: Marcus Samuelsson is a favorite contestant and judge on cooking competition shows, and owns Red Rooster in Harlem. He holds the distinction of being the youngest chef ever to receive a 3-Star review from the New York Times. As executive chef at Aquavit, he was named the top chef in New York City by the James Beard Foundation. Editor At Large Tracey Smith actually spent more than 5 Minutes with Marcus. Log onto to learn more about Red Rooster and his life as a celebrity chef.

Vinnie Brand
Toks Olagundoye
Sister Rosemary Moynihan